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The Little Prince And The Eight-Headed Dragon
is a Japanese animated fantasy adventure film, the 6th feature produced by Toei Animation (then Tōei Dōga), released in Japan on March 24, 1963. English-dubbed versions have been released under several titles, including ''The Little Prince and the Eight-Headed Dragon'', ''Prince in Wonderland'' and ''Rainbow Bridge''. Based on the Shintō myth of the storm god Susanoo's battle with the Yamata no Orochi, the color, "ToeiScope" anamorphic format film is scripted by Ichirō Ikeda and Takashi Iijima and directed by Yūgo Serikawa. It is considered one of the very best of the Tōei Dōga features and a landmark in anime and animated features in general, placing 10th in the list of the 150 best animated films and series of all time compiled by Tokyo's Laputa Animation Festival from an international survey of animation staff and critics in 2003. It features distinctively modernist, abstracted character, background and color design, formalised the role of supervising animator (perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morio Kazama
is a Japanese actor. He won the award for best supporting actor at the 2nd Yokohama Film Festival for ''Shiki Natsuko'' and ''Yūgure made'' and at the 6th and 7th Japan Academy Prizes. Filmography Films * ''Wanpaku Ōji no Orochi Taiji'' (1963) – childhood Zushiōmaru (voice, credited as Tomohito Sumita) * ''Shiki Natsuko'' (1980) * ''Yūgure made'' (1980) * ''Fall Guy'' (1982) – Ginshirō * ''Theater of Life'' (1983) * ''Shanghai Rhapsody'' (1984) * '' The Tale of Genji'' (1987) * '' A Chaos of Flowers'' (1988) * ''Samurai Fiction'' (1998) * ''The Wind Rises'' (2013) – Satomi (voice) * '' A Bolt from the Blue'' (2014) * ''Honnō-ji Hotel'' (2017) * ''Flea-picking Samurai'' (2018) * ''Underdog'' (2020) * ''Asakusa Kid'' (2021) Television drama *''Onna Taikōki'' (1981) – Azai Nagamasa *''Byakkotai'' (1986) – Matsudaira Katamori *''Unmeitōge'' (1993) *''Furuhata Ninzaburō'' (1996) *''Celeb to Binbō Tarō'' (2008) *''Massan'' (2015) – Kumatora Morino *''Segodon'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Model Sheet
In visual arts, a model sheet, also known as a character board, character sheet, character study or simply a study, is a document used to help standardize the appearance, poses, and gestures of a character in arts such as animation, comics, and video games. Model sheets are required when multiple artists are involved in the production of an animated film, game, or comic to help maintain continuity in characters from scene to scene. In animation, one animator may only do one shot out of the several hundred that are required to complete an animated feature film. A character not drawn according to the production's standardized model is referred to as off-model. Model sheets are also used for references in 3D modeling to guide proper proportions of models. Purposes Model sheets have also been used in the past to maintain graphic continuity over the years for long lasting cartoon productions of short or short features such as the ''Looney Tunes'' or '' Merrie Melodies'' series. Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Izanami
, formally known as , is the creator deity of both creation and death in Japanese mythology, as well as the Shinto mother goddess. She and her brother-husband Izanagi are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanami and Izanagi are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo. Name Her name is given in the '' Kojiki'' (ca. 712 AD) both as ''Izanami-no-Kami'' (伊弉冉神) and ''Izanami-no-Mikoto'' (伊弉冉尊), while the '' Nihon Shoki'' (720 AD) refers to her as ''Izanami-no-Mikoto'', with the name written in different characters (伊邪那美命). The names ''Izanagi'' (''Izanaki'') and ''Izanami'' are often interpreted as being derived from the verb ( historical orthography ) or ''iⁿzanap''- from Western Old Japanese 'to invite' , with ''-ki'' / ''-gi'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kimio Yabuki
Kimio Yabuki ( ja, 矢吹 公郎) is a Japanese animator. Known in Japan for his work on many early classic works by the Toei Animation studio, his best-known film in the West is ''Rainbow Brite and the Star Stealer'' from 1985, produced by the French-American company DiC with animation work done in Japan. In 1969, he teamed up with a young Hayao Miyazaki in the production of an animated version of ''Puss in Boots''. Yabuki was an employee of Toei Animation until going freelance in 1973, but did work on several Toei productions (including ''Dororon Enma-kun'', ''Ikkyu-san'', and ''The Kabocha Wine'') afterward. Filmography Director * 1963–1965: '' Ōkami Shōnen Ken'' (狼少年ケン, ''Wolf Boy Ken''; TV series) * 1968: '' Andersen Monogatari'' (アンデルセン物語) * 1969: ''Puss 'n Boots'' (長靴をはいた猫, ''Nagagutsu o Haita Neko'') * 1973–1974: ''Dororon Enma-kun'' (ドロロンえん魔くん) * 1975–1982: '' Ikkyū-san'' (一休さん) * 1980: '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isao Takahata
was a Japanese director, screenwriter and producer. A co-founder of Studio Ghibli, he earned international critical acclaim for his work as a director of Japanese animated feature films. Born in Ujiyamada, Mie Prefecture, Takahata joined Toei Animation after graduating from the University of Tokyo in 1959. He worked as an assistant director, holding various positions over the years and collaborating with colleague Hayao Miyazaki, eventually directing his own film, '' The Great Adventure of Horus, Prince of the Sun'' (1968). He continued his partnership with Miyazaki, and under Nippon Animation directed the television series ''Heidi, Girl of the Alps'' (1974), '' 3000 Leagues in Search of Mother'' (1976), and '' Anne of Green Gables'' (1979). Takahata, Miyazaki and others formed Studio Ghibli in 1985, where he would direct ''Grave of the Fireflies'' (1988), '' Only Yesterday'' (1991), ''Pom Poko'' (1994), and ''My Neighbors the Yamadas'' (1999). His last film as director was ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assistant Director
The role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew.IMDB Glossary, retrieved 2015-02-10 The role of an assistant to the film director is often confused with assistant director but the responsibilities are entirely different. The assistant to the film director manages all of the directors in development, pre-production, while on set, through post-production and is often involved in both personal management as well as creative aspects of the production process. Historically, assistant directing was a stepping stone to directing work; Alfred Hitchcock was an AD, as well as Akira Kurosawa. This was when the role was more general and encompassed all aspects of filmmaking such as set design and script editing. This transition into film directing is no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inbetweening
Inbetweening, also known as tweening, is a process in animation that involves creating intermediate Film frame, frames, called inbetweens, between two key frame, keyframes. The intended result is to create the illusion of movement by smoothly transitioning one image into another. Traditional animation Traditional inbetweening involves the use of a light table to draw a set of pencil and paper drawings. The process of inbetweening in traditional animation starts with a primary artist, who draws key frames to define movement. After the testing and approval of a rough animation, the scene is passed down to assistants, who perform Cleanup (animation), clean-up and add necessary inbetweening. In large studios, assistants usually add breakdowns, which define the movement in more detail. The scene is then passed down to another assistant, the inbetweener who completes the animation. In small animation teams, animators will often carry out the full inbetweening process themselves. Dick H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key Frame
In animation and filmmaking, a key frame (or keyframe) is a drawing or shot that defines the starting and ending points of a smooth transition. These are called ''frames'' because their position in time is measured in frames on a strip of film or on a digital video editing timeline. A sequence of key frames defines which movement the viewer will see, whereas the position of the key frames on the film, video, or animation defines the timing of the movement. Because only two or three key frames over the span of a second do not create the illusion of movement, the remaining frames are filled with " inbetweens". Use of key frames as a means to change parameters In software packages that support animation, especially 3D graphics, there are many parameters that can be changed for any one object. One example of such an object is a light (In 3D graphics, lights function similarly to real-world lights. They cause illumination, cast shadows, and create specular highlights). Lights have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōichi Kotabe
is a Japanese animator and character designer. He has worked on several anime films from the 1960s and 1970s, on the ''Super Mario'' video game series, and the ''Pokémon'' series in television and film. He was an employee at Nintendo for two decades doing illustrations, character designs, and supervision from 1985 to 2007. At that time, he began to work as a freelancer for the anime and video game industry, including for Nintendo again. Biography Kotabe became interested in animation after watching the short film ''Momotarō no Umiwashi'' as a child. He was fascinated with how the fighter moved in the film. His father, who was an oil painter, also influenced his decision to work as an artist. Kotabe found oil painting to be difficult, so he instead worked in watercolor painting. In order to continue working in watercolors, he adopted the ''nihonga'', or Japanese‐style, of painting, and began studying at the Tokyo University of the Arts in the Japanese‐style painting departme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasuo Ōtsuka
was a Japanese animator who worked with Toei Animation, Nippon Animation, TMS Entertainment, and Studio Ghibli. He was considered to be one of Japan's foremost animators, and he was an important mentor to both Hayao Miyazaki and Isao Takahata. Biography Ōtsuka was born in Shimane Prefecture. During a visit to Tsuwano at the age of 10, he saw a steam locomotive for the first time. He began to take an interest in locomotives and their operation and would frequently sketch them. In 1945, his family moved to Yamaguchi Prefecture where there was a military base. He began to draw the array of military vehicles located there while also drawing a variety of subjects in different styles. Otsuka also collected cuttings of cartoon strips into scrapbooks to learn more about drawing styles. Otsuka joined Yamaguchi's Bureau of Statistics but later wanted to become a political cartoonist in Tokyo. However at the time, permission was needed to move to Tokyo so he applied to the Health and Welfa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animators
An animator is an artist who creates multiple images, known as frames, which give an illusion of movement called animation when displayed in rapid sequence. Animators can work in a variety of fields including film, television, and video games. Animation is closely related to filmmaking and like filmmaking is extremely labor-intensive, which means that most significant works require the collaboration of several animators. The methods of creating the images or frames for an animation piece depend on the animators' artistic styles and their field. Other artists who contribute to animated cartoons, but who are not animators, include layout artists (who design the backgrounds, lighting, and camera angles), storyboard artists (who draw panels of the action from the script), and background artists (who paint the "scenery"). Animated films share some film crew positions with regular live action films, such as director, producer, sound engineer, and editor, but differ radically in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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