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The Immortal Hour (play)
''The Immortal Hour'' is a 1899 play by Scottish playwright Fiona Macleod, a pseudonym of writer William Sharp. Dalua Dalua is a character in the play. Although the play uses characters and settings from Celtic mythology, the character of Dalua was the invention of Macleod. He is a brooding and fateful presence, known alternatively as the Amadan-Dhu, the Dark One, the Faery Fool. He claims to be even more ancient than the gods. It is through his movements and gestures that he affects the feelings and desires of the other characters and thus drives the fatal, hubristic pursuit of the Faery princess Etain by the mortal king Eochaidh; later, at the end of the work, he steps in and touches the king, who consequently dies. Opera The English composer Rutland Boughton composed an opera of the same name with a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical ...
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Fiona Macleod
William Sharp (12 September 1855 – 12 December 1905) was a Scottish writer, of poetry and literary biography in particular, who from 1893 wrote also as Fiona Macleod, a pseudonym kept almost secret during his lifetime. He was also an editor of the poetry of Ossian, Walter Scott, Matthew Arnold, Algernon Charles Swinburne and Eugene Lee-Hamilton. Biography Sharp was born in Paisley and educated at Glasgow Academy and the University of Glasgow, which he attended 1871–1872 without completing a degree. In 1872 he contracted typhoid. During 1874–5 he worked in a Glasgow law office. His health broke down in 1876 and he was sent on a voyage to Australia. In 1878 he took a position in a bank in London. He was introduced to Dante Gabriel Rossetti by Sir Noel Paton, and joined the Rossetti literary group; which included Hall Caine, Philip Bourke Marston and Swinburne. He married his cousin Elizabeth Sharp in 1884, and devoted himself to writing full-time from 1891, travelling w ...
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William Sharp (writer)
William Sharp (12 September 1855 – 12 December 1905) was a Scottish writer, of poetry and literary biography in particular, who from 1893 wrote also as Fiona Macleod, a pseudonym kept almost secret during his lifetime. He was also an editor of the poetry of Ossian, Walter Scott, Matthew Arnold, Algernon Charles Swinburne and Eugene Lee-Hamilton. Biography Sharp was born in Paisley and educated at Glasgow Academy and the University of Glasgow, which he attended 1871–1872 without completing a degree. In 1872 he contracted typhoid. During 1874–5 he worked in a Glasgow law office. His health broke down in 1876 and he was sent on a voyage to Australia. In 1878 he took a position in a bank in London. He was introduced to Dante Gabriel Rossetti by Sir Noel Paton, and joined the Rossetti literary group; which included Hall Caine, Philip Bourke Marston and Swinburne. He married his cousin Elizabeth Sharp in 1884, and devoted himself to writing full-time from 1891, travelli ...
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Celtic Mythology
Celtic mythology is the body of myths belonging to the Celtic peoples.Cunliffe, Barry, (1997) ''The Ancient Celts''. Oxford, Oxford University Press , pp. 183 (religion), 202, 204–8. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples (the Gaels of Ireland and Scotland; the Celtic Britons of western Britain and Brittany). They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology. The supernatural race called the Tuatha ...
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Hubris
Hubris (; ), or less frequently hybris (), describes a personality quality of extreme or excessive pride or dangerous overconfidence, often in combination with (or synonymous with) arrogance. The term ''arrogance'' comes from the Latin ', meaning "to feel that one has a right to demand certain attitudes and behaviors from other people". To ''arrogate'' means "to claim or seize without justification... To make undue claims to having", or "to claim or seize without right... to ascribe or attribute without reason". The term ''pretension'' is also associated with the term ''hubris'', but is not synonymous with it. According to studies, hubris, arrogance, and pretension are related to the need for victory (even if it does not always mean winning) instead of reconciliation, which "friendly" groups might promote. Hubris is usually perceived as a characteristic of an individual rather than a group, although the group the offender belongs to may suffer collateral consequences from wrong ...
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Étaín
Étaín or Édaín (Modern Irish spelling: Éadaoin) is a figure of Irish mythology, best known as the heroine of ''Tochmarc Étaíne'' (''The Wooing Of Étaín''), one of the oldest and richest stories of the Mythological Cycle. She also figures in the Middle Irish ''Togail Bruidne Dá Derga'' (''The Destruction of Da Derga's Hostel''). T. F. O'Rahilly identified her as a sun goddess. Name The name ''Étaín'' () is alternately spelt as ''Edain'', ''Aideen'', ''Etaoin'', ''Éadaoin'', ''Aedín'', or ''Adaon''. It is derived from a diminutive form of Old Irish ''ét'', "passion, jealousy". She is sometimes known by the epithet Echraide ("horse rider"), suggesting links with horse deities and figures such as the Welsh Rhiannon and the Gaulish Epona.MacKillop, p. 195. In ''Tochmarc Étaíne'' Midir names her Bé Find (Fair Woman). However, the poem embedded in the text, "A Bé Find in ragha lium" may be an older, unrelated composition that was appended to the story later. Genea ...
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Eochaidh
Eochaid or Eochaidh (earlier Eochu or Eocho, sometimes Anglicised as Eochy, Achaius or Haughey) is a popular medieval Irish and Scottish Gaelic name deriving from Old Irish ''ech'', horse, borne by a variety of historical and legendary figures. Variations List *Eochaid mac Eirc, mythological king of the Fir Bolg in the 16th or 20th century BC *Eochaid Ollathair, also known as The Dagda, mythical king of the Tuatha Dé Danann, said to have ruled Ireland in the 15th or 18th century BC *Eochaid Faebar Glas, legendary High King of Ireland of the 13th or 15th century BC *Eochaid Étgudach, legendary High King of Ireland of the 12th or 15th century BC *Eochaid Mumho, legendary High King of Ireland of the 12th or 15th century BC *Eochaid Apthach, legendary High King of Ireland of the 9th or 10th century BC *Eochaid Uaircheas, legendary High King of Ireland of the 8th or 9th century BC *Eochaid Fiadmuine, legendary High King of Ireland of the 8th or 9th century BC *Eochaid mac Ailella, l ...
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England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe by the North Sea to the east and the English Channel to the south. The country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, and includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Paleolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century and has had a significant cultural and legal impact on the wider world since the Age of Discovery, which began during the 15th century. The English language, the Anglican Church, and Engli ...
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Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ...
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Rutland Boughton
Rutland Boughton (23 January 187825 January 1960) was an English composer who became well known in the early 20th century as a composer of opera and choral music. He was also an influential communist activist within the Communist Party of Great Britain (CPGB). His oeuvre includes three symphonies, several concertos, part-songs, songs, chamber music and opera (which he called "music drama" after Wagner). His best known work was the opera ''The Immortal Hour''. His ''Bethlehem'' (1915), based on the Coventry Nativity Play and notable for its choral arrangements of traditional Christmas carols, also became very popular with choral societies worldwide. Among his many works, the prolific Boughton composed a complete series of five operas of Arthurian mythos, written over a period of thirty-five years: ''The Birth of Arthur'' (1909), ''The Round Table'' (1915–16), ''The Lily Maid'' (1933–34), ''Galahad'' (1943–44) and ''Avalon'' (1944–45). Other operas by Boughton include ...
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The Immortal Hour
''The Immortal Hour'' is an opera by English composer Rutland Boughton. Boughton adapted his own libretto from the play of the same name by Fiona MacLeod, a pseudonym of writer William Sharp. ''The Immortal Hour'' is a fairy tale or fairy opera, with a mood and theme similar to Dvořák's ''Rusalka'' and Mozart's ''The Magic Flute''. Magic and nature spirits play important roles in the storyline. The fairy people are not mischievous, childlike sprites, but are proud and powerful: immortal demigods who are feared by mortals and who can (and do) interfere with the lives of men and women. Alternatively, the progression of Etain into the mortal realm and her pursuit and redemption by Midir have similarities with the legend of Orpheus and Eurydice. In this work, Boughton combined Wagnerian approaches to musical themes and symbolism with a folk-like modal approach to the music itself, reflective of the Celtic origins of the tale, which is based on the Irish story ''Tochmarc Éta ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Scottish Plays
Scottish usually refers to something of, from, or related to Scotland, including: *Scottish Gaelic, a Celtic Goidelic language of the Indo-European language family native to Scotland *Scottish English * Scottish national identity, the Scottish identity and common culture *Scottish people, a nation and ethnic group native to Scotland *Scots language Scots ( endonym: ''Scots''; gd, Albais, ) is an Anglic language variety in the West Germanic language family, spoken in Scotland and parts of Ulster in the north of Ireland (where the local dialect is known as Ulster Scots). Most commonl ..., a West Germanic language spoken in lowland Scotland * Symphony No. 3 (Mendelssohn), a symphony by Felix Mendelssohn known as ''the Scottish'' See also * Scotch (other) * Scotland (other) * Scots (other) * Scottian (other) * Schottische * {{disambiguation Language and nationality disambiguation pages ca:Escocès ...
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