The Goalkeeper's Fear Of The Penalty
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The Goalkeeper's Fear Of The Penalty
''The Goalkeeper's Fear of the Penalty'' (german: Die Angst des Tormanns beim Elfmeter) is a 1972 German-language drama film directed by Wim Wenders. It is also known as ''The Goalie's Anxiety at the Penalty Kick''. It was adapted from the novel with the same title by Peter Handke. Plot A goalkeeper is sent off during a game for dissent. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for .... It explores the monotony of the murderer's existence and, like many of Wenders' films, the overwhelming cultural influence of America in post-war West Germany. Origin of the title Late in the movie, the goalkeeper and a tr ...
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Wim Wenders
Ernst Wilhelm "Wim" Wenders (; born 14 August 1945) is a German filmmaker, playwright, author, and photographer. He is a major figure in New German Cinema. Among many honors, he has received three nominations for the Academy Award for Best Documentary Feature: for ''Buena Vista Social Club'' (1999), about Cuban music culture; ''Pina'' (2011), about the contemporary dance choreographer Pina Bausch; and '' The Salt of the Earth'' (2014), about Brazilian photographer SebastiĆ£o Salgado. One of Wenders's earliest honors was a win for the BAFTA Award for Best Direction for his narrative drama ''Paris, Texas'' (1984), which also won the Palme d'Or at the 1984 Cannes Film Festival. Many of his subsequent films have also been recognized at Cannes, including ''Wings of Desire'' (1987), for which he won the Best Director Award at the 1987 Cannes Film Festival. Wenders has been the president of the European Film Academy in Berlin since 1996. Alongside filmmaking, he is an active photogr ...
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Film Genre
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film. Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors." One can also classify films by the tone, theme/topic, mood, format, target audience, or budget. Hayward, Susan. "Genre/Sub-genre" in ''Cinema Studies: The Key Concepts'' (Third Edition). Routledge, 2006. p. 185-192 These characteristics are most evident in genre films, which are "commercial feature films hat through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre. Grant, Barry Keith. ''Film Genre: From Iconography to Ideology''. Wallflower Press, 2007. p. 1 A film's genre will influence the use of filmmaking styles and techniques, such as the use ...
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Films With Screenplays By Peter Handke
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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