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The Funeral (Hank Williams Song)
"The Funeral" is a song credited to Hank Williams with words from Will Carleton. It was released as a single under the pseudonym Luke the Drifter by MGM Records in 1950. Background Although credited to Williams, "The Funeral" had existed for years as a poem written by Will Carleton and recounts a black child's funeral. T. Texas Tyler, who had scored a big hit with the recitation "Deck of Cards" in 1948, had recorded a version of the song titled "Colored Child's Funeral" around the same time as Williams recorded it, as did East Coast deejay Buddy Starcher. It is one of the few Hank Williams recordings that has not aged well, as biographer Colin Escott observes: :"By today's standards, 'The Funeral' was an uncomfortably patronizing account of a black child's funeral service. Originally a poem by Will Carleton, it was first published in August 28, 1886 in Harper's Weekly. Unlike Starcher and Tyler, though, Hank delivered 'The Funeral' in his regular voice, and was clearly exte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Williams
Hank Williams (born Hiram Williams; September 17, 1923 – January 1, 1953) was an American singer, songwriter, and musician. Regarded as one of the most significant and influential American singers and songwriters of the 20th century, he recorded 55 singles (five released posthumously) that reached the top 10 of the ''Billboard'' Country & Western Best Sellers chart, including 12 that reached No. 1 (three posthumously). Born and raised in Alabama, Williams was given guitar lessons by African-American blues musician Rufus Payne in exchange for meals or money. Payne, along with Roy Acuff and Ernest Tubb, had a major influence on Williams' later musical style. Williams began his music career in Montgomery in 1937, when producers at local radio station WSFA hired him to perform and host a 15-minute program. He formed the Drifting Cowboys backup band, which was managed by his mother, and dropped out of school to devote his time to his career. When several of his band members wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nashville
Nashville is the capital city of the U.S. state of Tennessee and the seat of Davidson County. With a population of 689,447 at the 2020 U.S. census, Nashville is the most populous city in the state, 21st most-populous city in the U.S., and the fourth most populous city in the southeastern U.S. Located on the Cumberland River, the city is the center of the Nashville metropolitan area, which is one of the fastest growing in the nation. Named for Francis Nash, a general of the Continental Army during the American Revolutionary War, the city was founded in 1779. The city grew quickly due to its strategic location as a port on the Cumberland River and, in the 19th century, a railroad center. Nashville seceded with Tennessee during the American Civil War; in 1862 it was the first state capital in the Confederacy to be taken by Union forces. After the war, the city reclaimed its position and developed a manufacturing base. Since 1963, Nashville has had a consolidated city-county gov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Recordings Produced By Fred Rose (songwriter)
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1950 Songs
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 ''Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establish his he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Williams Songs
Hank is a male given name. It may have been inspired by the Dutch name Henk, ''Mentalfloss'' itself a short form of Hendrik and thus related to & . Given name or nickname * (1934-2021), Hall of Fame baseball player * |
Hank Williams As Luke The Drifter
''Hank Williams as Luke the Drifter'' is an LP by Hank Williams released by MGM Records in 1953. It features narrations that Williams released under the pseudonym Luke the Drifter. Background Spoken word, moralistic narrations and talking blues had always been a tradition in country music and were still commercially viable in the late 1940s; T. Texas Tyler's narration of "Deck of Cards" became one of the best selling records of 1948. Still, Williams' producer Fred Rose remained dubious: :"Rose's objection was rooted in commercial logic: jukebox operators had huge standing orders for Hank Williams records and, if the recitations were issued under Hank's name, the operators would complain. Virtually all of the operators serviced bars, and the last thing they needed was for someone to punch up a Hank Williams record and get a sermon." Rose and Williams settled on the pseudonym "Luke the Drifter." No attempt was made to hide the fact that Hank was Luke the Drifter, and the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Owen Bradley
William Owen Bradley (October 21, 1915 – January 7, 1998) was an American musician and record producer who, along with Chet Atkins, Bob Ferguson, Bill Porter, and Don Law, was one of the chief architects of the 1950s and 1960s Nashville sound in country music and rockabilly. Before the fame A native of , United States, Bradley learned piano at an early age, and began playing in local s and roadhouses ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hillous Butrum
Hillous Buel "Bew" Butrum (April 21, 1928 – April 27, 2002) was an American country music guitar player and a record and video producer best known as being a member of Hank Williams' Drifting Cowboys. Hillous Butrum was born in Lafayette, Tennessee. Butrum found his way to Nashville and landed a job at WSM Radio. He eventually wound up a staff musician on the Grand Ole Opry, at age 16. From there, he played bass for Hank Williams' band "The Drifting Cowboys." He would play with the Drifting Cowboys from 1949 until 1950. After the passing of Williams, Butrum joined Hank Snow's band, the Rainbow Ranch Boys, and later played on many Marty Robbins recording sessions. He'd eventually start a music publishing company with Robbins. He established "Butrum Enterprises Publishing Company" and owned Look Records. He produced many early country music documentaries including "'' Music City USA''". Butrum would tour again, from 1977 to 1984, with the reformed Drifting Cowboys. La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Helms
Donald "Don" Hugh Helms (February 28, 1927 – August 11, 2008) was a steel guitarist best known as the steel guitar player of Hank Williams's Drifting Cowboys group. He was a member of the Steel Guitar Hall of Fame (1984). Biography Helms was a featured musician on over 100 Hank Williams recordings and provided the high, piercing signature steel guitar sound on more than 100 Hank Williams songs and on 10 of his 11 number-one country hits. Bill Lloyd, the curator of stringed instruments at the Country Music Hall of Fame and Museum, said of Helms: “After the great tunes and Hank’s mournful voice, the next thing you think about in those songs is the steel guitar. It is the quintessential honky-tonk steel sound — tuneful, aggressive, full of attitude.” Lloyd also credits Helms's sound as a major influence in shifting the sound of country music away from the hillbilly string-band sound popular in the 1930s and toward the more modern electric style that became prominent in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Escott
Colin Escott (born August 31, 1949) is a British music historian and author specializing in early U.S. rock and roll and country music. His works include a biography of Hank Williams, histories of Sun Records and The Grand Ole Opry, liner notes for more than 500 albums and compilations, and major contributions to stage and television productions. Honors include multiple Grammy Awards and a Tony Award nomination. Career His early career included stints in operations for Island Records and Polygram Records in the 1970s, followed by independent work for Universal, Sony/Columbia, Warner Bros.-Rhino, Time Life, Capitol-EMI, RCA, and many independent companies, including Bear Family, Sundazed, Omnivore, and others. He also wrote music history pieces for various music industry publications including ''Record Mirror'', '' Goldmine'', ''Record Hunter'', and others. Described as "the foremost authority on Sun Records", in 1992 he and co-writer Martin Hawkins published ''Good Rockin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beyond The Sunset (Hank Williams Song)
"Beyond the Sunset" is a song written by Blanche Kerr Brock, Virgil P. Brock, and Albert Kennedy Rowswell. It was released as a single by Hank Williams under the pseudonym Luke the Drifter in 1950. Background The recitation in "Beyond the Sunset" was originally a poem called "Should You Go First" by Albert "Rosey" Rowswell, the voice of the Pittsburgh Pirates for more than twenty years, and later first put to the 1936 hymn "Beyond the Sunset" by West Virginian performer Chickie Davis. Elton Britt released a version before Williams in February 1950. Country music historian Colin Escott calls the song "pure Victoriana caught out of time." Williams recorded the song in Nashville at Castle Studio at the first Luke the Drifter session on January 9, 1950 with Fred Rose producing. He was backed on the session by Don Helms (steel guitar), Hillous Butrum (bass), and probably Owen Bradley or Rose (organ). It was released as a single in 1950 as the B-side to "The Funeral" and also appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
