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The Four Prentices Of London
''The Four Prentices of London'' is an Elizabethan play by English Renaissance playwright Thomas Heywood, thought to have originated ''c''. 1592. The play is known to have been acted by the Admiral's Men on 19 July 1594. It might also have been performed, under the title ''Jerusalem'', by the Lord Strange's Men on 22 March and 25 April 1592.Chambers, Vol. 3, pp. 340–1. The play was entered into the Stationers' Register on 19 June 1594, under the title ''Godfrey of Bouillon and the Conquest of Jerusalem'', but was not published until 1615. The title page of the first quarto states that the play was acted by Queen Anne's Men at the Red Bull Theatre, though the play had a long prior history of performances by earlier companies in earlier venues, as noted above. It was printed again in 1632. The text of the play in the 1615 volume is preceded by an Epistle to the Prentices, signed by Heywood, and a Prologue that provides yet a fourth title, ''True and Strange, or The Four Pr ...
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English Literature
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-F ...
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Robert II, Duke Of Normandy
Robert Curthose, or Robert II of Normandy ( 1051 – 3 February 1134, french: Robert Courteheuse / Robert II de Normandie), was the eldest son of William the Conqueror and succeeded his father as Duke of Normandy in 1087, reigning until 1106. Robert was also an unsuccessful claimant to the throne of the Kingdom of England. The epithet "Curthose" had its origins in the Norman French word ''courtheuse'' 'short stockings' and was apparently derived from a nickname given to Robert by his father; the chroniclers William of Malmesbury and Orderic Vitalis reported that William the Conqueror had derisively called Robert ''brevis-ocrea'' ("short boot"). Robert's reign as Duke is noted for the discord with his brothers William II of England, William II and Henry I of England, Henry I in England. Robert Mortgage loan, mortgaged his duchy to finance his participation in the First Crusade, where he was an important commander. Eventually, his disagreements with Henry I led to defeat in the B ...
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Plays By Thomas Heywood
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times ...
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Edmund Kerchever Chambers
Sir Edmund Kerchever Chambers, (16 March 1866 – 21 January 1954), usually known as E. K. Chambers, was an English literary critic and Shakespearean scholar. His four-volume work on ''The Elizabethan Stage'', published in 1923, remains a standard resource. Life Chambers was born in West Ilsley, Berkshire. His father was a curate there and his mother the daughter of a Victorian theologian. He was educated at Marlborough College, before matriculating at Corpus Christi College, Oxford. He won a number of prizes, including the chancellor's prize in English for an essay on literary forgery in 1891. He took a job with the national education department, and married Eleanor Bowman in 1893. In the newly created Board of Education, Chambers worked principally to oversee adult and continuing education. He rose to be second secretary, but the work for which he is remembered took place outside the office, at least before he retired from the Board in 1926. He was the first president of ...
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The Knight Of The Burning Pestle
''The Knight of the Burning Pestle'' is a play in five acts by Francis Beaumont, first performed at Blackfriars Theatre in 1607 and published in a quarto in 1613. It is the earliest whole parody (or pastiche) play in English. The play is a satire on chivalric romances in general, similar to ''Don Quixote'', and a parody of Thomas Heywood's ''The Four Prentices of London'' and Thomas Dekker's ''The Shoemaker's Holiday''. It breaks the fourth wall from its outset. Text It is most likely that the play was written for the child actors at Blackfriars Theatre, where John Marston had previously had plays produced. In addition to the textual history testifying to a Blackfriars origin, there are multiple references within the text to Marston, to the actors as children (notably from the Citizen's Wife, who seems to recognise the actors from their school), and other indications that the performance took place in a house known for biting satire and sexual innuendo. Blackfriars specialis ...
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Francis Beaumont
Francis Beaumont ( ; 1584 – 6 March 1616) was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher. Beaumont's life Beaumont was the son of Sir Francis Beaumont of Grace Dieu, near Thringstone in Leicestershire, a justice of the common pleas. His mother was Anne, the daughter of Sir George Pierrepont (d. 1564), of Holme Pierrepont, and his wife Winnifred Twaits. Beaumont was born at the family seat and was educated at Broadgates Hall (now Pembroke College, Oxford) at age thirteen. Following the death of his father in 1598, he left university without a degree and followed in his father's footsteps by entering the Inner Temple in London in 1600. Accounts suggest that Beaumont did not work long as a lawyer. He became a student of poet and playwright Ben Jonson; he was also acquainted with Michael Drayton and other poets and dramatists, and decided that was where his passion lay. His first work, ''Salmacis and Hermaphroditu ...
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County Palatine
In England, Wales and Ireland a county palatine or palatinate was an area ruled by a hereditary nobleman enjoying special authority and autonomy from the rest of a kingdom. The name derives from the Latin adjective ''palātīnus'', "relating to the palace", from the noun ''palātium'', " palace". It thus implies the exercise of a ''quasi''-royal prerogative within a county, that is to say a jurisdiction ruled by an earl, the English equivalent of a count. A duchy palatine is similar but is ruled over by a duke, a nobleman of higher precedence than an earl or count. The nobleman swore allegiance to the king yet had the power to rule the county largely independently of the king. It should therefore be distinguished from the feudal barony, held from the king, which possessed no such independent authority. Rulers of counties palatine created their own feudal baronies, to be held directly from them '' in capite'', such as the Barony of Halton. County palatine jurisdictions were crea ...
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King Of France
France was ruled by monarchs from the establishment of the Kingdom of West Francia in 843 until the end of the Second French Empire in 1870, with several interruptions. Classical French historiography usually regards Clovis I () as the first king of France, however historians today consider that such a kingdom did not begin until the establishment of West Francia. Titles The kings used the title "King of the Franks" ( la, Rex Francorum) until the late twelfth century; the first to adopt the title of "King of France" (Latin: ''Rex Franciae''; French: ''roi de France'') was Philip II in 1190 (r. 1180–1223), after which the title "King of the Franks" gradually lost ground. However, ''Francorum Rex'' continued to be sometimes used, for example by Louis XII in 1499, by Francis I in 1515, and by Henry II in about 1550; it was also used on coins up to the eighteenth century. During the brief period when the French Constitution of 1791 was in effect (1791–1792) and after ...
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Red Bull Theatre
The Red Bull was an inn-yard conversion erected in Clerkenwell, London operating in the 17th century. For more than four decades, it entertained audiences drawn primarily from the City and its suburbs, developing a reputation over the years for rowdiness. After Parliament closed the theatres in 1642, it continued to host illegal performances intermittently, and when the theatres reopened after the Restoration, it became a legitimate venue again. There is a myth that it burned down in the Great Fire of London but the direct reason for its end is unclear. Design The Red Bull was constructed in about 1605 on St John Street in Clerkenwell on a site corresponding to the eastern end of modern-day Hayward's Place. Contemporary documents reveal that it was converted from a yard in an inn. This origin accounts for its square-ish shape, shared, for example, by the original Fortune Theatre among playhouses of the time. The Red Bull inn's name may relate to drovers bringing cattle down St Jo ...
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Thomas Heywood
Thomas Heywood (early 1570s – 16 August 1641) was an English playwright, actor, and author. His main contributions were to late Elizabethan and early Jacobean theatre. He is best known for his masterpiece ''A Woman Killed with Kindness'', a domestic tragedy, which was first performed in 1603 at the Rose Theatre by the Worcester's Men company. He was a prolific writer, claiming to have had "an entire hand or at least a maine finger in two hundred and twenty plays", although only a fraction of his work has survived. Early years Few details of Heywood's life have been documented with certainty. Most references indicate that the county of his birth was most likely Lincolnshire, while the year has been variously given as 1570, 1573, 1574 and 1575. It has been speculated that his father was a country parson and that he was related to the half-century-earlier dramatist John Heywood, whose death year is, again, uncertain, but indicated as having occurred not earlier than 1575 and n ...
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Queen Anne's Men
Queen Anne's Men was a playing company, or troupe of actors, in Jacobean era London. In their own era they were known colloquially as the Queen's Men — as were Queen Elizabeth's Men and Queen Henrietta's Men, in theirs. Formation The group was formed on the accession of James I in 1603, and named after its patron, James's wife Anne of Denmark. It was a combination of two previously-existing companies, Oxford's Men and Worcester's Men. Among the company's most important members were Christopher Beeston, its manager, and Thomas Heywood, the actor-dramatist who wrote many of its plays, including ''The Rape of Lucrece'' (printed 1608) and ''The Golden Age'' (printed 1611). William Kempe finished his career with this company, though he died c. 1603. Personnel In 1604, ten members of the new-formed company were granted the sum of four and a half pounds each, to buy red cloth for their livery for 15 March coronation procession. The ten were Beeston, Heywood, Richard Perkins, Thoma ...
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Book Size
The size of a book is generally measured by the height against the width of a leaf, or sometimes the height and width of its cover. A series of terms is commonly used by libraries and publishers for the general sizes of modern books, ranging from ''folio'' (the largest), to ''quarto'' (smaller) and ''octavo'' (still smaller). Historically, these terms referred to the format of the book, a technical term used by printers and bibliographers to indicate the size of a leaf in terms of the size of the original sheet. For example, a quarto (from Latin ''quartō'', ablative form of ''quartus'', fourth) historically was a book printed on sheets of paper folded in half twice, with the first fold at right angles to the second, to produce 4 leaves (or 8 pages), each leaf one fourth the size of the original sheet printed – note that a ''leaf'' refers to the single piece of paper, whereas a ''page'' is one side of a leaf. Because the actual format of many modern books cannot be determined fro ...
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