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The Five Faces Of Manfred Mann
''The Five Faces of Manfred Mann'' is the debut British and second American studio album by Manfred Mann. It was first released in the United Kingdom on 11 September 1964 by His Master's Voice. In late October/early November, the album was released in Canada by Capitol Records. The Canadian track listing was almost the same as the UK version, except it included the hit "Do Wah Diddy Diddy" instead of "I've Got My Mojo Working". The record has been called "one of the great blues-based British invasion albums; it's a hot, rocking record that benefits from some virtuoso playing as well". Background The songs on the original version of ''the Five Faces of Manfred Mann'' are R&B, including the band's cover versions of Howlin' Wolf's "Smokestack Lightning", Muddy Waters' "Got My Mojo Working", and Bo Diddley's "Bring It to Jerome", as well as a few of the group's own jazzy compositions. Particularly noticeable in the instrumental sections are Manfred Mann's keyboard work, Mike Vicker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Mann
Manfred Mann were an English rock band, formed in London and active between 1962 and 1969. The group were named after their keyboardist Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The band had two different lead vocalists, Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969. Prominent in the Swinging London scene of the 1960s, the group regularly appeared in the UK Singles Chart. Three of their most successful singles, "Do Wah Diddy Diddy", "Pretty Flamingo", and " Mighty Quinn", topped the UK charts. The band's 1964 hit " 5-4-3-2-1" was the theme tune for the ITV pop music show ''Ready Steady Go!''. They were also the first southern-England-based group to top the US ''Billboard'' Hot 100 during the British Invasion. History Beginnings (1962–1963) The Mann–Hugg Blues Brothers were formed in London by keyboard player Manfred Mann and drummer/ vibes/piano player Mike Hugg, who formed a house band in Clacton-on-Sea th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Do Wah Diddy Diddy
"Do Wah Diddy Diddy" is a song written by Jeff Barry and Ellie Greenwich and originally recorded in 1963, as "Do-Wah-Diddy", by the American vocal group the Exciters. ''Cash Box'' described the Exciters' version as "a sparkling rocker that bubbles over with coin-catching enthusiasm" and said that the "great lead job is backed by a fabulous instrumental arrangement." It was made internationally famous by the British band Manfred Mann. Manfred Mann version It was soon covered by British R&B, beat and pop band Manfred Mann. Manfred Mann's version was released on 10 July 1964. It spent two weeks at No. 1 of the UK Singles Chart in August and two weeks at No. 1 of the U.S. ''Billboard'' Hot 100 in October. ''Billboard'' said it "features powerful beat with Mann's solo echoed by male chorus." ''Cash Box'' described it as "a thumpin' novelty rocker that's right up the teeners' alley." Chart history Weekly charts Year-end charts Fun Factory version In 1995, Fun Factory r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Hugg
Michael John Hugg (born 11 August 1940) is a British musician who achieved fame as a founding member of the 1960s group Manfred Mann. Biography Hugg was born in Gosport, Hampshire in 1940. His parents condoned his jazz drumming as long as he continued his piano lessons. Pursuing a career in jazz, he met Manfred Mann (musician), Manfred Mann while working as a musician at Butlin's Clacton, and they formed a seven-piece group. The Mann-Hugg Blues Brothers recruited Paul Jones (singer), Paul Jones and later Tom McGuinness (musician), Tom McGuinness. On signing with HMV Records their producer, John Burgess, changed their name to Manfred Mann. Hugg is a competent pianist and an able vibraphone player, but his main role in Manfred Mann was as drummer. However, he recorded several vibraphone solos with the band (e.g. "I'm your Kingpin") and used the instrument to augment hits such as "Oh No Not My Baby". He was credited as co-writer of the group's early hits and contributed solo comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Vickers
Michael Graham Vickers (born 18 April 1940) is an English musician who came to prominence as the guitarist, flautist, and saxophonist with the 1960s band Manfred Mann. He was born in Staines-upon-Thames, Surrey. At the age of seven, his family moved to Scotland and then at the age of eleven, to Southampton, where he attended King Edward VI school. Career Vickers originally played flute and saxophone, but with the increasing popularity of guitars in bands, it was decided that Manfred Mann should have a guitarist in their lineup. Vickers volunteered for this role, though he always preferred playing woodwind. His tough flute soloing on hard blues tracks, such as "Without You", prefigured the work of Ian Anderson with Jethro Tull five years later. As the group were all multi-instrumentalists, multi-tracking was used to allow Vickers to perform on guitar and woodwind on the same recordings, while drummer Mike Hugg similarly doubled on vibraphone. He was credited as a co-writer o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Mann (musician)
Manfred Sepse LubowitzRobert M Corich and Andy Taylor, Sleeve Notes, ''The Best of Manfred Mann's Earth Band Re-Mastered'', 1998 (born 21 October 1940), known professionally as Manfred Mann, is a South African–English keyboardist, arranger, singer and songwriter. He is best known as a founding member and eponym of the bands Manfred Mann, Manfred Mann Chapter Three and Manfred Mann's Earth Band. Early life and career Lubowitz was raised in a Lithuanian-Jewish family in Johannesburg, the son of David Lubowitz and Alma Cohen. He studied music at the University of the Witwatersrand, and worked as a jazz pianist at a number of clubs in Johannesburg. Strongly opposed to the apartheid system in his native South Africa, Lubowitz moved to the United Kingdom in 1961 and began to write for ''Jazz News'' under the pseudonym Manfred Manne (after jazz drummer Shelly Manne), which was soon shortened to Manfred Mann. The next year he met drummer and keyboard player Mike Hugg at Clacton Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Got My Mojo Working
"Got My Mojo Working" is a blues song written by Preston "Red" Foster and first recorded by R&B singer Ann Cole in 1956. Foster's lyrics describe several amulets or talismans, called ''mojo'', which are associated with hoodoo, an early African-American folk-magic belief system. In 1957, Muddy Waters adapted the song with some different lyrics and a new musical arrangement. It was a feature of his performances throughout his career, with a live version recorded in 1960 identified as the best known. Waters' rendition has received several awards and otherwise recognized by various organizations and publications. As a blues standard, it has been recorded by numerous blues and other artists. Origins The song was written by Preston "Red" Foster, an African-American musician unrelated to the actor of the same name. Music publisher and executive Sol Rabinowitz described Foster as "one of the shyest human beings I've ever met", and a judge in the early 1970s described him as "a Black ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokestack Lightning
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Background Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, oh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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