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The Final Concert (Marvin Gaye Album)
''The Final Concert'' is a 2000 release of a 1983 show in Indianapolis. It is not the last concert from Marvin Gaye's final tour, but is the last one recorded.Colin Larkin ''The Encyclopedia of Popular Music'' 0857125958 - 2011 p.2302 Track list #"Third World Girl" M.Gaye #" I Heard It Through the Grapevine" Barrett Strong / Norman Whitfield #"Come Get to This" Marvin Gaye #" Let's Get It On" Marvin Gaye / Ed Townsend #" What's Going On" Renaldo Benson / Al Cleveland / Marvin Gaye #"Joy (Dedication to My Father)" Marvin Gaye #Medley: " Ain't Nothing Like the Real Thing" / "Heaven Must Have Sent You" Nick Ashford / Harvey Fuqua / Marvin Gaye / Valerie Simpson Marvin Gaye feat. Paulette McWilliams #" Inner City Blues (Make Me Wanna Holler)" Marvin Gaye / James Nyx, Jr. / James Nyx #" Distant Lover" Gwen Fuqua Gwen Fuqua (born Gwendolyn Gordy; November 26, 1927 – November 8, 1999) was an American businesswoman, songwriter and composer, most notably writing hit songs such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain't Nothing Like The Real Thing
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's ''United'' LP. The first release off the duo's second album: ''You're All I Need'', the song - written and produced by regular Gaye/Terrell collaborators Ashford & Simpson - became a hit within weeks of release eventually peaking at number 8 on the ''Billboard'' Hot 100 and number 1 on the Hot Soul Singles chart, the first of the duo's two number 1 R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34. ''Cash Box'' called it "a potent ballad," saying that "Detroit backing puts a beat into the session" and praising the "splendid vocals." "Ain't Nothing Like the Real Thing" is ranked as the 57th biggest US hit of 1968. Chart performance Weekly charts Year-end charts Personnel * All lead vocals by Marvin Gaye and Tammi Terrell * B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sexual Healing
"Sexual Healing" is a song recorded by American singer Marvin Gaye from his seventeenth and final studio album, ''Midnight Love'' (1982). It was his first single since his exit from his long-term record label Motown earlier in the year, following the release of the '' In Our Lifetime'' (1981) album the previous year. It peaked at No. 3 on the Billboard Hot 100 (Gaye's final top 10 hit) and is listed at number 198 on '' Rolling Stone's'' list of 500 Greatest Songs of All Time. "Sexual Healing" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 94 beats per minute. Background In the winter of 1981, Marvin Gaye had relocated to Ostend, Belgium, following the end of a European tour amid problems with the Internal Revenue Service and the end of his second marriage. Struggling with depression and cocaine addiction, Gaye had agreed to move to Ostend on the advice of longtime resident Freddy Cousaert. While in Ostend, Gaye bega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwen Fuqua
Gwen Fuqua (born Gwendolyn Gordy; November 26, 1927 – November 8, 1999) was an American businesswoman, songwriter and composer, most notably writing hit songs such as "Lonely Teardrops", " All I Could Do Was Cry" and "Distant Lover". She acquired her full name after marrying Harvey Fuqua and kept the name after their divorce. Biography Early life and career Gwen Gordy was born to Berry Gordy Sr. and Bertha Ida (née Fuller) Gordy in Detroit. She was the youngest of the four Gordy sisters (Esther, Anna and Loucye) and the third youngest of the entire family (brothers Berry and Robert were born after her). Following graduation from high school, Gwen owned the photo concession at Detroit's popular Flame Show Bar, which helped to make her a celebrity in Detroit's nightlife. By the late 1950s, Gordy had also become a cheerleader for brother Berry's musical efforts. She provided Berry with his first important music business contact when she introduced him to the manager of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distant Lover
"Distant Lover" is the sixth song issued on singer Marvin Gaye's 1973 album, ''Let's Get It On'' and the B-side of the second single from that album, " Come Get to This". A live recording was issued as a single in 1974. The live version of the song was Gaye's most successful single during the three-year gap between ''Let's Get It On'' and his following 1976 album, '' I Want You''. _Song_Review_.html" ;"title=" Distant Lover > Song Review "> Distant Lover > Song Review All Media Guide, LLC. Retrieved on 2008-08-17. History Studio version Marvin composed the melody of the song with songwriter Sandra Greene during a 1970 recording session while Gaye was finishing edits of his song, "What's Going On". Recorded on November 3, 1970, Gaye first recorded a rough version simply titled "Head Title". Later in the same recording sessions, with help from his sister-in-law, Gwen Gordy Fuqua, Gaye composed more lyrics and gave it its title, "Distant Lover". Gaye would rework the song sever ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inner City Blues
"Inner City Blues (Make Me Wanna Holler)", often shortened to "Inner City Blues", is a song by Marvin Gaye, released as the third and final single, and the climactic song from his 1971 landmark album, '' What's Going On''. Written by Gaye and James Nyx Jr., the song depicts the ghettos and bleak economic situations of inner-city America, and the emotional effects these have on inhabitants. Composition and lyrics In 1998, co-writer James Nyx Jr. recalled, "Marvin had a good tune, sort of blues-like, but didn't have any words for it. We started putting some stuff in there about how rough things were around town. We laughed about putting lyrics in about high taxes, 'cause both of us owed a lot. And we talked about how the government would send guys to the moon, but not help folks in the ghetto. But we still didn't have a name, or really a good idea of the song. Then, I was home reading the paper one morning, and saw a headline that said something about the 'inner city' of Detroit. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paulette McWilliams
Paulette McWilliams is an American singer and songwriter. She began her career singing with the bands The American Breed and Rufus, and has appeared as a backing vocalist on recordings and on tour for numerous artists. She worked with Marvin Gaye, Luther Vandross, Aretha Franklin, The Jacksons, Michael Jackson, Quincy Jones and as a member of Bette Midler's backing group the Harlettes, among many others. Early life Paulette McWilliams grew up on Chicago's South Side. From an early age, perhaps as young as three or four, she had decided on a career as a singer. Along with two older sisters, from whom she developed an appreciation of live music, she attended shows at various clubs and outdoor block parties from an early age. She was frequently asked to perform for family and friends, and had her first public exposure at age 11 when she appeared on the television show ''Little Stars'', in which she performed alongside Sammy Davis Jr. and sang "Catch a Falling Star". Her early m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Your Precious Love
"Your Precious Love" is a popular song that was a 1967 hit for Motown singers Marvin Gaye and Tammi Terrell. The song was written by Nickolas Ashford and Valerie Simpson, and produced by Harvey Fuqua and Johnny Bristol. The doo-wop styled recording features background vocals by Fuqua, Gaye, Terrell and Bristol, and instrumentals by The Funk Brothers with the Detroit Symphony Orchestra. The song peaked at #5 on ''Billboard'' Pop Singles chart, #2 on Billboard's R&B Singles chart, and the top 40 on Billboard's Easy Listening survey. The song was later sampled by Gerald Levert on the song, "Your Smile", on his 2002 album, ''The G Spot''. ''Billboard'' described the single as "a soulful blues ballad." ''Billboard'' also felt that both "Your Precious Love" and its b-side "Hold Me Oh My Darling" had equal sales potential as the duos previous hit single "Ain't No Mountain High Enough." Other versions * Johnny Mathis and Deniece Williams recorded the song (titled, incorrectly, as "Hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What's Going On (Marvin Gaye Song)
"What's Going On" is a song by American singer-songwriter Marvin Gaye, released in 1971 on the Motown subsidiary Tamla. Originally inspired by a police brutality incident witnessed by Renaldo "Obie" Benson, the song was composed by Benson, Al Cleveland, and Gaye and produced by Gaye himself. The song marked Gaye's departure from the Motown Sound towards more personal material. Later topping the Hot Soul Singles chart for five weeks and crossing over to number two on the ''Billboard'' Hot 100, it would sell over two million copies, becoming Gaye's second-most successful Motown song to date. It was ranked at number 4 in ''Rolling Stone's'' 500 Greatest Songs of all Time in 2004 and 2010. Inspiration and writing The song's inspiration came from Renaldo "Obie" Benson, a member of the Motown vocal group the Four Tops, after he and the group's tour bus arrived at Berkeley on May 15, 1969. While there, Benson witnessed police brutality and violence in the city's People's Park durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Get It On (song)
"Let's Get It On" is a song by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded on March 22, 1973, at Hitsville West in Los Angeles, California. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. The title track of Gaye's album of the same name, it was written by Marvin Gaye and producer Ed Townsend. "Let's Get It On" became Gaye's most successful single for Motown and one of his most well-known songs. With the help of the song's sexually explicit content, "Let's Get It On" helped give Gaye a reputation as a sex symbol during its initial popularity. "Let's Get It On" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 82 beats per minute. Conception Co-written with producer Ed Townsend, "Let's Get It On" was Gaye's plea for sexual liberation. When originally conceived by Townsend, who was released from a rehab f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Get To This
"Come Get to This" is a song written and recorded by American recording artist Marvin Gaye. It was released as the second single off Gaye's album, ''Let's Get It On'' following the success of the title track. Recording sessions for the song first occurred in 1970 when Gaye worked on the song in a demo format while he made '' What's Going On''. Gaye then shelved the recording for three years before revisiting it as he began assessing the track listing for ''Let's Get It On''. The song was remixed and edited at Motown's Hollywood-based recording studios in 1973. The song's composition and record production was inspired by the Motown Sound of the 1960s and the lyrics reflected a man's joy over the return of an old lover. The strong response from Motown executives upon hearing the song prompted the label to issue the song as the second single as a possible follow-up hit to "Let's Get It On". The song found major success though modestly compared to "Let's Get It On", reaching #21 on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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