The Early Years '74 '75 '76 Rare Live And Unreleased
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The Early Years '74 '75 '76 Rare Live And Unreleased
The following is a comprehensive discography of English rock band the Stranglers. Albums Studio albums Live albums Compilation albums Box sets Video albums EPs Singles Notes References External links * {{DEFAULTSORT:Stranglers Discography Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry ... Discographies of British artists Stranglers, The New wave discographies ...
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The Stranglers
The Stranglers are an English rock music, rock band formed in 1974. Scoring 23 UK top 40 singles and 20 UK top 40 albums to date in a career spanning five decades, the Stranglers are one of the longest-surviving bands to have originated in the UK punk scene. Formed as the Guildford Stranglers in Guildford, Surrey, in early 1974, they originally built a following within the mid-1970s Pub rock (United Kingdom), pub rock scene. While their aggressive, no-compromise attitude had them identified by the media with the emerging UK punk rock scene that followed, their idiosyncratic approach rarely followed any single musical genre, and the group went on to explore a variety of musical styles, from new wave music, new wave, art rock and gothic rock through the sophisti-pop of some of their 1980s output. They had major mainstream success with their 1982 single "Golden Brown". Their other hits include "No More Heroes (The Stranglers song), No More Heroes", "Peaches (The Stranglers song), ...
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LP Record
The LP (from long playing or long play) is an Analog recording, analog sound storage medium, specifically a phonograph record format characterized by: a speed of  revolutions per minute, rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized Single (music), "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format co-developed by Philips and Sony to store and play digital audio recordings. It employs the Compact Disc Digital Audio (CD-DA) standard and was capable of holding of uncompressed stereo audio. First released in Japan in October 1982, the CD was the second optical disc format to reach the market, following the larger LaserDisc (LD). In later years, the technology was adapted for computer data storage as CD-ROM and subsequently expanded into various writable and multimedia formats. , over 200 billion CDs (including audio CDs, CD-ROMs, and CD-Rs) had been sold worldwide. Standard CDs have a diameter of and typically hold up to 74 minutes of audio or approximately of data. This was later regularly extended to 80 minutes or by reducing the spacing between data tracks, with some discs unofficially reaching up to 99 minutes or which falls outside established specifications. Smaller variants, such ...
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Aural Sculpture
''Aural Sculpture'' is the eighth studio album by the Stranglers, released in November 1984 by Epic Records. It was also the name given to a one-sided 7-inch single given free with a limited number of copies of their '' Feline'' album in 1983. The "Aural Sculpture Manifesto" on the 7" single was played before the Stranglers appeared on stage during concerts during both the 1983 "Feline" tour and the 1985 "Aural Sculpture" tour. The album featured acoustic guitar as well as a three-piece horn section (trumpet, trombone and saxophone). The horns were the suggestion of producer Laurie Latham, who was brought in after Epic Records rejected the initial demos of the album tracks. ''Aural Sculpture'' reached number 14 in the UK Albums Chart in November 1984. There were three singles released from the album: " Skin Deep" (No. 15 in the UK Singles Chart), " No Mercy" (No. 37 in the UK Singles Chart) and "Let Me Down Easy" (No. 48 in the UK Chart). All were accompanied by 12" single ve ...
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Epic Records
Epic Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the American division of Japanese conglomerate Sony is a Japanese multinational conglomerate (company), conglomerate headquartered at Sony City in Minato, Tokyo, Japan. The Sony Group encompasses various businesses, including Sony Corporation (electronics), Sony Semiconductor Solutions (i .... The label was founded predominantly as a jazz and classical music label in 1953, but later expanded its scope to include a more diverse range of genres, including pop music, pop, Rhythm and blues, R&B, rock music, rock, and hip-hop. Epic Records' current artists roster includes Travis Scott, Future (rapper), Future, 21 Savage, Tyla, Meghan Trainor, André 3000, Tori Kelly, Beam (hip-hop musician), Beam, Bia (rapper), Bia, Judas Priest, Sade (band), Sade, Lamb of God (band), Lamb of God, Coi Leray, DDG (rapper), DDG, Zara Larsson, Doe Boy (rapper), Doe Boy, ...
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Feline (The Stranglers Album)
''Feline'' is the seventh studio album by the Stranglers and was released on 14 January 1983 on the Epic record label, their first for the label. The first edition came with a free one-sided 7" single "Aural Sculpture Manifesto". ''Feline'' drew heavily on two of the dominant musical influences in Europe of the time, by using primarily acoustic guitars and electronic drums as well as synthesizers. The American edition of the album included the British hit single "Golden Brown" as the closing track on side one of the original vinyl (and the fifth song in on the CD version). ''Feline'' peaked higher than their previous studio album release, '' La Folie'', reaching No. 4 in the UK Albums Chart. There were three singles released from ''Feline'': the first was "European Female" which reached No. 9 in the UK Singles Chart in January 1983, and was followed by a remixed 7" version of "Midnight Summer Dream" in February (which peaked at No. 35 in the UK). The third and final single r ...
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La Folie (album)
''La folie'' is the sixth studio album by English new wave band the Stranglers. It was released on 9 November 1981, through the EMI record label Liberty. Background The Stranglers had initially been the most commercially successful band of the punk/ new wave period in Britain, but by 1981, their success had waned noticeably. ''La folie'' was a conscious attempt to deliver a more commercial product. It is co-produced by the band with engineer Steve Churchyard and mixed by Tony Visconti. The band's record company, EMI, gave Visconti a brief to mix each song as a potential single. The album's French language title () literally translates to "madness". In various interviews, the band related that this referred to "The Madness of Love" and that conceptually, each of the songs on the album was intended to explore a different kind or aspect of "love". The title track is based upon the story of Issei Sagawa. Guitarist Hugh Cornwell related in his 2001 book ''The Stranglers – Song by ...
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Liberty Records
Liberty Records was a record label founded in the United States by chairman Simon Waronker in 1955 with Alvin Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals. History 1950s Liberty's early releases focused on film and orchestral music. Its first single was Lionel Newman's "The Girl Upstairs". Its first big hit, in 1955, was by Julie London singing her version of the torch song, " Cry Me a River", which climbed to No. 9 in the ''Billboard'' Hot 100. It helped Liberty sell her first album, '' Julie Is Her Name''. In 1956, Liberty signed Henry Mancini and released two singles and several albums by him. He left in 1958, signing with RCA Victor, where his record sales increased. Billy Rose and Lee David's song " Tonight You Belong to Me" reached number 4 (US) and number 28 (UK) when it was performed by teen sisters Patience and Prudence (McIntyre), selling over a million copies. Liberty ...
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The Gospel According To The Meninblack
''The Gospel According to the Meninblack'' (sometimes referred to as just ''The Meninblack'') is the fifth album by English rock band the Stranglers, an esoteric concept album released 9 February 1981, on the Liberty label. The album explores conspiratorial themes involving alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier ''The Raven'' album and subsequent 1980 single-release " Who Wants the World?" had also explored it. History The album is an elaboration of concepts first introduced by the band on the aforementioned track from their preceding album, ''The Raven''. Hugh Cornwell, former singer-songwriter and guitarist with the group, has stated his belief that the album is the pinnacle of the Stranglers' artistic and creative output, and he cites it as his favourite album by the band. In a ...
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The Raven (The Stranglers Album)
''The Raven'' is the fourth studio album by English rock band the Stranglers, released on 21 September 1979, through record label United Artists. Background The first two songs, much of the artwork (the band is shown standing on the prow of a Viking longship on the back cover) and the album title refer to Norse mythology. The album deals with a variety of issues, including Japanese ritual suicide ("Ice"), heroin use ("Don't Bring Harry"), the Iranian Revolution ("Shah Shah a Go Go") and genetic engineering ("Genetix"). "Dead Loss Angeles" features guitarist Hugh Cornwell playing bass guitar in conjunction with bassist Jean-Jacques Burnel, who wrote the song's heavy bass line. No lead or rhythm guitars feature on the track, whose lyrics were written by Cornwell about his experiences in the United States. ''The Raven'' is the first Stranglers album not produced by Martin Rushent, instead being produced by the band with engineer Alan Winstanley. Release ''The Raven'' wa ...
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Black And White (The Stranglers Album)
''Black and White'' is the third studio album by English rock band the Stranglers. It was released on 12 May 1978, through record label United Artists in most of the world and A&M in America. Background As with the Stranglers' first two albums, ''Black and White'' was produced by Martin Rushent. The album sees the Stranglers adopting a more experimental approach to song structures and time signatures (for example, "Curfew" features 7/4 time). The band recorded a version of "Sweden" sung in Swedish, called "Sverige", and released it in Sweden. The song was partly inspired by Cornwell's PhD placement at Lund University in the early-1970s. In an anecdote related in the Swedish online magazine ''Blaskan'', it is stated that the song was inspired by a disastrous visit to Sweden during a European tour, when a gig was violently interrupted by a gang of " raggare" ( greasers). The song title "Death and Night and Blood" is taken from a line from Yukio Mishima's novel '' Confessions of ...
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No More Heroes (album)
''No More Heroes'' is the second studio album by English rock band the Stranglers. It was released on 23 September 1977, through record label United Artists in most of the world and A&M in the United States, five months after their debut album, ''Rattus Norvegicus''. Background ''No More Heroes'' was produced by Martin Rushent. The album consists of new material with four songs left over from the ''Rattus Norvegicus'' sessions ("Something Better Change", "Bitching", "Peasant in the Big Shitty" and "School Mam"). The album cover features a photo of a wreath placed on a coffin with the tails of several rats (the Stranglers' trademark). The brass plaque on the album cover was engraved by Steven Stapleton of Nurse with Wound. Two singles were released from the album: the title track, and a double A-side of " Something Better Change" and the non-album track "Straighten Out". Critical reception The ''Oakland Tribune'' likened the band to "Capt. Beefheart backed by the Ramones." ...
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