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The Eagle Wounded By An Arrow
The situation of the Eagle Wounded by an Arrow vaned with its own feathers is referred to in several ancient Greek sources and is listed as fable 276 in the Perry Index. It is generally applied to the misery of realising that one has contributed to one's own injury but also as a warning against self-reliant pride. The fable and its interpretations The earliest mention of the fable is a brief reference in The Myrmidons, a lost tragedy of Aeschylus written in the 5th century BCE. Here it is said to be of Libyan origin and is generally supposed to refer to the personal blame felt by Achilles for the death of his friend Patroclus. ::So the eagle, pierced by the bow-sped shaft, looked :: At the feathered device and said, “Thus, not by others, ::But by means of our own plumage are we slain”. Widespread references to the fable afterwards suggest that it had gained proverbial force. A version titled "The Archer and the Eagle" and ascribed to Aesop appeared among the collection of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fletching
Fletching is the fin-shaped aerodynamic stabilization device attached on arrows, bolts, darts, or javelins, and are typically made from light semi-flexible materials such as feathers or bark. Each piece of such fin is a fletch, also known as a flight or feather. A fletcher is a person who attaches fletchings to the shaft of arrows. The word is related to the French word , meaning 'arrow', via the ultimate root of Old Frankish . Description As a noun, ''fletching'' refers collectively to the fins or vanes, each of which individually is known as a fletch. Traditionally, the fletching consists of three matched half-feathers attached near the back of the arrow or shaft of the dart that are equally spaced around its circumference. Four fletchings have also been used. In English archery, the male feather, from a cock, is used on the outside of the arrow, while the other two stabilizing feathers are from a female, or hen. Traditional archery lore about feather curvature is that a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De Frasnay
Pierre de Frasnay (1676 in Nevers – 27 April 1753 in Nevers) was an 18th-century French writer, translator and local historian who on 15 May 1725 became baron de Neuvy-le-Barrois. Work De Frasnay worked in the finance department of local government. He began his career as a writer by publishing genre poems in classical style in the ''Mercure de France''. Among these was his ''Fayence'' (chinaware), written as a boost to the Nevers pottery trade and soon translated into Latin as ''Vasa Faventina'', also in the 1735 ''Mercure''. His subsequent researches into local history involved him in controversy concerning their accuracy, from which he soon withdrew. His final work was a two-volume compilation of Aesopic poems, ''Mythologie ou recueil des fables grecques, esopiques et sybaritiques'' (Orléans, 1750), to which he added prose reflections drawing out the human lessons of the fables. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Byron
George Gordon Byron, 6th Baron Byron (22 January 1788 – 19 April 1824), known simply as Lord Byron, was an English romantic poet and Peerage of the United Kingdom, peer. He was one of the leading figures of the Romantic movement, and has been regarded as among the greatest of English poets. Among his best-known works are the lengthy Narrative poem, narratives ''Don Juan (poem), Don Juan'' and ''Childe Harold's Pilgrimage''; many of his shorter lyrics in ''Hebrew Melodies'' also became popular. Byron was educated at Trinity College, Cambridge, later traveling extensively across Europe to places such as Italy, where he lived for seven years in Venice, Ravenna, and Pisa after he was forced to flee England due to lynching threats. During his stay in Italy, he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died leading a campaign during that war, for which Greeks rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperbole
Hyperbole (; adj. hyperbolic ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech, it is usually not meant to be taken literally. Etymology 'Hyperbole' is derived from the grc, ''huperbolḗ'' by way of Latin. The word is composed from ''hupér'' 'above, beyond' and ''bállō'' 'throw'. Unlike most English words beginning with ''hyper-'', it is stressed on the second syllable. The first known use is in the 15th century. 'Hype' is a shortened version. Usage Hyperbole is often used for emphasis or effect. In casual speech, it functions as an intensifier: saying "the bag weighed a ton" simply means that the bag was extremely heavy. The rhetorical device may be used for serious or ironic or comic effects. Understanding hyperbole and its use in context can help un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Waller
Edmund Waller, FRS (3 March 1606 – 21 October 1687) was an English poet and politician who was Member of Parliament for various constituencies between 1624 and 1687, and one of the longest serving members of the English House of Commons. Son of a wealthy lawyer with extensive estates in Buckinghamshire, Waller first entered Parliament in 1624, although he played little part in the political struggles of the period prior to the First English Civil War in 1642. Unlike his relatives William and Hardress Waller, he was Royalist in sympathy and was accused in 1643 of organising a plot to seize London for Charles I. He allegedly escaped the death penalty by paying a large bribe, while several conspirators were executed, including his brother-in-law Nathaniel Tomkins. After his sentence was commuted to banishment, he lived in comfortable exile in France and Switzerland until allowed home in 1651 by Oliver Cromwell, a distant relative. He returned to Parliament after The Restoration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine Philips
Katherine or Catherine Philips (1 January 1631/2 – 22 June 1664), also known as "The Matchless Orinda", was an Anglo-Welsh royalist poet, translator, and woman of letters. She achieved renown as a translator of Pierre Corneille's '' Pompée'' and ''Horace'', and for her editions of poetry after her death. She was highly regarded by many notable later writers, including John Dryden and John Keats, as being influential. Early years Born in London, Katherine Philips was daughter of John Fowler, a Presbyterian cloth merchant of Bucklersbury, near the river in the City of London, and of Katherine Oxenbridge, whose father worked in the medical profession. Philips, it seems, had a strong memory and was intellectually advanced, and was, according to a cousin of hers, able to read the Bible before the age of four. Additionally, she acquired remarkable fluency in several languages. After her father's death, she moved to Wales with her newly married mother. She attended boarding s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalier
The term Cavalier () was first used by Roundheads as a term of abuse for the wealthier royalist supporters of King Charles I and his son Charles II of England during the English Civil War, the Interregnum, and the Restoration (1642 – ). It was later adopted by the Royalists themselves. Although it referred originally to political and social attitudes and behaviour, of which clothing was a very small part, it has subsequently become strongly identified with the fashionable clothing of the court at the time. Prince Rupert, commander of much of Charles I's cavalry, is often considered to be an archetypal Cavalier. Etymology Cavalier derives from the same Latin root as the Italian word and the French word (as well as the Spanish word ), the Vulgar Latin word '' caballarius'', meaning 'horseman'. Shakespeare used the word ''cavaleros'' to describe an overbearing swashbuckler or swaggering gallant in Henry IV, Part 2 (c. 1596–1599), in which Robert Shallow says "I'll drink ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giles Fletcher
Giles Fletcher (also known as Giles Fletcher, The Younger) (1586? – Alderton, Suffolk, 1623) was an English cleric and poet chiefly known for his long allegorical poem ''Christ's Victory and Triumph'' (1610). Life Fletcher was the younger son of Giles Fletcher the Elder (Ambassador to Russia of Elizabeth I and brother to Bishop Richard Fletcher of London, chaplain to Queen Elizabeth I), and the brother of the poet Phineas Fletcher, and cousin of the dramatist John Fletcher. Educated at Westminster School and Trinity College, Cambridge, he remained in Cambridge after his ordination, becoming Reader in Greek Grammar in 1615 and Reader in Greek Language in 1618. In 1619 left to become rector of Alderton in Suffolk. Fletcher enjoyed the patronage of the Puritan philanthropist Anne Townshend at or before 1623.Gaby Mahlberg, ‘Townshend , Anne, Lady Townshend (1573–1622)’, Oxford Dictionary of National Biography, Oxford University Press, Oct 2005; online edn, Jan 200acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucian
Lucian of Samosata, '; la, Lucianus Samosatensis ( 125 – after 180) was a Hellenized Syrian satirist, rhetorician and pamphleteer Pamphleteer is a historical term for someone who creates or distributes pamphlets, unbound (and therefore inexpensive) booklets intended for wide circulation. Context Pamphlets were used to broadcast the writer's opinions: to articulate a poli ... who is best known for his characteristic tongue-in-cheek style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language was probably Syriac language, Syriac, all of his extant works are written entirely in ancient Greek (mostly in the Attic Greek dialect popular during the Second Sophistic period). Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration ''The Dream'', he was the son of a lower middle clas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Howell
James Howell (c. 1594 – 1666) was a 17th-century Anglo-Welsh historian and writer who is in many ways a representative figure of his age. The son of a Welsh clergyman, he was for much of his life in the shadow of his elder brother Thomas Howell, who became Lord Bishop of Bristol. Education In 1613 he gained his B.A. from Jesus College, Oxford – he was to be elected to a fellowship at Jesus College in 1623, but he was never formally admitted and his place was taken by another in 1626. Until he was 13, he was schooled in Hereford. He went to Oxford at the age of 19. Career After graduation, he had a variety of employments, as an administrator for a glass manufacturer, and in the often combined roles of secretary and instructor to several noble families. As factory agent and negotiator he traveled widely in Europe and learned to speak several languages, apparently with great facility. He also met and befriended numerous literary figures, among them Ben Jonson and Kenelm D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conceit
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle). These implications are repeatedly emphasized, discovered, rediscovered, and progressed in new ways. History of meaning In the Renaissance, the term (which is related to the word concept) indicated the idea that informed a literary work--its theme. Later, it came to stand for the extended and heightened metaphor common in Renaissance poetry, and later still it came to denote the even more elaborate metaphors of 17th century poetry. The Renaissance conceit, given its importance in Petrarch's ''Il Canzoniere'', is also referred to as Petrarchan conceit. It is a comparison in which human experiences are described in terms of an outsized met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudian
Claudius Claudianus, known in English as Claudian (; c. 370 – c. 404 AD), was a Latin poet associated with the court of the Roman emperor Honorius at Mediolanum (Milan), and particularly with the general Stilicho. His work, written almost entirely in hexameters or elegiac couplets, falls into three main categories: poems for Honorius, poems for Stilicho, and mythological epic. Life Claudian was born in Alexandria. He arrived in Rome in 394 and made his mark as a court poet with a eulogy of his two young patrons, Probinus and Olybrius, consuls of 395. He wrote a number of panegyrics on the consulship of his patrons, praise poems for the deeds of Stilicho, and invectives directed at Stilicho's rivals in the Eastern court of Arcadius. Little is known about his personal life, but it seems he was a convinced pagan: Augustine of Hippo, Augustine refers to him as the 'adversary of the name of Christ' (''The City of God, Civitas Dei'', V, 26), and Orosius, Paul Orosius describes hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
