The Curragh Of Kildare
The Curragh of Kildare, also known as The Winter it is Past, is a folk song particularly associated with the Irish tradition. Elements of some versions of the song suggest that it dates from at least the mid 18th century. The Curragh of Kildare speaks of the actual Curragh, which is a large area of common land in Kildare, Ireland, used to rally the Irish Army. Textual history The history of the text is rather complicated. Versions were taken down at different times in Ireland by collectors like George Petrie and P. W. Joyce. The song has also been collected in Scotland and even in England; the singer Frank Purslow collected a version (''The Winter's Gone and Past'') in Dorset.Purslow, F. ''The Foggy Dew'', EFDS, 1974, p.96 Petrie was of the opinion that it was an "old Anglo-Irish song" and argued that the Scottish versions were most likely developed from it.Petrie, G. ''The Petrie Collection of the Ancient Music of Ireland'', Cork UP, 2002, p.193 Several printed ballad versions ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Folk Song
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Robert Burns
Robert Burns (25 January 175921 July 1796), also known familiarly as Rabbie Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is in a "light Scots dialect" of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest. He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish diaspora around the world. Celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature. In 2009 he was chosen as the greatest Scot by the Scottish pub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bert Jansch
Herbert Jansch (3 November 1943 – 5 October 2011) was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century. Jansch was a leading figure in the 1960s British folk revival, touring folk clubs and recording several solo albums, as well as collaborating with other musicians such as John Renbourn and Anne Briggs. In 1968, he co-founded the band Pentangle, touring and recording with them until their break-up in 1972. He then took a few years' break from music, returning in the late 1970s to work on a series of projects with other musicians. He joined a reformed Pentangle in the early 1980s and remained with them as they evolved through various changes of personnel until 1995. Until his death, Jansch continued to work as a solo artist. Jansch's work influenced ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Fureys
The Fureys are an Irish folk band originally formed in 1974. The group consisted initially of four brothers who grew up in Ballyfermot, Dublin. Brothers Eddie, Finbar, Paul and George Furey are of Irish Traveller heritage. Two of the band's singles have been number one hits in Ireland, and two of their albums charted in the United Kingdom. In collaborations with Davey Arthur, they have also been credited as The Fureys and Davey Arthur. History Background Prior to the band's formation, two of the brothers toured as a duo, known simply by their names as Eddie and Finbar Furey. For a while in 1969–1970, the duo performed with The Clancy Brothers and appeared on two of the Irish folk group's albums. The second of these albums contained two songs composed by the Fureys, "Flowers in the Valley" and "Jennifer Gentle". In the meanwhile, their youngest brother Paul Furey had, together with Davey Arthur and Brendan Leeson, formed a band called The Buskers. Eddie and Finbar and the Bu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paddy Reilly
Patrick "Paddy" Reilly (born 18 October 1939) is an Irish folk singer and guitarist. Born in Rathcoole, County Dublin, he is one of Ireland's most famous balladeers and is best known for his renditions of "The Fields of Athenry", "Rose of Allendale" and "The Town I Loved So Well". Reilly released his version of "The Fields of Athenry" as a single in 1983; it was the most successful version of this song, remaining in the Irish charts for 72 weeks. He achieved number 1 in Ireland with the Liam Reilly (no relation) written song "Flight of Earls" in 1988. For years a solo performer, he joined The Dubliners in 1996 as a replacement for long-time member Ronnie Drew. He left the group after nine years to move to New York City (where he owns a number of pubs) in 2005 and was replaced by Patsy Watchorn.http://cgi.ebay.ie/The-Paddy-Reilly-Songbook-Fields-of-Athenry-sheet-music_W0QQitemZ380145940850QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item588276b972&_trksid=p3286.c0.m14 After living ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Christy Moore
Christopher Andrew "Christy" Moore (born 7 May 1945) is an Irish folk singer, songwriter and guitarist. In addition to his significant success as an individual, he is one of the founding members of Planxty and Moving Hearts. His first album, ''Paddy'' ''on the Road'' was recorded with Dominic Behan in 1969. In 2007, he was named as Ireland's greatest living musician in RTÉ's People of the Year Awards. Early life Moore was born in Newbridge, County Kildare, Ireland and attended Newbridge College. His mother Nancy Moore was a Fine Gael election candidate. He was originally a bank employee who wanted to express himself using traditional music. During a bank strike in 1966, which lasted twelve weeks, he went to England, as many striking officials did, but didn't return when the strike was settled. "I had a wild and wonderful time in England, with no bank manager looking over my shoulder," he said. Doing general labouring work, he frequented the folk clubs and the Irish music p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Johnstons
The Johnstons were an Irish close-harmony folk band, founded in Slane, County Meath, Ireland, consisting of siblings Adrienne, Luci and Michael Johnston. Career The Johnstons began performing in the early 1960s in Slane. They signed to Pye Records in 1965 and recorded Ewan MacColl's "The Travelling People", a major hit for them. They added Mick Moloney, who was then becoming a major figure in the Irish music scene, and Paul Brady, while Michael Johnston departed. They continued recording to great success in Ireland, then signed to Transatlantic Records in London, releasing a United Kingdom album called ''The Johnstons'' in 1968. This was followed by two albums released on the same day, the traditional ''The Barleycorn'' and more contemporary ''Give a Damn''. When the Johnstons moved to London to further their career, Luci Johnston resigned and stayed in Dublin, leaving Adrienne as the only original Johnston in the group. After moving to London, the Johnstons toured and appeare ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fare Thee Well (song)
"Fare Thee Well" (sometimes known as "The Turtle Dove") is an 18th-century English folk ballad, listed as number 422 in the Roud Folk Song Index. In the song, a lover bids farewell before setting off on a journey, and the lyrics include a dialogue between the lovers. History The first published version of the song appeared in ''Roxburghe Ballads'' dated 1710; the lyrics were there given the title "The True Lover's Farewell". The song was traditionally sung to a range of different tunes. In 1907, the composer and folk-song scholar Ralph Vaughan Williams recorded David Penfold, an innkeeper from Rusper, Sussex, singing "Turtle Dove", and the recording is available online via the British Library Sound Archive. Lyrical content "Fare Thee Well" shares several lyrics which parallel those of Robert Burns's "A Red, Red Rose". The lyrics are also strikingly similar to a folk song titled, "My Dear Mary Ann" that dates back to the mid-19th century. Similarities include the meter and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scots Musical Museum
The ''Scots Musical Museum'' was an influential collection of traditional folk music of Scotland published from 1787 to 1803. While it was not the first collection of Scottish folk songs and music, the six volumes with 100 songs in each collected many pieces, introduced new songs, and brought many of them into the classical music repertoire. The project started with James Johnson, a struggling music engraver / music seller, with a love of old Scots songs and a determination to preserve them. In the winter of 1786 he met Robert Burns who was visiting Edinburgh for the first time, and found that Burns shared this interest and would become an enthusiastic contributor. The first volume was published in 1787 and included three songs by Burns. He contributed 40 songs to volume 2, and would end up responsible for about a third of the 600 songs in the whole collection as well as making a considerable editorial contribution. The final volume was published in 1803 and contained the first ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Highwayman
A highwayman was a robber who stole from travellers. This type of thief usually travelled and robbed by horse as compared to a footpad who travelled and robbed on foot; mounted highwaymen were widely considered to be socially superior to footpads. Such criminals operated until the mid or late 19th century. Highwaywomen, such as Katherine Ferrers, were said to also exist, often dressing as men, especially in fiction. The first attestation of the word ''highwayman'' is from 1617. Euphemisms such as "knights of the road" and "gentlemen of the road" were sometimes used by people interested in romanticizing (with a Robin Hood–esque slant) what was often an especially violent form of stealing. In the 19th-century American West, highwaymen were sometimes known as ''road agents''. In Australia, they were known as bushrangers. Robbing The great age of highwaymen was the period from the Restoration in 1660 to the death of Queen Anne in 1714. Some of them are known to have been disban ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anglo-Irish
Anglo-Irish people () denotes an ethnic, social and religious grouping who are mostly the descendants and successors of the English Protestant Ascendancy in Ireland. They mostly belong to the Anglican Church of Ireland, which was the established church of Ireland until 1871, or to a lesser extent one of the English dissenting churches, such as the Methodist church, though some were Roman Catholics. They often defined themselves as simply "British", and less frequently "Anglo-Irish", "Irish" or "English". Many became eminent as administrators in the British Empire and as senior army and naval officers since Kingdom of England and Great Britain were in a real union with the Kingdom of Ireland until 1800, before politically uniting into the United Kingdom of Great Britain and Ireland) for over a century. The term is not usually applied to Presbyterians in the province of Ulster, whose ancestry is mostly Lowland Scottish, rather than English or Irish, and who are sometimes id ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Irish Traditional Music
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and '' clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a bow or plectrum), the ''feadan'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''bennbuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' (clarions or trumpets), and the ''cnamha'' (bones).''A History of Irish Music: Chapter II ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |