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The Burning Fiery Furnace
''The Burning Fiery Furnace'' is an English music drama with music composed by Benjamin Britten, his Opus 77, to a libretto by William Plomer. One of Britten's three ''Parables for Church Performances'', this work received its premiere at the St Bartholomew's Church, Orford, Suffolk, England, on 9 June 1966 by the English Opera Group. Colin Graham was the stage director of this first production. Set designs were by Annena Stubbs. The United States premiere was presented at the Caramoor Summer Music Festival on 25 June 1967 with Andrea Velis as Nebuchadnezzar. The scale and manner of instrumentation are similar to those in ''Curlew River'', but one notable difference is the use of the alto trombone. Clifford Hindley has commented on a reading of a subtext sympathetic to homosexuality on the part of both Britten and Plomer in their treatment of the story. Roles Synopsis ''The Burning Fiery Furnace'' tells the story of Nebuchadnezzar (the historical Nebuchadnezzar II) and t ...
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Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece ''The Young Person's Guide to the Orchestra'' (1945). Born in Lowestoft, Suffolk, the son of a dentist, Britten showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the '' a cappella'' choral work '' A Boy was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-sca ...
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Robert Tear
Robert Tear (pronounced to rhyme with "beer"), CBE (8 March 1939 – 29 March 2011) was a Welsh tenor singer, teacher and conductor. He first became known singing in the operas of Benjamin Britten in the mid-1960s. From the 1970s until his retirement in 1999 his main operatic base was the Royal Opera House, Covent Garden; he appeared with other opera companies in the UK, mainland Europe, the US and Australia. Generally avoiding the Italian repertoire, which did not suit his voice, Tear became known in leading and character roles in German, British and Russian operas. Tear's concert repertoire was wide, extending from music from the 17th century to contemporary works by Britten, Tippett and others. He conducted for some years from the mid-1980s, but found himself temperamentally unsuited to it. As a teacher at the Royal Academy of Music he was happier, and was well regarded by colleagues and pupils. Life and career Early years Tear was born in Barry, Glamorgan, the son of T ...
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Cultural Depictions Of Daniel (biblical Figure)
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Chamber Operas
Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's ''Cardillac'' (1926). Earlier small-scale operas such as Pergolesi's ''La serva padrona'' (1733) are sometimes known as chamber operas. Other 20th-century examples include Gustav Holst's '' Savitri'' (1916). Benjamin Britten wrote works in this category in the 1940s when the English Opera Group needed works that could easily be taken on tour and performed in a variety of small performance spaces. ''The Rape of Lucretia'' (1946) was his first example in the genre, and Britten followed it with ''Albert Herring'' (1947), ''The Turn of the Screw'' (1954) and ''Curlew River'' (1964). Other composers, including Hans Werner Henze, Harrison Birtwistle, Thomas Adès, George Benjamin, William Walton, and Philip Glass have written in this genre. Instrumentation for chamber operas vary: Britten scored ''The Rape ...
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Operas By Benjamin Britten
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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Philip Ledger
Sir Philip Stevens Ledger, CBE, FRSE (12 December 1937 – 18 November 2012) was an English classical musician, choirmaster and academic, best remembered as Director of the Choir of King's College, Cambridge in 1974–1982 and of the Royal Scottish Academy of Music and Drama from 1982 until he retired in 2001. He also composed choral music and played the organ, piano and harpsichord. Life Ledger was born in Bexhill-on-Sea in 1937 and educated at King's College, Cambridge.Stanley Webb "Philip (Stevens) Ledger" in ''The New Grove Dictionary of Music and Musicians'' (London: Macmillan, 1980). His appointment as Master of Music at Chelmsford Cathedral in 1961 made him the youngest cathedral organist in the country. In 1965 he became Director of Music at the University of East Anglia, where he was also Dean of the School of Fine Arts and Music and responsible for establishing an award-winning building for the University's Music Centre, opened in 1973. In 1968, Ledger became an artist ...
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James Blades
James Blades OBE (9 September 190119 May 1999) was an English percussionist. He was one of the most distinguished percussionists in Western music, with a long and varied career. His book ''Percussion Instruments and their History'' (1971) is a standard reference work on the subject.Michael Skinner, ''In Memoriam: James Blades OBE'', Percussive Arts Society, 1999
Retrieved August 8, 2007.
Blades was born in in 1901.Nick Ravo, "James Blades Is Dead at 97; a Pe ...
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Osian Ellis
Osian or Osiyan may refer to: * Osian art fund, an arts fund started in Mumbai (2010). *Osian, Jodhpur, a city in Rajasthan, India * Osiyan, Unnao, a village in Unnao district, Uttar Pradesh, India * Osian (name), a name common in Wales, derived from the Irish ''Oisín'' * OSIAN, an Open Source IPv6 Automation Network for wireless sensors * Ancient nomadic tribes: ** the Asii The Asii, Osii, Ossii, Asoi, Asioi, Asini or Aseni were an ancient Indo-European people of Central Asia, during the 2nd and 1st centuries BCE. Known only from Classical Greek and Roman sources, they were one of the peoples held to be responsible ..., also known as the Osians in Central Asia ** the Osi (ancient tribe) in Eastern Europe See also * Ossian (other) {{disambiguation ...
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Cecil Aronowitz
Cecil Aronowitz (4 March 19167 September 1978) was a British viola player, a founding member of the Melos Ensemble, a leading chamber musician and an influential teacher at the Royal College of Music and the Royal Northern College of Music. Career Cecil Aronowitz was born on 4 March 1916 in King William's Town, South Africa. In 1933 he began studying the violin in Durban with Stirling Robbins.Biography
detailed personal memories of Nicola Grunberg 2004
After two years he came to England on an overseas scholarship to study at the Royal College of Music in London. In 1939, interrupted his studies and he spent the next six years in the army. When he returned to England, he switched to the

Neill Sanders
Neill Joseph Sanders (24 November 1923 – 19 April 1992) was a British horn player, principal horn of the London Philharmonic Orchestra and the BBC Symphony Orchestra, and for 29 years a member of the Melos Ensemble. He was a professor at Western Michigan University in Kalamazoo, Michigan and founded the Fontana Ensemble and the Fontana Concert Society with its summer festival. Career Neill Sanders grew up in a musical family. At the age of 16 he was already on a tour with the tenor Richard Tauber. At 18 he played principal horn in the London Symphony Orchestra for a short time. After the war he was principal horn again with the orchestra and also with the BBC Symphony Orchestra. He played second horn in the Philharmonia Orchestra for seven years with Dennis Brain.Sotone Historic Recordings
They both appeared with The London ...
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Richard Adeney
Richard Gilford Adeney (25 January 1920 – 16 December 2010) was a British flautist who played principal flute with the London Philharmonic Orchestra and the English Chamber Orchestra, was a soloist and a founding member of the Melos Ensemble. Career Richard Adeney was born the son of the painter Bernard Adeney (1878–1966).Biography
Brimstone Press
He was determined early in life, to "become the best flute player in the world", as he stated in his autobiography.Autobiography
/ref> He was educated at and subsequently studied at the ...
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