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The Bridge (Letter Kills Album)
''The Bridge'' is the debut and only studio album by American alternative rock band Letter Kills. Produced by Jim Wirt, the album was released on July 2, 2004 through Island Records. It peaked at number 130 on the Billboard top 200 albums chart, but spawned no hit singles. Letter Kills disbanded while working on a follow-up record, later reforming in 2023. Track listing Personnel ;Letter Kills *Matthew James Shelton – lead vocals *Timothy Cordova – lead guitar, backing vocals *Dustin Lovelis – rhythm guitar, backing vocals *Kyle Duckworth – bass guitar, backing vocals *Paul Remund – drums, backing vocals ;Artwork *Matthew Lindauer – art direction, design ;Management *Paul Resta – marketing ;Production *Jim Wirt – producer, engineer, mixing *Tara Podolsky & Paul Pontius – A&R *Pete Martinez – assistant engineer *Neil Couser – digital editing Digital media is any media (communication), communication media that operate in conjunction with v ...
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Letter Kills
Letter Kills was an alternative rock band from Southern California, formed in August 2002. They were signed to Island Records. The band cites their Christianity, Christian beliefs as the reason they got together. The name "Letter Kills" comes from Second Corinthians 3:6 - "for the letter kills, but the Spirit gives life." Their first album, ''The Bridge (Letter Kills album), The Bridge'', was released July 2, 2004. They toured the United States with Story of the Year as part of the Nintendo Fusion Tour, in addition to opening for The Used on the Van's Warped Tour in the winter of 2005. Additional bands toured with include Lostprophets, My Chemical Romance, Three Days Grace, and others. While recording their follow-up to ''The Bridge'', guitarist Dustin Lovelis left the band to form The Fling (band), The Fling, and the band soon broke up in 2006. They cited the cause of their breakup as lack of artistic freedom with their label. After the band broke up, lead singer Matthew She ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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NHL 2005
''NHL 2005'' is an ice hockey video game released in 2004, the successor to '' NHL 2004''. Features Improvements/flaws ''NHL 2005'' features ''Open Ice Control'', including moving players without the puck and also a complete World Cup mode where each team can be created from scratch. The user was now allowed to import digitized home arenas for the scratchbuilt teams (the 30 NHL arenas plus Nuremberg Arena, Kölnarena Lanxess Arena (originally Kölnarena, German for ''Cologne Arena'') is an indoor arena, in Cologne, North Rhine-Westphalia, Germany. It is known as the 18,500-capacity home of the Kölner Haie. The arena opened in 1998 and can accommodate 20,000 p ..., Stockholm Globe Arena, Helsinki Hartwall Areena and Prague Sazka Arena were available). Additional NHL jerseys and logos were also available including those of the defunct Atlanta Flames, Winnipeg Jets, Colorado Rockies (NHL), Quebec Nordiques as well as the old style Los Angeles Kings, Washington Capital ...
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Takedown
Takedown or take down may refer to: Books * '' Takedown: The Pursuit and Capture of America's Most Wanted Computer Outlaw'', by John Markoff and Tsutomu Shimomura * '' The Takedown: A Suburban Mom, a Coal Miner's Son, and the Unlikely Demise of Colombia's Brutal Norte Valle Cartel'', by Jeffrey Robinson Film and television Film * ''Take Down'' (1979 film), about a high school wrestling team * '' Track Down'', a 2000 film known as ''Takedown'' outside the U.S., based on the book titled ''Takedown'' * ''Takedown'' (2010 film), also known as ''Transparency'' * ''Take Down'' (2016 film), also known as ''Billionaire Ransom'' TV * "Takedown", a ''Rookie Blue'' TV series episode Legislation * Notice and take down, a process operated by online hosts in response to court orders * Words taken down, an objection to speech in the United States House of Representatives Video games * '' Takedown: Red Sabre'' * '' Bad Boys: Miami Takedown'' * '' Burnout 3: Takedown'' Other uses * ...
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Top Heatseekers
Top Heatseekers are "Breaking and Entering" music charts issued weekly by ''Billboard'' magazine. The Heatseekers Albums and the Heatseekers Songs charts were introduced by ''Billboard'' in 1991 with the purpose of highlighting the sales by new and developing musical recording artists. Albums and songs appearing on Top Heatseekers may also concurrently appear on the ''Billboard'' 200 or ''Billboard'' Hot 100. Albums chart The Heatseekers Albums chart contains 25 positions that are ranked by Nielsen SoundScan sales data, and charts album titles from "new or developing acts" as determined by the acts' historical chart performance. Once an artist/act has had an album place in the top 100 of the ''Billboard'' Top 200, or in the top 10 of any of the Top R&B/Hip-Hop Albums, Country Albums, Latin Albums, Christian Albums, or Gospel Albums charts, the album and later works no longer qualify for tracking on Heatseeker Albums. This definition means that some artists can still qualify as ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Tom Lord-Alge
Tom Lord-Alge (born January 17, 1963) is an American music engineer and mixer. He began his career at The Hit Factory in New York. Subsequently, he was the resident mixer at what used to be known as "South Beach Studios", located on the ground floor of the Marlin Hotel. Lord-Alge received two Grammy Awards for his work on Steve Winwood's ''Back in the High Life'' (1986), and '' Roll with It'' (1988), both winning in the 'Best Engineered Recording – Non-Classical' category. His third Grammy was for Santana's ''Supernatural'' (1999), which won Album of the Year. Lord-Alge has mixed records for U2, Simple Minds, The Rolling Stones, Pink, Peter Gabriel, OMD, Sarah McLachlan, Dave Matthews Band, Blink-182, Avril Lavigne, Hanson, Sum 41, Live, Manic Street Preachers, New Found Glory, Story of the Year and Marilyn Manson, among others. Career After doing live sound engineering for some time, Lord-Alge joined his older brother Chris at Unique Recording in New York City in 19 ...
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Digital Editing
Digital media is any media (communication), communication media that operate in conjunction with various encoded machine-readable data formats. Digital media can be created, viewed, distributed, modified, listened to, and preserved on a digital electronics device. ''Digital'' defines as any data represented by a series of digits, and ''media'' refers to methods of broadcasting or communicating this information. Together, ''digital media'' refers to mediums of digitized information broadcast through a screen and/or a speaker. This also includes text, audio, video, and graphics that are transmitted over the internet for viewing or listening to on the internet. Digital media platforms, such as YouTube, Vimeo, and Twitch (service), Twitch, accounted for viewership rates of 27.9 billion hours in 2020. A contributing factor to its part in what is commonly referred to as ''the digital revolution'' can be attributed to the use of interconnectivity. Digital media Examples of digital medi ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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