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The Bled (EP)
''The Bled'' is a self-titled EP by hardcore band The Bled. Its four songs were pressed on one-sided 12" vinyl, released in 2002 by Ambit Records. It was a small DIY release, without much marketing attempt. Production was limited to only 666 copies, 100 of which were on translucent blood-red vinyl. The other remaining 566 were pressed on black vinyl, and placed into black or white sleeves. The album art was sprayed on and the numbers handwritten. It was recorded before current singer James Munoz joined the band. Before the bled's reputation grew, the guy (unknown) that funded this pressing project didn't make much attempt to sell them. Some of the earlier copies that were sold or given out had no art work on them at all. Later, as the band's success grew, the guy (still a mystery) that had them decided to spray paint the sleeves, hand number them, and started putting them out there to sell at places such as interpunk. The bled had no say so in the design of the simple art ...
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The Bled
The Bled was an American post-hardcore band from Tucson, Arizona, formed in 2001. They released four albums (''Pass the Flask'', ''Found in the Flood'', ''Silent Treatment (The Bled album), Silent Treatment'' and ''Heat Fetish'') before disbanding in 2012. History Formation and early years (2001–2002) The Bled formed in 2001 under the name "The Radiation Defiance Theory" but changed the name because they felt it was too lengthy. Their music style was largely influenced by hardcore punk bands such as Refused, metalcore bands such as Cave In, and the mathcore band The Dillinger Escape Plan. After being a band for only two months, the band released an EP titled ''His First Crush'' with Ride the Rocket Records and Sunset Alliance, and released a The Bled (EP), self-titled EP a year later, both of which featured Adam Goss on vocals. The Bled quickly began to build a name for themselves in Tucson, Arizona, and started to play sold out shows.
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Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ...
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Mathcore
Mathcore is a subgenre of hardcore punk and metalcore influenced by post-hardcore, extreme metal and math rock that developed during the 1990s. Bands in the genre emphasize complex and fluctuant rhythms through the use of irregular time signatures, polymeters, syncopations and tempo changes. Early mathcore lyrics were addressed from a realistic worldview and with a pessimistic, defiant, resentful or sarcastic point of view. In the 1990s, the hardcore punk scene started to embrace extreme metal openly. It also started to become highly ideological, with most of the popular bands being part of subcultures. This led to bands such as Converge, Botch, Coalesce and The Dillinger Escape Plan to establish the genre. Characteristics Music Mathcore emphasizes complex and fluctuant rhythms through the use of irregular time signatures, polymeters, syncopations and tempo changes, while at the same time the drummers play with overall loudness. In the words of The Dillinger Escape P ...
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Ambit Records
AMBIT is a historical programming language that was introduced by Carlos Christensen of Massachusetts Computer Associates in 1964 for symbolic computation.Carlos Christensen: ''Examples of Symbol Manipulation in the AMBIT Programming Language''. in ''ACM '65: Proceedings of the ACM '65 conference. 1965, pp. 247-261. The language was influenced by ALGOL 60 and is an early example of a pattern matching language for manipulation of strings (a more popular example from the same time is SNOBOL). The acronym AMBIT stands for "Algebraic Manipulation by Identity Translation", but has also claimed "Acronym May Be Ignored Totally". AMBIT had dialects for manipulation of lists (AMBIT-L)Michael S. Wolfberg: ''Fundamentals of the AMBIT/L list-processing language'', Proceedings of the symposium on two-dimensional man-machine communication. October 1972 and graphs (AMBIT-G)Carlos Christensen: ''An Example of the Manipulation of Directed Graphs in the AMBIT/G Programming Language'', in Melvin K ...
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His First Crush
His First Crush is an EP recorded by Hardcore band The Bled. It was released after only two months of the band being together, on a friend's record company, Rocket Records. Only 1,000 copies were pressed, which sold quickly as interest in the band grew. The Bled - Pass the Flask (Reissue)
. . Retrieved on March 5, 2007


Track listing

*All songs written by # "His First Crush" – 3:08 # "Anvil Piñata" – 3:38 # "Swatting Flies with a Wrecking Ball" – 2:22 # "Glitterbomb" – 3:58 # "F Is for Forensics" – 4:27


Reissue

All of the ...
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Pass The Flask
''Pass the Flask'' is the first studio album released by American post-hardcore band the Bled. Reissue The Bled originally released their first album on Fiddler Records, an independent, now defunct record label. ''Pass the Flask'' sold approx 50,000 copies while on Fiddler. The Bled then signed to Vagrant Records to release their second album, '' Found in the Flood''. They reissued the first album on their new label Vagrant Records, containing all of the songs from ''Pass the Flask'', as well as the almost impossible to find '' His First Crush'' and ''The Bled'' EPs and officially unreleased tracks that only family and friends had. Jeremy Talley, the guitarist, said that "it seemed like the right time to put them all on one disc and put it out there before too many people find out about the Internet."The bled - Pass The Flask (R ...
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Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78
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Pass The Flask
''Pass the Flask'' is the first studio album released by American post-hardcore band the Bled. Reissue The Bled originally released their first album on Fiddler Records, an independent, now defunct record label. ''Pass the Flask'' sold approx 50,000 copies while on Fiddler. The Bled then signed to Vagrant Records to release their second album, '' Found in the Flood''. They reissued the first album on their new label Vagrant Records, containing all of the songs from ''Pass the Flask'', as well as the almost impossible to find '' His First Crush'' and ''The Bled'' EPs and officially unreleased tracks that only family and friends had. Jeremy Talley, the guitarist, said that "it seemed like the right time to put them all on one disc and put it out there before too many people find out about the Internet."The bled - Pass The Flask (R ...
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Vagrant Records
Vagrant Records is an American record label based in California. It was founded in 1995 by Rich Egan and Jon Cohen. The label focuses on rock, but features artists in a variety of other genres including folk, soul, electronic, and pop. It is home to artists such as The 1975, Death Spells, Eels, Edward Sharpe and the Magnetic Zeroes, CRUISR, Active Child, PJ Harvey, School of Seven Bells, Black Rebel Motorcycle Club, James Vincent McMorrow, Black Joe Lewis, Wake Owl, Blitzen Trapper, and Bombay Bicycle Club. Originally, Vagrant Records was mostly focused on emo bands such as Dashboard Confessional, Saves the Day, The Get Up Kids, Senses Fail, and Alkaline Trio. The label is considered one of the pre-eminent labels of the emo music scene. In 2014, Vagrant was acquired by BMG Rights Management. Co-founder Jon Cohen then became BMG's executive vice president of recorded music, until he left the company in September 2017. It remains to be distributed autonomously (outside of BMG's mai ...
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Found In The Flood
''Found in the Flood'' is the second studio album released by American post-hardcore band the Bled. Reissue The Bled originally released their first album on Fiddler Records, an independent, now defunct record label. ''Pass the Flask'' sold approx 50,000 copies while on Fiddler. The Bled then signed to Vagrant Records to release their second album, ''Found in the Flood''. Track listing Personnel The Bled *Darren Simoes – bass *Jeremy Talley – guitar *James Muñoz – vocals *Ross Ott – guitar *Mike Pedicone – drums Production *Mark Trombino – engineering, production, mixing *Maggie Taylor – album art *Stephen Looker Morning Again is an American metalcore band from Florida. They were known for their metallic sound as well as for their straight edge, Veganism, vegan, anti-religious and Anti-statism, anti-government ideals. The band was a "sister band" to Cultu ... – management References {{DEFAULTSORT:Found in the Flood 2005 albums Albums produced by ...
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The Bled Albums
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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