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The Best Is Yet To Come (Ella Fitzgerald Album)
''The Best Is Yet to Come'' is a 1982 studio album by the American jazz singer Ella Fitzgerald, accompanied by a studio orchestra arranged and conducted by Nelson Riddle. The last of Fitzgerald's six collaborations with Riddle, their work together on the Verve label more than fifteen years earlier is considered some of Fitzgerald's finest, both musically and critically. Fitzgerald's performance on the album won her the 1984 Grammy Award for Best Jazz Vocal Performance, Female, one of three Grammys she won for her work with Riddle. Reception In his biography of Riddle, ''September In the Rain'', Peter J. Levinson wrote that the album "...simply wasn't the best. In fact it was a near disaster. The raggedy tone of Ella's voice couldn't be disguised". Track listing # "Don't Be That Way" ( Benny Goodman, Mitchell Parish, Edgar Sampson) – 4:03 # " God Bless the Child" (Arthur Herzog Jr., Billie Holiday) – 4:42 # "(I Wonder) Where Our Love Has Gone" (Buddy Johnson) – 3:48 # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Best Is Yet To Come (song)
"The Best Is Yet to Come" is a 1959 song composed by Cy Coleman to lyrics by Carolyn Leigh. It is associated with Frank Sinatra, who recorded it on his 1964 album ''It Might as Well Be Swing'' accompanied by Count Basie under the direction of Quincy Jones. It was the last song Sinatra sang in public, on February 25, 1995, and the words "The Best is Yet to Come" are etched on Sinatra's tombstone. Although Sinatra made it popular, the song was written for and introduced by Tony Bennett. Before it was recorded by Sinatra, the song's debut was sung and played by Cy Coleman on Hugh Hefner's ''Playboy's Penthouse'' variety show. Notable recordings *Tony Bennett (''I Left My Heart in San Francisco'') (1962) *Tony Bennett and Diana Krall ('' Duets: An American Classic'') (2006) *Tony Bennett and Diana Krall in ''Tony Bennett: An American Classic''. Documentary directed by Rob Marshall (2006) *Michael Bublé ('' Call Me Irresponsible'') (2007) *James Darren (''This One's from the Hear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn In New York (song)
"Autumn in New York" is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical '' Thumbs Up!''. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra, which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Mary Lou Williams, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Jenkins
Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald. Biography Career Gordon Jenkins was born in Webster Groves, Missouri. He began his career writing arrangements for a radio Station in St. Louis. He was hired by Isham Jones, the director of a dance band known for its ensemble playing, which gave Jenkins the opportunity to develop his skills in melodic scoring. He also conducted ''The Show Is On'' on Broadway. After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others. In 1938, Jenkins moved to Hollywood and worked for Paramount Picture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goodbye (Gordon Jenkins Song)
"Goodbye" (sometimes written "Good-Bye") is a song by American composer and arranger Gordon Jenkins, published in 1935. It became well known as the closing theme song of the Benny Goodman orchestra. Jenkins had written the song when working with the Isham Jones orchestra, and Jones allegedly rejected it as it was "too sad". Music critic Alec Wilder described "Goodbye" as "as sad a song I know" and Leonard Feather called it among his "top ten songs it would be hardest to tire of hearing". Origin Jenkins' son, the sportswriter Bruce Jenkins, wrote a biography of his father entitled ''Goodbye: In Search of Gordon Jenkins''. While researching the biography, Jenkins interviewed the singer Martha Tilton, who had performed with the Benny Goodman orchestra. Tilton revealed that the song was written by Jenkins after the death of his first wife in childbirth. Recordings The song was used as the closing theme for radio broadcasts by the Benny Goodman orchestra. They recorded it on Septemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artie Shaw
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction. Widely regarded as "one of jazz's finest clarinetists", Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Donaldson
Walter Donaldson (February 15, 1893 – July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. History Walter Donaldson was born in Brooklyn, New York State, United States, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You're Driving Me Crazy
"You’re Driving Me Crazy" is an American popular song composed (music and lyrics) by Walter Donaldson in 1930 and recorded the same year by Lee Morse, Rudy Vallée & His Connecticut Yankees and Guy Lombardo & His Royal Canadians (with vocal by Carmen Lombardo). Successful recordings The song became a hit and was added to the 1930 musical comedy ''Smiles'', starring Marilyn Miller and Fred and Adele Astaire. It was recorded in 1930 by McKinney's Cotton Pickers and by Nick Lucas & His Crooning Troubadors. Nick Lucas's version, released on Brunswick, was a No. 7 hit: Brunswick 4987 (E-35404). Other popular artists issuing recording of this hit that same year included Rudy Vallée, Gene Austin and Guy Lombardo. The chords of "You're Driving Me Crazy" form the basis for Bennie Moten's great "Moten Swing." In 1931, cartoon character Betty Boop sang a sexy version of the song in the pre-code cartoon ''Silly Scandals''. As Boop sang the song, her dress slipped down repeatedly, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Johnson
Woodrow Wilson "Buddy" Johnson (January 10, 1915 – February 9, 1977) was an American jump blues pianist and bandleader active from the 1930s through the 1960s. His songs were often performed by his sister Ella Johnson, most notably "Since I Fell for You", which became a jazz standard. Life and career Born in Darlington, South Carolina, United States, Johnson took piano lessons as a child, and classical music remained one of his passions. In 1938, he moved to New York City, and the following year toured Europe with the Cotton Club Revue, being expelled from Nazi Germany. Later in 1939, he first recorded for Decca Records with his band, soon afterwards being joined by his sister Ella as vocalist. By 1941, he had assembled a nine-piece orchestra, and soon began a series of R&B and pop chart hits. These included "Let's Beat Out Some Love" (No. 2 R&B, 1943, with Johnson on vocals), "Baby Don't You Cry" (No. 3 R&B, 1943, with Warren Evans on vocals), his biggest hit "When My Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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