|
The Adversary (1971 Film)
''Pratidwandi'' ( en, The Adversary, Siddharta and the City, italic=yes) is a 1970 Indian Bengali drama film written and directed by Satyajit Ray based on the novel by Sunil Gangopadhyay. It is the first part of the Calcutta Trilogy. ''Pratidwandi'' tells the story of Siddharta, an educated middle-class man caught up in the turmoil of social unrest. Corruption and unemployment are rampant, and Siddhartha cannot align himself with either his revolutionary activist brother or his career-oriented sister. The film is known for experimenting with techniques such as photo-negative flashbacks. Plot Siddhartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to the unexpected death of his father. He has to now find a job instead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected: man landing on the moon. The interviewer a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyajit Ray
Satyajit Ray (; 2 May 1921 – 23 April 1992) was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and music composer. One of the greatest auteurs of film-making, Ray is celebrated for works including ''The Apu Trilogy'' (1955–1959), ''The Music Room'' (1958), ''The Big City'' (1963) and ''Charulata'' (1964). Ray was born in Calcutta to nonsense rhyme author Sukumar Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film ''Bicycle Thieves'' (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries and shorts. Ray's first film, ''Pather Panchali'' (1955) won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with ''Aparajito'' (1956) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterculture Of The 1960s
The counterculture of the 1960s was an anti-establishment cultural phenomenon that developed throughout much of the Western world in the 1960s and has been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States continued to grow, and with the intensification of the Vietnam War, it would later become revolutionary to some. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women's rights, traditional modes of authority, rights of non-white people, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s. As the era unfolded, what emerged were new cultural forms and a dynamic subculture that celebrated experimentation, modern incarnations of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago International Film Festival
The Chicago International Film Festival is an annual film festival held every fall. Founded in 1964 by Michael Kutza, it is the longest-running competitive film festival in North America. Its logo is a stark, black and white close up of the composite eyes of early film actresses Theda Bara, Pola Negri and Mae Murray, set as repeated frames in a strip of film. In 2010, the 46th Chicago International Film Festival presented 150 films from more than 50 countries. The Festival's program is composed of many different sections, including the International Competition, New Directors Competition, Docufest, Black Perspectives, Cinema of the Americas, and Reel Women. Its main venue is the AMC River East 21 Theatre in the Streeterville neighborhood of Chicago. International Connections Program The International Connections Program was created in 2003 in order to raise awareness of the international film culture and diversity of Chicago, and to make the festival more appealing to audienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Film Award For Best Direction
The National Film Award for Best Direction is an honour presented annually at India's National Film Awards ceremony by the Directorate of Film Festivals (DFF), an organisation set up by the Indian Ministry of Information and Broadcasting. Since 1967, the award is given by a national panel appointed annually by the DFF to a director for their work within Indian cinema. It is presented by the president of India at a ceremony held in New Delhi. The winner is given a "Swarna Kamal" (Golden Lotus) certificate and a cash prize of . Including ties and repeat winners, the DFF has presented a total of 53 Best Direction awards to 34 different directors. Although Indian cinema produces films in more than twenty languages, the performances of films that have won awards are of nine languages: Bengali (16 awards), Malayalam (14 awards), Hindi (11 awards), Tamil (4 awards), English and Kannada (3 awards each), Marathi (2 awards), Assamese and Punjabi (1 each). The first recipient was Satyaj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rotten Tomatoes
Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang. Although the name "Rotten Tomatoes" connects to the practice of audiences throwing rotten tomatoes in disapproval of a poor stage performance, the original inspiration comes from a scene featuring tomatoes in the Canadian film ''Léolo'' (1992). Since January 2010, Rotten Tomatoes has been owned by Flixster, which was in turn acquired by Warner Bros in 2011. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast's Fandango. Warner Bros. retained a minority stake in the merged entities, including Fandango. History Rotten Tomatoes was launched on August 12, 1998, as a spare-time project by Senh Duong. His objective in creating Rotten Tomatoes was "to create a site where people can get access to reviews from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Derek Malcolm
Derek Elliston Michael Malcolm (born 12 May 1932) is an English film critic. Son of J. Douglas Malcolm (died 1967) and Dorothy Vera (died 1964; née Elliston-Taylor), Malcolm was educated at Eton College and Merton College, Oxford. As a child he expressed an interest in film, often going to the newsreel cinema on Victoria station. He worked for several decades as a film critic for ''The Guardian'', having previously been an amateur jockey and the paper's first horse racing correspondent. In 1977, he was a member of the jury at the 27th Berlin International Film Festival. In the mid-1980s he was host of ''The Film Club'' on BBC2, which was dedicated to art house films, and was director of the London Film Festival for several years. After leaving ''The Guardian'' in 2000, he published his final series of articles, ''The Century of Films'', in which he discusses films he admires from his favourite directors from around the world. He became chief film critic for the ''Evening Stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jalsaghar
''Jalsaghar'' ( bn, জলসাঘর ''Jalsāghar'', "The Music Room") is a 1958 Indian Bengali drama film written and directed by Satyajit Ray, based on a popular short story by Bengali writer Tarasankar Bandyopadhyay, and starring Chhabi Biswas. The fourth of Ray's feature films, it was filmed at Nimtita Raajbari, in Nimtita , Aurangabad, Murshidabad. Despite initial poor critical reception in India, ''Jalsaghar'' went on to win the Presidential Award for best film in New Delhi, and played a significant role in establishing Ray's international reputation as a director. It has since gained near-universal critical acclaim, and has come to be regarded by the cinema community as one of the greatest films of all time. Plot ''Jalsaghar'' depicts the end days of a decadent zamindar (landlord) in Bengal and his efforts to uphold his family prestige while facing economic adversity. The landlord, Biswambhar Roy (Chhabi Biswas), is a just but otherworldly man who loves to spend time l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanchenjungha (film)
''Kanchenjungha'' (''Kanchonjônggha'') is a 1962 Indian film directed by Satyajit Ray. The film is about an upper class Bengali family on vacation in Darjeeling, a popular hill station and resort, near Kanchenjunga. Narrative structure The structure of the film contrasts a primary plot with a secondary plot. The secondary plot involves two characters, largely static, and is played out in scenes involving only them. The primary plot pulls in most of the characters, in various groups coming together and breaking apart, across many different locations, as they all walk the circular path rising and falling over the mountainside. The film happens in linear realtime, i.e. the runtime of the film covers events happening over approximately the same period. However frequent inter-cutting between the different groups fractures this linearity, as does the thematically opposed trajectories of the two plots, one proceeding from family to the individual while the other proceeds from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahanagar
''Mahanagar'' () is a 1963 Indian Bengali-language drama film written and directed by Satyajit Ray. Starring Madhabi Mukherjee in the leading role and based on the short story ''Abataranika'' by Narendranath Mitra, it tells the story of a housewife who disconcerts her traditionalist family by getting the job of a saleswoman. The film marked the first screen appearance of Jaya Bhaduri, one of Hindi cinema's leading actresses. Shot in the first half of 1963 in Calcutta, this was also the first film directed by Ray set entirely in his native Calcutta, reflecting contemporary realities of the urban middle-class, where women going to work is no longer merely driven by ideas of emancipation but has become an economic reality. The film examines the effects of the confident working woman on patriarchial attitudes and social dynamics. Besides ''The Apu Trilogy'', the film, according to veteran film critic Philip French, is one of Ray's greatest films. Plot Set in Calcutta during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Milne
Tom Milne (2 April 1926 – 14 December 2005) was a British film critic. See also After war service, he studied English and French at Aberdeen University and later at the Sorbonne. Interested in the theatre too, he wrote for the magazine ''Encore'', which existed for a decade (1954 to 1965). Milne wrote for ''Sight & Sound'', the ''Monthly Film Bulletin'', ''The Observer'' and ''The Times'' during his career. During the 1960s he was associate editor of ''Sight & Sound'' and editor of the ''Monthly Film Bulletin''. His book length studies of film directors include monographs on Joseph Losey (1968) and Rouben Mamoulian (1969) in the Thames & Hudson Cinema One series, the former comprising a series of extended interviews with the director. He also wrote a short study on the Danish director Carl Theodor Dreyer (1971) and edited and translated an anthology of interviews and writings on Jean-Luc Godard Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sight & Sound
''Sight and Sound'' (also spelled ''Sight & Sound'') is a British monthly film magazine published by the British Film Institute (BFI). It conducts the well-known, once-a-decade ''Sight and Sound'' Poll of the Greatest Films of All Time, ongoing since 1952. History and content ''Sight and Sound'' was first published in Spring 1932 as "A quarterly review of modern aids to learning published under the auspices of the British Institute of Adult Education". In 1934 management of the magazine was handed to the nascent British Film Institute (BFI), which still publishes the magazine today. ''Sight and Sound'' was published quarterly for most of its history until the early 1990s, apart from a brief run as a monthly publication in the early 1950s, but in 1991 it merged with another BFI publication, the ''Monthly Film Bulletin'', and started to appear monthly. In 1949, Gavin Lambert, co-founder of film journal ''Sequence'', was hired as the editor, and also brought with him ''Sequence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinéma Vérité
Cinéma vérité (, , ; "truthful cinema") is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct Cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth. History Cinéma v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
