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The Academicians Of The Royal Academy
''The Academicians of the Royal Academy'' (also known as ''Life School of the Royal Academy'') is an oil painting executed in 1771–72 by Johan Zoffany. The group portrait was produced shortly after the foundation of the Royal Academy of Arts in London in 1769. It portrays 34 of the early members of the Royal Academy preparing for a life drawing class with a nude male life model. The two female founding academicians – Angelica Kauffmann and Mary Moser – are not shown as present, as it would have been inappropriate for them to attend a life drawing class in person: rather, Zoffany includes them by showing their portraits hanging on the walls. Description The oil on canvas painting measures . It may have been commissioned by George III and it is held in the Royal Collection. It draws inspiration from Raphael's ''School of Athens'', with the artist Joshua Reynolds and the anatomist William Hunter taking the roles of Plato and Aristotle in a new "School of London". The paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johan Zoffany
Johan Joseph Zoffany (born Johannes Josephus Zaufallij; 13 March 1733 – 11 November 1810) was a German neoclassical painter who was active mainly in England, Italy and India. His works appear in many prominent British collections, including the National Gallery, the Tate Gallery and the Royal Collection, as well as institutions in continental Europe, India, the United States and Australia. His name is sometimes spelled Zoffani or Zauffelij (on his grave, it is spelled Zoffanij). Life and career Of noble Hungarian and Bohemian origin, Johan Zoffany was born near Frankfurt on 13 March 1733, the son of a cabinet maker and architect in the court of Alexander Ferdinand, 3rd Prince of Thurn and Taxis. He undertook an initial period of study in a sculptor's workshop in Ellwangen during the 1740s, possibly the shop of Melchior Paulus, and later at Regensburg with the artist . In 1750, he travelled to Rome, entering the studio of Agostino Masucci. In the autumn of 1760, he arrived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memento Mori
''Memento mori'' (Latin for 'remember that you ave todie'Literally 'remember (that you have) to die' , Third Edition, June 2001.) is an artistic or symbolic acting as a reminder of the inevitability of . The concept has its roots in the philosophers of |
Francis Hayman
Francis Hayman (1708 – 2 February 1776) was an English painter and illustrator who became one of the founding members of the Royal Academy in 1768, and later its first librarian. Life and works Born in Exeter, Devon, Hayman begun his artistic career as a scene painter in London's Drury Lane theatre (where he also appeared in minor roles) before establishing a studio in St Martin's Lane. A versatile artist influenced by the French Rococo style, he achieved some note during the 1740s through decorative paintings executed for the supper boxes at Vauxhall Pleasure Gardens in London. Hayman was also a successful portraitist and history painter. Combining some of these, he contributed 31 pictures to a 1744 edition of Shakespeare's plays by Sir Thomas Hanmer, and later portrayed many leading contemporary actors in Shakespearean roles, including David Garrick as Richard III (1760). He also illustrated Pamela, a novel by Samuel Richardson, Milton's ''Paradise Lost'' and ''Paradis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gwynn (architect)
John Gwynn (1713 – 28 February 1786) was an English architect and civil engineer, who became one of the founder members of the Royal Academy in 1768. He advocated greater control over planning in London, for which he produced detailed suggestions. His buildings include Magdalen Bridge and the Covered Market in Oxford, and several bridges over the River Severn. Life Gwynn was born and died in Shrewsbury, Shropshire. He worked initially as a carpenter, but then decided to practice as a (largely self-taught) architect and town planner, moving to London, where he became a friend of Samuel Johnson. In 1749, when Sir Christopher Wren's drawings were sold, Gwynn obtained Wren's plan for the rebuilding of the City of London, and published it, adding some comments of his own. Seventeen years later, in 1766, he published ''London and Westminster Improved'', It was passed in June of the same year. in which he criticised the loose control over building in the West End, sayi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Cosway
Richard Cosway (5 November 1742 – 4 July 1821) was a leading English portrait painter of the Georgian and Regency era, noted for his miniatures. He was a contemporary of John Smart, George Engleheart, William Wood, and Richard Crosse. He befriended fellow Free-masons and Swedenborgians William Blake and Chevalier d'Éon. His wife was the Italian-born painter Maria Cosway, a close friend of Thomas Jefferson. Early years Richard Cosway was born in Tiverton, Devon, the son of a schoolmaster. He was initially educated at Blundell's School, where his father was master, but at the age of twelve he was allowed to travel to London to take lessons in painting. Soon after his arrival, in 1754, he won a prize from the Society of Arts. He studied briefly with Thomas Hudson, then with William Shipley, and by 1760 had established his own business. He exhibited his first works at the age of 20 in 1762 and was soon in demand. He was one of the first group of associate members of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Cipriani
Giovanni Battista Cipriani (1727 – 14 December 1785) was an Italian painter and engraver, who lived in England from 1755. He is also called Giuseppe Cipriani by some authors. Much of his work consisted of designs for prints, many of which were engraved by his friend Francesco Bartolozzi. Life Cipriani was born in Florence. His family were originally from Pistoia. He first studied with Ignatius Hugford, a Florentine artist of English descent, and then under Anton Domenico Gabbiani. He spent the years 1750–53 in Rome, where he became acquainted with the architect, Sir William Chambers, and the sculptor, Joseph Wilton whom he accompanied to England in August 1755. He had already painted two pictures, a ''St Tesauro'' and ''St Peter Igneo'' for the abbey of San Michele in Pelago, Pistoia, which had brought him a favorable reputation. He also painted one of the canvases of the organ of the church of Santa Maria Maddalena dei Pazzi in Florence and the main altarpiece of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Chambers (architect)
__NOTOC__ Sir William Chambers (23 February 1723 – 10 March 1796) was a Swedish-Scottish architect, based in London. Among his best-known works are Somerset House, and the pagoda at Kew. Chambers was a founder member of the Royal Academy. Biography William Chambers was born on 23 February 1723 in Gothenburg, Sweden, to a Scottish merchant father. Between 1740 and 1749 he was employed by the Swedish East India Company making three voyages to China where he studied Chinese architecture and decoration. Returning to Europe, he studied architecture in Paris (with J. F. Blondel) and spent five years in Italy. Then, in 1755, he moved to London, where he established an architectural practice. In 1757, through a recommendation of Lord Bute, he was appointed architectural tutor to the Prince of Wales, later George III, and in 1766 also, along with Robert Adam, Architect to the King, (this being an unofficial title, rather than an actual salaried post with the Office of Works). He wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mason Chamberlin
Mason Chamberlin (1727–1787) was an English portrait painter, who was one of the founding members of the Royal Academy in 1768. He was a student of Francis Hayman. He is perhaps best remembered for his portrait of Benjamin Franklin. Life Chamberlin was a pupil of Francis Hayman. In 1768 he was one of the founding members of the Royal Academy. He exhibited 50 works at the academy between 1769 and 1786. All were portraits. The subjects of most of them are unnamed in the catalogues but in 1771 he showed a full-length painting of Prince Edward and Princess Augusta and in 1774 one of Catharine Macaulay. He also showed 22 works at the Society of Artists and two at the Free Society of Artists. His address is given as 7, Stuart Street, Spitalfields in the Academy catalogues and from 1785 as 10, Bartlett's Buildings. Franklin portrait He is perhaps best known for a portrait of Benjamin Franklin, commissioned by wealthy Virginian landowner and friend of Franklin's in London, Colone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Catton
Charles Catton RA (1728 in Norwich – 28 August 1798, in London), sometimes referred to as Charles Catton the elder, was a notable English coach painter, landscape, animal and figure painter of the late 18th century, and one of the founder members of the Royal Academy of Arts. Life and work Catton was born in Norwich, Norfolk, in 1728, and said to be one of 35 children that his father had from his two marriages. He was apprenticed to a London coach painter, or, according to some sources, a carpenter by the name of Maxwell, and studied drawing at the St. Martin's Lane Academy. He was mainly known as a landscape and animal painter, but also had a good knowledge of the figure, and a talent for humorous design. In 1781, he published an etching called ''The Margate Packet''. He became a member of the Society of Artists, and exhibited various pictures in its galleries in 1760–1764. He was outstanding as a coach painter, producing ornamental panels for carriages, floral embellish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Carlini
Augostino Carlini or Agostino Carlini (c. 1718 – 15 August 1790) was an Italian sculptor and painter, who was born in Genoa but settled in England. He was also one of the founding members of the Royal Academy in 1768. Life He features in a group portrait, by Johann Zoffany, of the founders, and is one of three sitters (with Francesco Bartolozzi and Giovanni Battista Cipriani) in a 1777 portrait displayed in the National Portrait Gallery in London. He was Keeper of the Royal Academy from 1783 until his death in 1790. He exhibited a portrait in oil in 1776. He worked, with fellow Italian sculptor Giuseppe Ceracchi at Somerset House, and on statues at Custom House in Dublin. He is particularly noted for various church monuments, including a memorial to Lady Sophia Petty at All Saints' Parish Church, High Wycombe, Buckinghamshire, and one commissioned by Joseph Damer in 1775 to commemorate his wife Caroline, which stands in the north transept of Milton Abbey in Dorset. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Burch (artist)
Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and Ned. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Bartolozzi
__NOTOC__ Francesco Bartolozzi (21 September 1727, in Florence – 7 March 1815, in Lisbon) was an Italian engraver, whose most productive period was spent in London. He is noted for popularizing the "crayon" method of engraving. Early life Bartolozzi was born in Florence in 1727. He was originally destined to follow the profession of his father, a gold- and silver-smith, but he manifested so much skill and taste in designing that he was placed under the supervision of two Florentine artists, including Ignazio Hugford and Giovanni Domenico Ferretti who instructed him in painting. After devoting three years to that art, he went to Venice and studied engraving. He spent six years there working for Joseph Wagner, an engraver and printseller, before setting up his own workshop. Early career His first productions in Venice were plates in the style of Marco Ricci, Zuccarelli. He then moved for a short time in 1762 to Rome, where he completed a set of engravings representing frescoe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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