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That's Not Me (The Beach Boys Song)
"That's Not Me" is a song by the American rock band the Beach Boys from their 1966 album ''Pet Sounds''. Written by Brian Wilson and Tony Asher, it is distinguished for its sophisticated harmonic structure and its sudden shifts in mood and instrumental textures. Owing to its relatively sparse orchestration, it is the track on ''Pet Sounds'' that most closely resembles a conventional rock song. The lyric illustrates a young man in his path toward self-discovery and independence, ending with the realization that he is better living with a lover than pursuing a life of solitude in service to his dream. Wilson felt that the song revealed "a lot about" himself. Other writers speculate that the song may have been inspired by his use of psychedelic drugs or his withdrawal from regular concert appearances in the year prior. Wilson produced "That's Not Me" at Western Studios in February 1966 with the aid of his bandmates alongside percussionist Hal Blaine, record producer Terry Melcher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys
The Beach Boys are an American Rock music, rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and their friend Al Jardine. Distinguished by their vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. The group drew on the music of Traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys formed as a garage band centered on Brian's songwriting and managed by the Wilsons' father, Murry Wilson, Murry. Jardine was briefly replaced by David Marks during 1962–1963. In 1963, they enjoyed their first national hit with "Surfin' U.S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Wilson
Dennis Carl Wilson (December 4, 1944 – December 28, 1983) was an American musician, singer, and songwriter who co-founded the Beach Boys. He was their drummer and the middle brother of bandmates Brian Wilson, Brian and Carl Wilson as well as a first cousin of other bandmate Mike Love. Dennis was the only true surfer in the Beach Boys, and his personal life exemplified the "California sound, California myth" that the band's early songs often celebrated. He was also known for his association with the Manson Family and for co-starring in the 1971 film ''Two-Lane Blacktop.'' Wilson served mainly on drums and backing vocals for the Beach Boys. His playing can be heard on many of the group's hits, belying the popular misconception that he was always replaced on record by studio musicians. He originally had few lead vocals on the band's songs due to his limited baritone range, but his prominence as a singer-songwriter increased following their 1968 album ''Friends (The Beach Boys alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Still Believe In Me
"You Still Believe in Me" is a song by American rock band the Beach Boys from their 1966 album ''Pet Sounds''. Initially conceived as "In My Childhood", it was the first songwriting collaboration between Brian Wilson, the group's ''de facto'' leader, and songwriter Tony Asher. Wilson sang the lead vocal. The lyrics are about a man who, while acknowledging his irresponsible behavior and unfaithfulness, is impressed by the unwavering loyalty of his lover, who is left shouldering the stability of their relationship. Wilson's then-wife Marilyn surmised that this choice of subject matter was indebted to the couple's marital struggles at the time. One of the first songs produced for ''Pet Sounds'', Wilson recorded the track between October 1965 and February 1966 with the aid of his bandmates, Asher, and 13 session musicians who variously played harpsichord, clarinets, 12-string electric guitars, timpani, finger cymbals, pianos, basses, and bicycle horn. Wilson and Asher created the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif () or motive is a short musical idea, a Salience (neuroscience), salient recurring Figure (music), figure, musical fragment or succession of notes that has some special importance in or is characteristic of a musical composition, composition. The motif is the smallest structural unit possessing theme (music), thematic identity. History The defines a motif as a "melodic, rhythmic, or harmonic cell (music), cell", whereas the 1958 maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject (music), subject. It is commonly regarded as the shortest subdivision of a Theme (music), theme or Phrase (music), phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". The New Grove Dictionary of Music and Musicians, Grove and Éditions Larousse, Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key Modulation
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements *Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V–V could be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. The biggest distinction between avant-garde and experimental music was how it relates to tradition. Other distinctions include subject matter, as well as having a superficial idea to avoid diving into serious subjects. Even though avant-garde and experimental music have many distinctions, experi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Lambert
''Inside the Music of Brian Wilson'' (subtitled ''The Songs, Sounds, and Influences of the Beach Boys' Founding Genius'') is a 2007 book that analyzes the music of Brian Wilson of the Beach Boys, authored by American musicologist Philip Lambert. It is the first book dedicated primarily to Wilson's music, rather than his personal life. Background Philip Lambert (1960–2022) was a professor of music at the CUNY Graduate Center in New York. He was initially known for specializing in the music of composer Charles Ives, and authored a book on the subject, ''The Music of Charles Ives'' (1997). After the mid-2000s, he specialized in popular music and musical theatre. His textbooks ''Basic Post-Tonal Theory'' (2018) and ''Analysis and Principles of Music'' (2017) are also widely used. Reception In his review for ''PopMatters'', Adam Bunch rued that the book has limited appeal to casual fans of the Beach Boys, as it requires the reader to have a rudimentary understanding of music theor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The A major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic major and melodic major scales are: In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. Scale degree chords The scale degree chords of A major are: * Tonic – A major * Supertonic – B minor * Mediant – C-sharp minor * Subdominant – D major * Dominant – E major * Submediant – F-sharp minor * Leading-tone – G-sharp diminished History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Major
F-sharp major is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps. Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains six flats in its key signature. The F-sharp major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic major and melodic major scales are: Scale degree chords The scale degree chords of F-sharp major are: * Tonic – F-sharp major * Supertonic – G-sharp minor * Mediant – A-sharp minor * Subdominant – B major * Dominant – C-sharp major * Submediant – D-sharp minor * Leading tone – E-sharp diminished Music in F-sharp major F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, jazz music, art music, and pop music. A particular key features a '' tonic (main) note'' and its corresponding '' chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest. The tonic also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major mode, minor mode, or one of several other modes. Musicians assume major when this is not specified; for example, "this piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in a single key; longer pieces in the classical repe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys (touring Band)
The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. Since then, the band has undergone many variations in composition, with representation by fill-ins onstage. As of 2021, the only principal members included in the Beach Boys' touring band are co-founder Mike Love and 1965 addition Bruce Johnston. In 1998, Love sought authorization through the Beach Boys' corporation, Brother Records Inc. (BRI) to tour as "The Beach Boys" and secured the necessary license. Even though Brian Wilson and Al Jardine did not tour with Love and Johnston's band since their one-off 2012 reunion tour, they remained a part of BRI and toured separately from Love and Johnston. (Brian died in 2025, with control of his share of BRI passing to his estate. Jardine remains active as a solo artist.) 1961–1964: Early years The group's instrumental combo initially involved Brian Wilson on bass guitar and keyboards, Carl Wilson on guitar, and Dennis Wilson on drums. Nine months ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timothy White (writer)
Timothy White (January 25, 1952 – June 27, 2002) was an American rock music journalist and editor. White began his journalism career as a writer for the Associated Press, but soon gravitated towards music writing. He was an editor for the rock magazine '' Crawdaddy'' in the late 1970s and a senior editor for ''Rolling Stone'' magazine in the early 1980s, where he wrote an article detailing the destruction of Bob Hope's face in a logging accident when Hope was in his teens, accounting for Hope's unusual nose and jaw. White was editor-in-chief of ''Billboard'' beginning in 1991. On White’s watch, ''Billboard'' dramatically revamped its music charts, employing computerized sales data from SoundScan that produced the first statistically precise barometer of consumer tastes. The new charts shocked the industry, showing that fans were often more fascinated by comparatively unknown rap, metal, alternative rock and country acts than pompous superstars. Initially, music comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
