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Terry Wey
Terry Wey (born 15 September 1985) is a classical countertenor, specialising in historically informed performance. As a boy soprano, he was a soloist of the Wiener Sängerknaben. Born in Bern in a Swiss-American family of musicians, Wey began his vocal training as a member of the Wiener Sängerknaben and also studied the piano. From 2003, he appeared internationally in concert- and opera. His love of Renaissance music made him join the vocal ensemble Cinquecento. Selected recordings * Tommaso Albinoni: ''Il Nascimento dell’Aurora'' (2007) * Stefano Landi: ''Il Sant’Alessio'' (2008) * Johann Sebastian Bach: Mass in B minor (2008) * George Frederic Handel: ''Israel in Egypt ''Israel in Egypt'', HWV 54, is a biblical oratorio by the composer George Frideric Handel. Most scholars believe the libretto was prepared by Charles Jennens, who also compiled the biblical texts for Handel's '' Messiah''. It is composed ...'' (2008) * Claudio Monteverdi: '' Il Ritorno d'Ul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Sängerknaben
The Vienna Boys' Choir (german: Wiener Sängerknaben) is a choir of boy sopranos and altos based in Vienna, Austria. It is one of the best known boys' choirs in the world. The boys are selected mainly from Austria, but also from many other countries. The choir is a private, non-profit organization. There are approximately 100 choristers between the ages of nine and fourteen. The boys are divided into four touring choirs, named after Austrian composers Bruckner, Haydn, Mozart and Schubert, which combined perform about 300 concerts each year before almost 500,000 people. Each group tours for about nine to eleven weeks. Some pieces include "Good Morning" and "Merry Christmas from Vienna Boys". Early history The choir is the modern-day descendant of the boys' choirs of the Viennese Court, dating back to the late Middle Ages. The Wiener Hofmusikkapelle was established by a letter from Emperor Maximilian I of the Holy Roman Empire on 30 June 1498, instructing court officials to empl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bern
german: Berner(in)french: Bernois(e) it, bernese , neighboring_municipalities = Bremgarten bei Bern, Frauenkappelen, Ittigen, Kirchlindach, Köniz, Mühleberg, Muri bei Bern, Neuenegg, Ostermundigen, Wohlen bei Bern, Zollikofen , website = www.bern.ch Bern () or Berne; in other Swiss languages, gsw, Bärn ; frp, Bèrna ; it, Berna ; rm, Berna is the ''de facto'' capital of Switzerland, referred to as the "federal city" (in german: Bundesstadt, link=no, french: ville fédérale, link=no, it, città federale, link=no, and rm, citad federala, link=no). According to the Swiss constitution, the Swiss Confederation intentionally has no "capital", but Bern has governmental institutions such as the Federal Assembly and Federal Council. However, the Federal Supreme Court is in Lausanne, the Federal Criminal Court is in Bellinzona and the Federal Administrative Court and the Federal Patent Court are in St. Gallen, exemplifying the federal nature of the Confederation. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommaso Albinoni
Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is best remembered today for a work called "Adagio in G minor", attributed to him but largely written by Remo Giazotto, a 20th century musicologist and composer, who was a cataloger of the works of Albinoni. Biography Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant, he studied violin and singing. Relatively little is known about his life, which is surprising, considering his contemporary stature as a composer and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII). His first opera, '' Zenobia, regina d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Landi
Stefano Landi (baptized 26 February 1587 – 28 October 1639) was an Italian composer and teacher of the early Baroque Roman School. He was an influential early composer of opera, and wrote the earliest opera on a historical subject: ''Il Sant'Alessio'' (1632). Biography Landi was born in Rome, the capital of the Papal States. In 1595 he joined the Collegio Germanico in Rome as a boy soprano, and he may have studied with Asprilio Pacelli. Landi took minor orders in 1599 and began studying at the Seminario Romano in 1602. He is mentioned in the Seminary's records as being the composer and director of a Carnival pastoral in 1607; and in 1611 his name appears as an organist and a singer, though he was already ''maestro di cappella'' at S Maria della Consolazione in 1614. Agostino Agazzari was ''maestro di cappella'' at the Seminario Romano, and he may have been one of Landi's teachers as well. In 1618 he had moved to the north of Italy, and published a book of five-voice m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor Structure
The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the . Towards the end of his life, mainly in 1748 and 1749, he finished composing new sections and compiling it into a complex, unified structure. Bach structured the work in four parts: # # # # The four sections of the manuscript are numbered, and Bach's usual closing formula (S.D.G = ) is found at the end of the . Some parts of the mass were used in Latin even in Lutheran Leipzig, and Bach had composed them: five settings of the Missa, containing the and the , and several additional individual settings of the and the . To achieve the , a setting of the complete text of the mass, he combined his most elaborate Missa, the Missa in B minor, written in 1733 for the court in Dresden, and a written for Christmas of 1724. He added a few new compositions, but mostly derived movements from cantata movements, in a technique known as parody. The Mass is a compendium of many different styles i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel In Egypt
''Israel in Egypt'', HWV 54, is a biblical oratorio by the composer George Frideric Handel. Most scholars believe the libretto was prepared by Charles Jennens, who also compiled the biblical texts for Handel's ''Messiah''. It is composed entirely of selected passages from the Old Testament, mainly from Exodus and the Psalms. ''Israel in Egypt'' premiered at London's King's Theatre in the Haymarket on April 4, 1739 with Élisabeth Duparc "La Francesina", William Savage, John Beard (tenor), Turner Robinson, Gustavus Waltz, and Thomas Reinhold. Handel started it soon after the opera season at King's Theatre was cancelled for lack of subscribers. The oratorio was not well received by the first audience though commended in the '' Daily Post''; the second performance was shortened, the mainly choral work now augmented with Italian-style arias. The first version of the piece is in three parts rather than two, the first part more famous as "The ways of Zion do mourn", with altered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Ritorno D’Ulisse In Patria
''Il ritorno d'Ulisse in patria'' ( SV 325, ''The Return of Ulysses to his Homeland'') is an opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. The opera was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1639–1640 carnival season. The story, taken from the second half of Homer's '' Odyssey'', tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulisse, king of Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemaco and a staunch friend Eumete, Ulisse vanquishes the suitors and recovers his kingdom. ''Il ritorno'' is the first of three full-length works which Monteverdi wrote for the burgeoning Venetian opera industry during the last five years of his life. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Es Ist Ein Trotzig Und Verzagt Ding, BWV 176
(There is something defiant and fainthearted), 176, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Trinity Sunday on a text by Christiana Mariana von Ziegler and first performed it on 27 May 1725, concluding his second year of cantata compositions in Leipzig. History and words Bach composed the cantata during his second year in Leipzig for Trinity. The prescribed readings for the Sunday were from the Epistle to the Romans, reflecting "depth of wisdom" (), and from the Gospel of John, the meeting of Jesus and Nicodemus (). In his second year in Leipzig, Bach composed chorale cantatas between the first Sunday after Trinity Sunday and Palm Sunday, but for Easter returned to cantatas on more varied texts, possibly because he lost his librettist. Nine of his cantatas for the period between Easter and Pentecost are based on texts of Christiana Mariana von Ziegler, including this cantata. He later inserted most of them, including this one, in his thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenors
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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