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Ten Trumpets And 2 Guitars
''Ten Trumpets and 2 Guitars'' is an album by composer, arranger and conductor Pete Rugolo featuring performances recorded in 1961 and first released on the Mercury label as part of its audiophile Perfect Presence Sound Series.Mercury Records Catalog: Perfect Presence Sound series accessed October 6, 2016 accessed October 6, 2016 Reception The review by arwulf arwulf noted: "''Ten Trumpets and Two Guitars'' showcases a skilled team o ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Rugolo
Pietro "Pete" Rugolo (December 25, 1915 – October 16, 2011) was an American jazz composer, arranger and record producer. Life and career Rugolo was born in San Piero Patti, Sicily. His family emigrated to the United States in 1920 and settled in Santa Rosa, California. He began his career in music playing the baritone horn, like his father, but he quickly branched out into other instruments, notably the French horn and the piano. He received a bachelor's degree from San Francisco State College and then went on to study composition with Darius Milhaud at Mills College in Oakland, California and earn his master's degree. After he graduated, he was hired as an arranger and composer by guitarist and bandleader Johnny Richards. He spent World War II playing with altoist Paul Desmond in an Army band. After the war, Rugolo worked for Stan Kenton. He and songwriter Joe Greene collaborated on songs that made Kenton's band one of America's most popular. While Rugolo continued to work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uan Rasey
Uan Rasey (August 22, 1921 – September 27, 2011)Obituaries '''', October 5, 2011 was an American musician, best known for his studio work as a player. Biography Rasey was born in , on August 22, 1921. He taught himself to play the trumpet as a child. He moved with his family to |
Ollie Mitchell
Oliver Edward Mitchell (April 8, 1927 – May 11, 2013) was an American musician and bandleader. He was the son of Harold Mitchell, lead trumpeter for MGM Studios, who also taught Ollie to play the trumpet. Career Mitchell would go on to play in big bands for Harry James, Buddy Rich and Pérez Prado, among others, as well as the NBC Symphony Orchestra. In the 1960s, Mitchell joined The Wrecking Crew, a group of studio and session musicians who played anonymously on many records for popular singers of the time, as well as television theme songs, film scores, and advertising jingles. Mitchell was also an original member of Herb Alpert's Tijuana Brass. He would go on to have his own bands—Ollie Mitchell's Sunday Band, and the Olliephonic Horns. Personal life In 1995, Mitchell and his wife Nancy moved from Los Angeles to Puako, Hawaii, where he founded the Horns. In 2010, Mitchell published his memoir, ''Lost, But Making Good Time: A View from the Back Row of the Band''. According ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannie Klein
Emmanuel Klein (February 4, 1908 – May 31, 1994) was an American jazz trumpeter most associated with swing. Career Born in New York City, New York, Klein began recording with The Ambassadors for Vocalion in 1924, worked with Paul Whiteman in 1928 and was active throughout the 1930s as a studio musician and playing with Jimmy Dorsey, Tommy Dorsey, Benny Goodman, the Boswell Sisters and others. In 1937, he moved to California and worked with Frank Trumbauer's orchestra. In 1939 he declined an offer from Fritz Reiner to join the Pittsburgh Symphony. In early 1940 he appeared on Artie Shaw recordings. He worked on soundtracks and played trumpet for the film ''From Here to Eternity'' (1953) but was uncredited. He worked with musicians associated with West Coast jazz in the 1950s. Klein voiced-over Ziggy Elman's trumpet parts on the soundtrack of the movie ''The Gene Krupa Story''. Klein studied with Max Schlossberg of the New York Philharmonic. Although he did not play first trumpe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Fagerquist
Donald Alton Fagerquist (February 6, 1927 – January 23, 1974) was a small group, big band, and studio jazz trumpet player from the West Coast of the United States. Career Fagerquist was a featured soloist with several major bands, including Mal Hallett (1943), Gene Krupa (1944–50), Artie Shaw (1949–50), Artie Shaw's Gramercy Five (1949–50), Woody Herman (1951–52), Les Brown (1953), and the Dave Pell Octet (1953–59). He played on the ''Ella Fitzgerald Sings the Jerome Kern Songbook'' album (1963) under the baton of Nelson Riddle. Despite high demand for his services as a lyrical soloist, he only recorded twice as a leader: a half-date for Capitol in 1955 (reissued as part of the Dave Pell Octet CD ''I Had the Craziest Dream'') and a complete project for Mode in 1957 (''Music to Fill a Void''). In 1956, Fagerquist signed on as a staff musician for Paramount Films, while still periodically recording with artists such as Shelly Manne, Mel Tormé, and Art Pepper. Thro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Candoli
Pete Candoli (born Walter Joseph Candoli; June 28, 1923 – January 11, 2008) was an American jazz trumpeter. He played with the big bands of Woody Herman and Stan Kenton and worked in the studios of the recording and television industries. Career A native of Mishawaka, Indiana, Pete Candoli was the older brother of Conte Candoli. During the 1940s he was a member of big bands led by Sonny Dunham, Will Bradley, Ray McKinley, Tommy Dorsey, Teddy Powell, Woody Herman, Boyd Raeburn, Tex Beneke, and Jerry Gray. For his ability to hit high notes on the trumpet he was given the nickname "Superman". While he was a member of Woody Herman's First Herd, he sometimes wore a Superman costume during his solo. In the 1950s he belonged to the bands of Stan Kenton and Les Brown and in Los Angeles began to work as a studio musician. His studio work included recording soundtracks for the movies ''Bell, Book and Candle'', ''Private Hell 36'', Day the World Ended, (1955), ('The S.F. Blues'), ''Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conte Candoli
Secondo "Conte" Candoli (July 12, 1927 – December 14, 2001) was an American jazz trumpeter based on the West Coast. He played in the big bands of Woody Herman, Stan Kenton, Benny Goodman, and Dizzy Gillespie, and in Doc Severinsen's NBC Orchestra on ''The Tonight Show Starring Johnny Carson''. He played with Gerry Mulligan, and on Frank Sinatra's TV specials. He also recorded with Supersax, a Charlie Parker tribute band that consisted of a saxophone quintet, the rhythm section, and either a trumpet or trombone. Music career Conte was the younger brother of trumpeter Pete Candoli. He was born in Mishawaka, Indiana, United States. During the summer of 1943, while at Mishawaka High School, Secondo "Conte" Candoli sat in with Woody Herman's First Herd. After graduating in 1945, he joined the band full-time, where he sat side by side with his brother Pete in the trumpet section. Conte immediately went on the road, where he stayed for the next ten years, with Herman, Stan Kenton, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Brisbois
Austin Dean "Bud" Brisbois (April 11, 1937 – June 1978) was a jazz and studio trumpeter. He played jazz, pop, rock, country, Motown, and classical music. Career Brisbois was born in Edina, Minnesota and began studying the trumpet at age 12. He was mainly self-taught, and reportedly had most of his range before leaving high school. He briefly attended University of Minnesota before moving to Los Angeles, where he would live most of his life, when not touring. In September 1958 he joined Stan Kenton's orchestra, where he took over the "scream" parts written for Maynard Ferguson, in addition to playing much of the lead trumpet. Brisbois toured with Kenton's band until the early 60's, recording over 30 albums. Around 1963 he left Kenton to work in the Los Angeles recording studios. Brisbois worked as a studio musician in Los Angeles from around 1963 to 1975, recording over a hundred albums. He worked with Herb Alpert, Tony Bennett, Chicago Symphony Orchestra, Rosemary Clooney, Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
