Temple Of Juno, Agrigento
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Temple Of Juno, Agrigento
The Temple of Hera Lacinia, or Juno Lacinia, otherwise known as Temple D, is a Greek temple in the Valle dei Templi, a section of the ancient city of Agrigento, Agrigentum (ancient Greek Akragas, modern Agrigento) in Sicily. It was built in the middle of the fifth century BC, about the year 450 BC, and in period and in style belongs to the Archaic Greece, Archaic Doric temple, Doric period. Signs of a fire which followed the Siege of Akragas (406 BC), Siege of Akragas of 406 BC have been detected, and long after that the temple was restored at the time of the Sicilia (Roman province), Roman province of Sicily, with the original terracotta roof being replaced by one of marble, with a more steeply inclined slope on the eastern side. The temple was originally dedicated to the Greek god Hera, Roman Juno (mythology), Juno. If still in use by the 4th-and 5th century, it would have been closed during the persecution of pagans in the late Roman Empire. Description The building is a perip ...
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Crepidoma
Crepidoma is an architectural term for part of the structure of ancient Greek buildings. The crepidoma is the multilevel platform on which the superstructure of the building is erected. The crepidoma usually has three levels. Each level typically decreases in size incrementally going upwards, forming a series of steps along all or some sides of the building. The crepidoma rests on the euthynteria or foundation, which historically was constructed of locally available stone for the sake of economy. The topmost level of the crepidoma is called the stylobate, because it is the platform for the columns ( - ). The lower levels of the crepidoma are called the stereobates. The step-like arrangement of the crepidoma may extend around all four sides of a structure like a temple, for example, on the Parthenon The Parthenon (; grc, Παρθενών, , ; ell, Παρθενώνας, , ) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena d ...
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5th-century BC Establishments In Italy
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was a s ...
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Buildings And Structures In The Province Of Agrigento
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Temples In Magna Graecia
A temple (from the Latin ) is a building reserved for spiritual rituals and activities such as prayer and sacrifice. Religions which erect temples include Christianity (whose temples are typically called churches), Hinduism (whose temples are called Mandir), Buddhism, Sikhism (whose temples are called gurudwara), Jainism (whose temples are sometimes called derasar), Islam (whose temples are called mosques), Judaism (whose temples are called synagogues), Zoroastrianism (whose temples are sometimes called Agiary), the Baha'i Faith (which are often simply referred to as Baha'i House of Worship), Taoism (which are sometimes called Daoguan), Shinto (which are sometimes called Jinja), Confucianism (which are sometimes called the Temple of Confucius), and ancient religions such as the Ancient Egyptian religion and the Ancient Greek religion. The form and function of temples are thus very variable, though they are often considered by believers to be, in some sense, the "house" of ...
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450 BC
45 may refer to: * 45 (number) * one of the years 45 BC, AD 45, 1945, 2045 Film * ''45'' (film), directed by Peter Coster (2009) * ''.45'' (film), directed by Gary Lennon (2006) Music * ''45'' (Jaguares album), 2008 * ''45'' (Kino album), 1982 * "45" (Bon Iver song), 2016 * "45" (The Gaslight Anthem song), 2012 * "45" (Shinedown song), 2003 * "45" (Elvis Costello song), 2002 *"Forty Five", a song by Karma to Burn from the album ''Appalachian Incantation'', 2010 *45 rpm record or 45, a common form of vinyl single Other uses *Donald Trump, the 45th President of the United States, with the nickname "45" * ''45'' (book), written by Bill Drummond *.45 caliber, a family of firearm cartridges ** A nickname for a handgun chambered in .45 caliber, such as the M1911 pistol or Colt Single Action Army **.45 ACP, pistol cartridge **.45 Colt, revolver cartridge *Jacobite rising of 1745 or "The '45", in the United Kingdom *Forty-fives, a card game *'The 45%', collective term used by Scottish i ...
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Anastylosis
Anastylosis (from the Ancient Greek: ; , = "again", and = "to erect stela or building) is an archaeological term for a reconstruction technique whereby a ruined building or monument is restored using the original architectural elements to the greatest degree possible, combined with modern materials if necessary, ensuring that the latter are unobtrusive while clearly recognizable as replacement materials. It is also sometimes used to refer to a similar technique for restoring broken pottery and other small objects. Methodology The intent of anastylosis is to rebuild, from as much of the original materials that is left after hundreds or even thousands of years of abuse, historical architectural monuments which have fallen into ruin. This is done by placing components back into their original positions. Where standing buildings are at risk of collapse, the method may entail the preparation of drawings and measurements, piece-by-piece disassembly, and careful reassembly, with ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ...
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Distyle
A distyle is a small temple-like structure with two columns. By extension, a distyle can also mean a distyle in antis, the original design of the Greek temple, where two columns are set between two antae. See also *Prostyle *Amphiprostyle *Peristyle In ancient Greek and Roman architecture, a peristyle (; from Greek ) is a continuous porch formed by a row of columns surrounding the perimeter of a building or a courtyard. Tetrastoön ( grc, τετράστῳον or τετράστοον, lit=fou ... File:Hellenistic Money box in shape of a temple from Priene Antikensammlung Berlin.jpg, Hellenistic Money box in the shape of a temple Ancient Greek architecture {{AncientGreece-stub ...
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Opisthodomos
An opisthodomos (ὀπισθόδομος, 'back room') can refer to either the rear room of an ancient Greek temple or to the inner shrine, also called the adyton ('not to be entered'). The confusion arises from the lack of agreement in ancient inscriptions. In modern scholarship, it usually refers to the rear porch of a temple. On the Athenian Acropolis especially, the opisthodomos came to be a treasury, where the revenues and precious dedications of the temple were kept. Its use in antiquity was not standardised. In part because of the ritual secrecy of such inner spaces, it is not known exactly what took place within opisthodomoi; it can safely be assumed that practice varied widely by place, date and particular temple. Architecturally, the opisthodomos (as a back room) balances the pronaos or porch of a temple, creating a plan with diaxial symmetry. The upper portion of its outer wall could be decorated with a frieze, as on the Hephaisteion and the Parthenon. Opisthodomo ...
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