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Temple Of Diana (Nîmes)
The so-called Temple of Diana is a 1st-century ancient Roman building in Nîmes, Gard, built under Augustus. It is located near the gushing spring of "La Fontaine", around which was an Augusteum, a sanctuary devoted to the cult of the emperor and his family, centred on a nymphaeum. Its basilica-like floor plan argues against it being a temple and there is no archaeological or literary evidence for its dedication to Diana (mythology), Diana. The building may instead have been a library. Its facade was rebuilt during the 2nd century and in the mediaeval era it housed a monastery, ensuring its survival. It was excavated in 1745 during work to create the garden of La Fontaine. It was painted by Hubert Robert and other 18th century painters and was made a monument historique in 1840. It is now accessible from the ''jardins de la Fontaine''. Structure Its roof construction is unusual in that it consists of several elaborate thick barrel-vaulted rooms using carefully cut ashlars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
So-called Temple Of Diana
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Jules Canonge
Jules is the French form of the Latin "Julius" (e.g. Jules César, the French name for Julius Caesar). It is the given name of: People with the name *Jules Aarons (1921–2008), American space physicist and photographer *Jules Abadie (1876–1953), French politician and surgeon *Jules Accorsi (born 1937), French football player and manager *Jules Adenis (1823–1900), French playwright and opera librettist *Jules Adler 1865–1952), French painter *Jules Asner (born 1968), American television personality *Jules Aimé Battandier (1848–1922), French botanist *Jules Bernard (born 2000), American basketball player *Jules Bianchi (1989–2015), French Formula One driver *Jules Breton (1827–1906), French Realist painter *Jules-André Brillant (1888–1973), Canadian entrepreneur *Jules Brunet (1838–1911), French Army general *Jules Charles-Roux (1841–1918), French businessman and politician *Jules Dewaquez (1899–1971), French footballer *Jules Marie Alphonse Jacques de Dixmu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Mouches
''The Flies'' (french: Les Mouches) is a play by Jean-Paul Sartre, produced in 1943. It is an adaptation of the Electra myth, previously used by the Greek playwrights Sophocles, Aeschylus and Euripides. The play recounts the story of Orestes and his sister Electra in their quest to avenge the death of their father Agamemnon, king of Argos, by killing their mother Clytemnestra and her husband Aegisthus, who had deposed and killed him. Sartre incorporates an existentialist theme into the play, having Electra and Orestes engaged in a battle with Zeus and his Furies, who are the gods of Argos and the centerpiece for self-abnegating religious rituals. This results in fear and a lack of autonomy for Zeus's worshippers, who live in constant shame of their humanity. Synopsis Act 1 Orestes first arrives as a traveler with his tutor/slave, and does not seek involvement. Orestes has been traveling in a quest to find himself. He enters the story more as an adolescent with a girlish face, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Barjavel
René Barjavel (24 January 1911 – 24 November 1985) was a French author, journalist and critic who may have been the first to think of the grandfather paradox in time travel. He was born in Nyons, a town in the Drôme department in southeastern France. He is best known as a science fiction author, whose work often involved the fall of civilisation due to technocratic hubris and the madness of war, but who also favoured themes emphasising the durability of love. René Barjavel wrote several novels with these themes, such as '' Ravage'' (translated as ''Ashes, ashes''), ''Le Grand Secret'', ''La Nuit des temps'' (translated as ''The Ice People''), and ''Une rose au paradis''. His writing is poetic, dreamy and sometimes philosophical. Some of his works have their roots in an empirical and poetic questioning of the existence of God (notably ''La Faim du tigre''). He was also interested in the environmental heritage which we leave to future generations. Whilst his works are rarely ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Sectile
''Opus sectile'' is a form of pietra dura popularized in the ancient and medieval Roman world where materials were cut and inlaid into walls and floors to make a picture or pattern. Common materials were marble, mother of pearl, and glass. The materials were cut in thin pieces, polished, then trimmed further according to a chosen pattern. Unlike tessellated mosaic techniques, where the placement of very small uniformly sized pieces forms a picture, ''opus sectile'' pieces are much larger and can be shaped to define large parts of the design. Origin and evolution Early examples Early examples have been found from Egypt and Asia Minor. The Herodian Temple in Jerusalem was built during the second half of the 1st century BCE and the first half of the 1st century CE. Recent work by the Temple Mount Sifting Project has recovered enough pieces of polished stone triangles and squares from the Herodian Temple Mount to reconstruct geometric patterns of ''opus sectile'' flooring. Eviden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coffered Ceiling
A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. A series of these sunken panels was often used as decoration for a ceiling or a vault, also called ''caissons'' ("boxes"), or ''lacunaria'' ("spaces, openings"), so that a coffered ceiling can be called a ''lacunar'' ceiling: the strength of the structure is in the framework of the coffers. History The stone coffers of the ancient Greeks and Romans are the earliest surviving examples, but a seventh-century BC Etruscan chamber tomb in the necropolis of San Giuliano, which is cut in soft tufa-like stone reproduces a ceiling with beams and cross-beams lying on them, with flat panels filling the ''lacunae''. For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. In 2012, however, archaeologists working under the Packard Humani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composite Order
The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order.Henig, Martin (ed.), ''A Handbook of Roman Art'', p. 50, Phaidon, 1983, In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital. The Composite order is not found in ancient Greek architecture and until the Renaissance was not ranked as a separate order. Instead it was considered as an imperial Roman form of the Corinthian order. Though the Arch of Titus, in the forum in Rome and built in 82 AD, is sometimes cited as the first prominent survivin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niche (architecture)
A niche (CanE, or ) in Classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64–69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedrae; sheathed in dazzling polished white marble, such curved surfaces concentrated or dispersed the daylight. A is a very shallow niche, usually too shallow to contain statues, and may resemble a blind window (a window without openings) or sealed door. (Compare: blind arcade) The word derives from the Latin (), via the French . The Italian '' nicchio'' () may also be involved,OED, "Niche" as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence also the alternative term of "conch" for a semi-dome, usually reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a richly de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monument Historique
''Monument historique'' () is a designation given to some national heritage sites in France. It may also refer to the state procedure in France by which National Heritage protection is extended to a building, a specific part of a building, a collection of buildings, a garden, a bridge, or other structure, because of their importance to France's architectural and historical cultural heritage. Both public and privately owned structures may be listed in this way, as well as movable objects. As of 2012 there were 44,236 monuments listed. The term "classification" is reserved for designation performed by the French Ministry of Culture for a monument of national-level significance. Monuments of lesser significance may be "inscribed" by various regional entities. Buildings may be given the classification (or inscription) for either their exteriors or interiors. A monument's designation could be for a building's décor, its furniture, a single room, or even a staircase. An example is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Robert
Hubert Robert (22 May 1733 – 15 April 1808) was a French painter in the school of Romanticism, noted especially for his landscape paintings and capricci, or semi-fictitious picturesque depictions of ruins in Italy and of France.Jean de Cayeux. "Robert, Hubert." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 13 Jan. 2017 Biography Early years Hubert Robert was born in Paris in 1733. His father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. Young Robert finished his studies with the Jesuits at the Collège de Navarre in 1751 and entered the atelier of the sculptor Michel-Ange Slodtz who taught him design and perspective but encouraged him to turn to painting. In 1754 he left for Rome in the train of Étienne-François de Choiseul, son of his father's employer, who had been named French ambassador and would become a Secretary of State for Foreign Affairs to Louis XV in 1758. In Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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