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Tempietto Del Bramante
The so-called ''Tempietto'' () is a small commemorative tomb (''martyrium'') designed by Donato Bramante, possibly built as early as 1502 in the courtyard of San Pietro in Montorio, in Rome, Italy. Commissioned by Catholic Monarchs of Spain, Ferdinand and Isabella of Spain, the ''Tempietto'' is considered a masterpiece of High Renaissance Architecture of Italy, Italian architecture. After spending his first years in Milan, Bramante moved to Rome, where he was recognized by Pope Julius II, Cardinal Giuliano della Rovere, the soon-to-be Pope Julius II. In Rome, Bramante was able to study the ancient monuments firsthand. The Temple of Vesta, Tivoli, temple of Vesta at Tivoli was one of the precedents behind the ''Tempietto''. Other antique precedents Bramante was able to study in Rome include the circular temple of the banks of the Tiber, Temple of Hercules Victor, believed at the time to be a temple of Vesta. However, circular churches had already been employed by early Christian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempietto Di Bramante02783
Tempietto (Italian: "small temple") generally means a small temple-like or pavilion-like structure and is a name of many places in Italy: * San Pietro in Montorio#The Tempietto in Rome, a tomb by Donato Bramante * Villa Barbaro#Church (Tempietto Barbaro) at Maser, a church planned by Palladio * Tempietto of Sant'Antonio, Rimini, a baroque church in Rimini * Temple of Aesculapius (Villa Borghese) (called also Tempietto of Aesculapius) in Rome, built by Antonio Asprucci and his son Mario Asprucci * Temple of Clitumnus or Tempietto del Clitunno, an early medieval church in Pissignano * Tempietto del Petrarca, Canossa, a commemorative structure in Selvapiana * Sant'Emidio alle Grotte or Tempietto, a Baroque church in Ascoli Piceno * Sant'Emidio Rosso or Tempietto Sant'Emidio Rosso, a church of Ascoli Piceno * Sanctuary of Santa Maria infra Saxa, Genga and Tempietto Valadier by Giuseppe Valadier * Oratorio di Santa Maria in Valle, previously called the Tempietto longobardo, Valle * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masonry
Masonry is the building of structures from individual units, which are often laid in and bound together by mortar; the term ''masonry'' can also refer to the units themselves. The common materials of masonry construction are bricks, building stone such as marble, granite, and limestone, cast stone, concrete blocks, glass blocks, and adobe. Masonry is generally a highly durable form of construction. However, the materials used, the quality of the mortar and workmanship, and the pattern in which the units are assembled can substantially affect the durability of the overall masonry construction. A person who constructs masonry is called a mason or bricklayer. These are both classified as construction trades. Applications Masonry is commonly used for walls and buildings. Brick and concrete block are the most common types of masonry in use in industrialized nations and may be either load-bearing or non-load-bearing. Concrete blocks, especially those with hollow cores, offer va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Rome
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donato Bramante Buildings
Donato may refer to: People *Donato (surname) As a given name * Donato Bilancia (1951–2020), Italian serial killer * Donato Bramante (1444–1514), Italian architect * Donato da Cascia (fl. c. 1350 – 1370), Italian composer of trecento madrigals * Donato di Niccolò di Betto Bardi (1386–1466), Italian sculptor * Donato Gama da Silva (born 1962), Brazilian-Spanish footballer * Donato Giancola (born 1967), American illustration artist * Donato Guerra (1832–1876), leader of the Mexican Army during the time of La Reforma Places *Donato, Piedmont, a ''comune'' in the Province of Biella, Italy *Donato Guerra, State of Mexico, a town and municipality in Mexico *San Donato di Ninea, a town and comune in the province of Cosenza in the Calabria region of southern Italy Companies *Donatos Pizza, American pizza company See also *Donatus (other) *San Donato (other) {{Disambiguation, given name, surname Italian masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Serlio
Sebastiano Serlio (6 September 1475 – c. 1554) was an Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau. Serlio helped canonize the classical orders of architecture in his influential treatise variously known as ''I sette libri dell'architettura'' ("Seven Books of Architecture") or ''Tutte l'opere d'architettura et prospetiva'' ("All the works on architecture and perspective"). Biography Born in Bologna, Serlio went to Rome in 1514, and worked in the atelier of Baldassare Peruzzi, where he stayed until the Sack of Rome in 1527 put all architectural projects on hold for a time. Like Peruzzi, he began as a painter. He lived in Venice from about 1527 to the early 1540s but left little mark on the city. Serlio's model of a church façade was a regularized version, cleaned up and made more classical, of the innovative method of providing a façade to a church with a high vaulted nave flanked by low side aisles, providing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colonnade
In classical architecture, a colonnade is a long sequence of columns joined by their entablature, often free-standing, or part of a building. Paired or multiple pairs of columns are normally employed in a colonnade which can be straight or curved. The space enclosed may be covered or open. In St. Peter's Square in Rome, Bernini's great colonnade encloses a vast open elliptical space. When in front of a building, screening the door (Latin ''porta''), it is called a portico. When enclosing an open court, a peristyle. A portico may be more than one rank of columns deep, as at the Pantheon in Rome or the stoae of Ancient Greece. When the intercolumniation is alternately wide and narrow, a colonnade may be termed "araeosystyle" (Gr. αραιος, "widely spaced", and συστυλος, "with columns set close together"), as in the case of the western porch of St Paul's Cathedral and the east front of the Louvre. History Colonnades have been built since ancient times and inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Marcellus
The Theatre of Marcellus ( la, Theatrum Marcelli, it, Teatro di Marcello) is an ancient open-air theatre in Rome, Italy, built in the closing years of the Roman Republic. At the theatre, locals and visitors alike were able to watch performances of drama and song. Today its ancient edifice in the rione of Sant'Angelo, Rome, once again provides one of the city's many popular spectacles or tourist sites. Space for the theatre was cleared by Julius Caesar, who was murdered before its construction could begin; the theatre was advanced enough by 17 BC that part of the celebration of the ''ludi saeculares'' took place within the theatre; it was completed in 13 BC and formally inaugurated in 12 BC by Augustus,Leland M. Roth 1993 ''Understanding Architecture: Its Elements, History and Meaning'' (Westview Press: Boulder, CO and Cassius Dio 53.30.5., pp 230-31 named after his nephew Marcus Claudius Marcellus who had died in 23 BC. The theatre was 111 m in diameter and was the largest and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuscan Column
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's ''Etymologies'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ''Regole generali di a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Brunelleschi
Filippo Brunelleschi ( , , also known as Pippo; 1377 – 15 April 1446), considered to be a founding father of Renaissance architecture, was an Italian architect, designer, and sculptor, and is now recognized to be the first modern engineer, planner, and sole construction supervisor. In 1421, Brunelleschi became the first person to receive a patent in the Western world. He is most famous for designing the dome of the Florence Cathedral, a feat of engineering that had not been accomplished since antiquity, as well as the development of the mathematical technique of linear perspective in art which governed pictorial depictions of space until the late 19th century and influenced the rise of modern science. His accomplishments also include other architectural works, sculpture, mathematics, engineering, and ship design. His principal surviving works can be found in Florence. Biography Early life Brunelleschi was born in Florence, Italy, in 1377. His family consisted of his father, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and sent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
