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Te Deum In C
The ''Te Deum in C'' is a sacred choral composition by Benjamin Britten, a setting of the Te Deum on the English text from the Book of Common Prayer. Britten wrote it in 1934 between 11 July and 17 September, scored for treble solo, four-part choir (SATB) and organ. History and versions Britten dedicated the work: "Written for Maurice Vinden and the Choir of St Mark's, N. Audley St, London". It was first performed in concert at the medieval Church of St Michael's, Cornhill, London, on 13 November 1935 by the St Michael's Singers and organist George Thalben-Ball, with soprano May Bartlett, conducted by Harold Darke. The work was among Britten's first compositions to be published, by Oxford University Press. Commissioned by the BBC, Britten orchestrated the work in 1936 between 14 and 20 January, for harp or piano and string orchestra. This version was first performed in concert at the Mercury Theatre, London, on 27 January 1936 in the Lemare concert series, by the Choir of St ...
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St Michael's, Cornhill
St Michael, Cornhill, is a medieval parish church in the City of London with pre-Norman Conquest parochial foundation. It lies in the ward of Cornhill. The medieval structure was lost in the Great Fire of London, and replaced by the present building, traditionally attributed to Sir Christopher Wren. The upper parts of the tower are by Nicholas Hawksmoor. The church was embellished by Sir George Gilbert Scott and Herbert Williams in the nineteenth century. Early history The church of St Michael, Cornhill is sited directly above the location of the western apse of the former London Roman basilica (built c. AD90-AD120). Although its walls are not aligned with the basilica, some of the church's foundations still sit directly on top of the roman foundations. The first reference to the church was in 1055, when Alnod the priest gifted it to the Abbey of Evesham, "Alnod sacerdos dedit ecclesiam, beati Michaelis in Cornhulle, London". The patronage remained in the possession of the Ab ...
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Jubilate Deo (Britten)
Benjamin Britten's Jubilate Deo is a sacred choral setting of Psalm 100 in English, written in 1961 for St George's Chapel, Windsor Castle, "at the request of H.R.H. The Duke of Edinburgh". Britten scored the joyful music in C major for four-part choir and organ. A late companion piece to his 1934 ''Te Deum in C'', it is also known as his ''Jubilate in C''. It has been performed and recorded often, including on Prince Philip's 80th and 90th birthdays, and for his funeral service on 17 April 2021. History In 1953, Queen Elizabeth II and her husband Philip, Duke of Edinburgh, attended the premiere of Britten's ''Gloriana'', an opera about the reign of Elizabeth I, composed for the festivities surrounding the coronation of Elizabeth II that year. The royal couple dined with the composer after the performance. Later, perhaps in 1958, Philip requested that Britten compose a setting of Psalm 100 () for St George's Chapel, Windsor. The psalm is a regular part of Anglican ...
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Compositions By Benjamin Britten
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ...
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Boosey & Hawkes
Boosey & Hawkes is a British music publisher purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass, string and woodwind musical instruments. Formed in 1930 through the merger of two well-established British music businesses, it controls the copyrights to much major 20th-century music, including works by Leonard Bernstein, Benjamin Britten, Aaron Copland, Sergei Prokofiev, and Igor Stravinsky. It also publishes many prominent contemporary composers, including John Adams, Karl Jenkins, James MacMillan, Mark-Anthony Turnage, and Steve Reich. With subsidiaries in Berlin and New York, it also sells sheet music via its online shop. History Pre-merger Boosey & Hawkes was founded in 1930 through the merger of two respected music companies, Boosey & Company and Hawkes & Son. The Boosey family was of Franco–Flemish origin. Boosey & Company traces its roots back to John Boosey, a bookseller in London i ...
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Paul Spicer (musician)
Paul Spicer (born 6 June 1952) is an English composer, conductor, and organist. He taught choral conducting at the Royal College of Music and conducted the RCM Chamber Choir between 1995 and 2008. Until his retirement in July 2022 he also taught at the Royal Birmingham Conservatoire and conducted their chamber choir which records for Somm Records. He also teaches at Oxford and Durham universities. Since 2004 he has been the conductor of the Petersfield Festival. He was Senior Producer for BBC Radio 3 for the Midlands Region based in Birmingham between 1984 and 1990 after which he moved to be artistic director of the Lichfield Festival. He also produced for various record companies over many years. He founded the Finzi Singers in 1984 making many recordings for Chandos Records. He conducts the Birmingham Bach Choir and the Whitehall Choir in London. His compositions include two oratorios for Easter and for Advent with libretti by the Dr Tom Wright and a choral symphony 'Unfinished ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Pianissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ...
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Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ...
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Reginald Goodall
Sir Reginald Goodall (13 July 1901 – 5 May 1990) was an English conductor and singing coach noted for his performances of the operas of Richard Wagner and for conducting the premieres of several operas by Benjamin Britten. Early life Goodall was born in Lincoln, and studied at the Royal College of Music and elsewhere in Europe. In 1929, he became the organist and choirmaster at St Alban's Church, Holborn. Career During the Second World War, Goodall conducted the Wessex Philharmonic, a freelance orchestra which included some ex-members of the Bournemouth Municipal Orchestra. In 1944, Goodall joined the Sadler's Wells company, forerunner of the English National Opera. An early triumph was his conducting of the premiere of Benjamin Britten's ''Peter Grimes'' in 1945. He conducted this again later at the Royal Opera House, Covent Garden, where he had first conducted in 1947. He was an assistant conductor to the music director of the Royal Opera House, Karl Rankl, in the late 19 ...
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