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Te Deum (Reulein)
Peter Reulein's is a choral composition completed in 2018, a setting of the Te Deum. It is scored like Palmeri's ''Misa a Buenos Aires, Misatango'', for four-part choir (SATB), bandoneon, piano and String instrument, strings; it also uses Latin-American dance rhythms. History was written by Peter Reulein, the director of music at Liebfrauen, Frankfurt, since 2000. On a specific commission from Leichlingen, he wrote it as a possible companion piece to the popular ''Misa a Buenos Aires'' (''Misatango''), a 1996 Mass (music), mass composition by the Argentinian composer Martin Palmeri. Reulein used the same scoring for four-part choir (SATB), bandoneon, piano and String instrument, strings, and also employed Latin-American dance rhythms, tango music, tango, Habanera (music), habanera and huapango. Reulein added percussion instruments to the scoring. The work was published by the Dehm Verlag in 2018. The world premiere was given on 29 April 2018, coupled with Palmerí's ''Misatan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Reulein
Peter Reulein (born 1966) is a German composer, organ improviser, academic teacher and church musician, from 2000 at the church Liebfrauen in Frankfurt am Main. In 2016 he composed for the Catholic Diocese of Limburg the Franciscan oratorio ''Laudato si'''. Career Born in Frankfurt am Main, Reulein studied Catholic church music at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main with Wolfgang Schäfer and Uwe Gronostay. After extended studies of organ improvisation with Daniel Roth in Paris, he won several national and international competitions in this field, for example in 1993 the competition of Belgian radio and the second prize and the public's prize at the Festival Europäische Kirchenmusik in Schwäbisch Gmünd. He continued his studies of interpretations with Ludger Lohmann, Ewald Kooiman and Wolfgang Rübsam. He took master classes with choral conductors such as Eric Ericson and Helmuth Rilling. From 1991, Reulein was the church musician at the Hei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habanera (music)
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo and cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics. Outside Cuba, the Cuban contradanza became known as the ''habanera'' – the dance of Havana – and that name was adopted in Cuba itself subsequent to its international popularity in the later 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rheinische Post
''Rheinische Post'' is a major German regional daily newspaper published since 1946 by the ''Rheinische Post Verlagsgesellschaft GmbH'' company, and headquartered in Düsseldorf. The Post is especially dominant in the western part of North Rhine-Westphalia. The Post's online platforms are called RP ONLINE and Tonight.de. History and profile ''Rheinische Post'' is one of the allied new foundations in the post-World War II era. NSDAP-opponents Karl Arnold, Anton Betz, Erich Wenderoth and (soon resigned) Friedrich Vogel received a British newspaper license. The newspaper was established in 1946 and belongs to the Arnold, Betz, Droste, Alt and Ebel families. It is part of the ''Rheinische Post Mediengruppe'' which also owns newspapers like the ''Saarbrücker Zeitung'', the ''Lausitzer Rundschau'' or the ''Trierischer Volksfreund''. The core distribution area stretches from the Bergischen Land to the Dutch border. There are 31 local editions, among them other regional newspapers, li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritornello
A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usually in a rhyme scheme and meter that contrasted with the rest of the song. Scholars suggest that the word "ritornello" comes either from the Italian word ''ritorno'' (meaning return), or from ''tornando'' (meaning turnaround or flourish). Literally, in Italian it means "little return". Baroque music The ritornello as a recurring tutti passage can be traced back to the music of sixteenth-century Venetian composer Giovanni Gabrieli. According to Richard Taruskin, these repeating passages are "endemic to the ''concertato'' style" which Gabrieli is credited with developing. The idea of an orchestral ritornello played an important role in the structure of opera in the eighteenth century. The most common form for an aria during the Baroque per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of San Francesco, Ravenna
The Basilica of San Francesco is a major church in Ravenna. It was first built in 450 by Neo, bishop of Ravenna, and dedicated to saint Peter and Saint Paul. It was later also known as the Church of the Apostles (''Chiesa degli Apostoli''). In the second half of the 9th century and over the course of the 10th century, the earlier church was demolished to build a larger one and a tall bell tower, both of which survive. This new church was dedicated to Saint Peter and named San Pietro Maggiore. It was handed over to the Franciscans in 1261 and rededicated to Francis of Assisi. Dante Alighieri's funeral was held in the church in 1321 and his remains still rest next to the church in the Tomb of Dante. Between 1500 and 1700 the church was restored again and again and Baroque altars and decorations were added. The most important restoration was that under Pietro Zumaglini in 1793. Ravenna was occupied by the French soon afterwards and in 1810 the monastery was suppressed, with its bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravenna
Ravenna ( , , also ; rgn, Ravèna) is the capital city of the Province of Ravenna, in the Emilia-Romagna region of Northern Italy. It was the capital city of the Western Roman Empire from 408 until its collapse in 476. It then served as the capital of the Ostrogothic Kingdom until it was re-conquered in 540 by the Byzantine Empire. Afterwards, the city formed the centre of the Byzantine Exarchate of Ravenna until the last exarch was executed by the Lombards in 751. Although it is an inland city, Ravenna is connected to the Adriatic Sea by the Candiano Canal. It is known for its well-preserved late Roman and Byzantine architecture, with eight buildings comprising the UNESCO World Heritage Site "Early Christian Monuments of Ravenna". History The origin of the name ''Ravenna'' is unclear. Some have speculated that "Ravenna" is related to "Rasenna" (or "Rasna"), the term that the Etruscan civilization, Etruscans used for themselves, but there is no agreement on this point. Ancien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dehm Verlag
Patrick Dehm (born 1962) is a German Catholic theologian, supervisor and clinical Gestalt therapist. He and his brother founded the Eugen Dehm foundation, supporting a holistic health concept, in memory of their father. Dehm is director of the Dehm Verlag publishing music of the genre Neues Geistliches Lied (NGL), and president of the ecumenical association inTAKT for the support of NGL, which he initiated. Career Born in Freigericht, Dehm studied Catholic theology at the University of Würzburg, and was trained to be a ' (Human resource manager) and Gestalt therapist. He worked for the Diocese of Fulda as ''Jugendreferent für kirchliche kommunale Jugendarbeit'' in Freigericht. He moved to the Diocese of Limburg in 1989, where he worked for 11 years as a member of the leading team for the ministry to young people. From 1996, he was president of the Arbeitskreis Kirchenmusik und Jugendseelsorge im Bistum Limburg. He published several song books with modern sacred songs (Neue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huapango
is a family of Mexican music styles. The word likely derives from the Nahuatl word that literally means 'on top of the wood', alluding to a wooden platform on which dancers perform dance steps. It is interpreted in different forms, the most common being the classic interpreted by a trio of musicians (); the interpreted by a group (); and the , which can be performed by a large group of musicians. () The classical brings together a violin, a and a . The classical is characterized by a complex rhythmic structure mixing duple and triple metres which reflect the intricate steps of the dance. When the players sing (in a duet, in a falsetto tone), the violin stops, and the (the rhythm provided by heels hitting the floor) softens. The is danced by men and women as couples. A very popular is , in which two singers alternate pert and funny repartées. Huapango arribeño or son arribeño is a style of music played in the "zona media" region (part of San Luis Potosi, Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tango Music
Tango is a style of music in or time that originated among European and African immigrant populations of Argentina and Uruguay (collectively, the " Rioplatenses"). It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the ''orquesta típica'', which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world. Origins Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain,José Luis Ortiz Nuevo ''El origen del tango americano'' Madrid and La Habana 1849 while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. All sources stress the influence of African communities and their rhyt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Deum
The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Milanese Rite in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term Te Deum can also refer to a short religious service (of blessing or thanks) based upon the hymn. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) and Saint Nicetas of Remesiana (died 414) were proposed as possible authors. In the 20th century, the association with Nicetas has been deprecated, so that the hymn, while almost certainly dating to the 4th century, is considered as being of uncertain authorship. Authorship of Nicetas of R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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