Tale Spinnin'
''Tale Spinnin is the fifth studio album by Weather Report, recorded and released in 1975, featuring the addition of Leon "Ndugu" Chancler on the drums. Ndugu was recruited after Josef Zawinul heard him play with Carlos Santana. Weather Report was recording next door to Ndugu in the studio, and Chancler was asked to join them for a recording session. That session ended up lasting a week and produced ''Tale Spinnin. After the record, Ndugu was asked to join the band as a permanent member, but declined in favor of continuing to work with Carlos Santana. Some Canadian copies of the album list a track entitled "Krampus" on the back of the sleeve. However, this track does not appear on the actual record. Release history In addition to the usual 2-channel stereo version the album was also released by Columbia in 1975 in 4-channel quadraphonic sound on LP record and 8-track tape. The quad LP release was encoded in the SQ matrix system. The quad mixes were performed by Bruce Botnick. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Weather Report
Weather Report was an American jazz fusion band active from 1970 to 1986. The band was founded in 1970 by Austrian virtuoso keyboardist Joe Zawinul, American saxophonist Wayne Shorter, Czech bassist Miroslav Vitouš, American drummer and vocalist Alphonse Mouzon as well as American percussionists Don Alias and Barbara Burton. The band was initially co-led by co-frontmen Joe Zawinul and Wayne Shorter but, subsequently as the 1970s progressed, Joe Zawinul largely became the sole musical leader of the group. Other prominent members at various points in the band's lifespan included Jaco Pastorius, Alphonso Johnson, Victor Bailey, Chester Thompson, Peter Erskine, Airto Moreira, and Alex Acuña. Throughout most of its existence, the band was a quintet consisting of Zawinul, Shorter, a bass guitarist, a drummer, and a percussionist. The band started as a free improvising jazz group with avant-garde and experimental electronic leanings (pioneered by Zawinul); when Vitouš left Weathe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stereo
Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeaker A loudspeaker (commonly referred to as a speaker or speaker driver) is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A ''speaker system'', also often simply referred to as a "speaker" or " ...s (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural recording, Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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West African
West Africa or Western Africa is the westernmost region of Africa. The United Nations defines Western Africa as the 16 countries of Benin, Burkina Faso, Cape Verde, The Gambia, Ghana, Guinea, Guinea-Bissau, Ivory Coast, Liberia, Mali, Mauritania, Niger, Nigeria, Senegal, Sierra Leone, and Togo, as well as Saint Helena, Ascension and Tristan da Cunha ( United Kingdom Overseas Territory).Paul R. Masson, Catherine Anne Pattillo, "Monetary union in West Africa (ECOWAS): is it desirable and how could it be achieved?" (Introduction). International Monetary Fund, 2001. The population of West Africa is estimated at about million people as of , and at 381,981,000 as of 2017, of which 189,672,000 are female and 192,309,000 male. The region is demographically and economically one of the fastest growing on the African continent. Early history in West Africa included a number of prominent regional powers that dominated different parts of both the coastal and internal trade networks, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Steelpan
The steelpan (also known as a pan, steel drum, and sometimes, collectively with other musicians, as a steelband or steel orchestra) is a musical instrument originating in Trinidad and Tobago. Steelpan musicians are called pannists. Description The modern pan is a chromatically pitched percussion instrument made from 55 gallon industrial drums. ''Drum'' refers to the steel drum containers from which the pans are made; the steel drum is more correctly called a ''steel pan'' or ''pan'' as it falls into the idiophone family of instruments, and so is not a drum (which is a membranophone). Some steelpans are made to play in the Pythagorean musical cycle of fourths and fifths. Pan is played using a pair of straight sticks tipped with rubber; the size and type of rubber tip varies according to the class of pan being played. Some musicians use four pansticks, holding two in each hand. This grew out of Trinidad and Tobago's early 20th-century Carnival percussion groups known as ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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ARP 2600
The ARP 2600 is a semi-modular analog subtractive audio synthesizer produced by ARP Instruments, Inc. History Developed by a design team headed by ARP namesake Allen R. Pearlman and engineer Dennis Colin, the ARP 2600 was introduced in 1971 as the successor to ARP's first instrument, the ARP 2500, at a retail price of US$2600. Unlike other modular systems of the time, which required modules to be purchased individually and wired by the user, the 2600 was semi-modular with a fixed selection of basic synthesizer components internally pre-wired, with clear text labels and front panel screen printed graphics indicating the function of different sections of controls, and the signal flow between them. The 2600 was thus ideal for musicians new to synthesis, due to its ability to be operated either with or without patch cords. On its initial release it was heavily marketed to high schools and universities. Features and architecture The ARP 2600 features three VCOs, a 4-pole (24 dB ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tonto's Expanding Head Band
Tonto's Expanding Head Band was a British-American electronic music duo consisting of Malcolm Cecil and Robert Margouleff. Despite releasing only two albums in the early 1970s, the duo were influential in the development of electronic music and helped bring the synthesizer to the mainstream through session and production work for other musicians (most notably Stevie Wonder) and extensive commercial advertising work. The TONTO synthesizer TONTO is an acronym for "The Original New Timbral Orchestra", the first, and still the largest, multitimbral polyphonic analog synthesizer in the world, designed and constructed over several years by Malcolm Cecil. TONTO started as a Moog modular synthesizer Series III owned by record producer Robert Margouleff. Later a second Moog III was added, then four Oberheim SEMs, two ARP 2600s, modules from Serge with Moog-like panels, EMS, Roland, Yamaha, etc. plus several custom modules designed by Serge Tcherepnin and Cecil himself - who has an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Melodica
The melodica is a handheld free-reed instrument similar to a pump organ or harmonica. It features a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. The keyboard usually covers two or three octaves. Melodicas are small, lightweight, and portable, and many are designed for children to play. They are popular in music education programs, especially in Asia. The modern form of the instrument was invented by Hohner in the late 1950s, though similar instruments have been known in Italy since the 19th century. Description The mouthpiece can be a short rigid or semi-flexible plastic piece or a long flexible plastic tube (designed to allow the player to either hold the keyboard so the keys can be seen or lay the keyboard horizontally on a flat surface for two-handed playing). A foot pump can also be used as an alternative to breathing into the instrument. Melodica keyboards typically ascend from a low F note. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digita ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Super Audio CD
Super Audio CD (SACD) is an optical disc format for audio storage introduced in 1999. It was developed jointly by Sony and Philips Electronics and intended to be the successor to the Compact Disc (CD) format. The SACD format allows multiple audio channels (i.e. surround sound or multichannel sound). It also provides a higher bit rate and longer playing time than a conventional CD. An SACD is designed to be played on an SACD player. A ''hybrid SACD'' contains a Compact Disc Digital Audio (CDDA) layer and can also be played on a standard CD player. History The Super Audio CD format was introduced in 1999, and is defined by the ''Scarlet Book'' standard document. Philips and Crest Digital partnered in May 2002 to develop and install the first SACD hybrid disc production line in the United States, with a production capacity of up to three million discs per year. SACD did not achieve the level of growth that compact discs enjoyed in the 1980s, and was not accepted by the mainstr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bruce Botnick
Bruce Botnick (born 1945) is an American audio engineer and record producer, best known for his work with the Doors, the Beach Boys, Eddie Money, Love and film composer Jerry Goldsmith. Early work Botnick engineered Love's first two albums, and co-produced their third album, ''Forever Changes'', with the band's singer-songwriter, Arthur Lee. He also is listed as the one of two recording engineers on the 1965 Curtis Amy LP ''The Sounds of Broadway - The Sounds of Hollywood'' - said to have been released in 1965, although it also has been said to have been released earlier. The LP back cover (liner notes) are written by Curtis Amy, where he formally thanks Bruce Botnick for his work on the recordings. The Doors Botnick audio engineered the Doors' studio recordings starting with their first album in 1966. In November 1970 he took over production of The Doors' ''L.A. Woman'' album, their last with lead singer Jim Morrison, after the band's long-serving producer Paul A. Rothchild f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stereo Quadraphonic
SQ Quadraphonic ("Stereo Quadraphonic") was a matrix 4-channel quadraphonic sound system for vinyl LP records. It was introduced by CBS Records (known in the United States and Canada as Columbia Records) in 1971. Many recordings using this technology were released on LP during the 1970s. Record companies who adopted this format include: Angel, CTI, Columbia (internationally called CBS Records), EMI, Epic, Eurodisc, Harvest, HMV, Seraphim, Supraphon and Vanguard. With matrix formats, the four sound channels (forward left, forward right, back left, back right) are converted (encoded) down to two channels (left, right). These are then passed through a two-channel transmission medium (usually an LP record) before being decoded back to four channels and presented to four speakers. The SQ encoding is based on the work by Peter Scheiber and further developed by Benjamin Bauer. His basic formula used 90 degree phase shift circuitry to enable enhanced 4-2-4 matrix systems to be devel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |