T'heyddin
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T'heyddin
T'heydinn or T'heydinne (, variously also called ''Al Batt Likbir'' and ''Al Rasm'') is a Moorish epic ensemble of Mauritania. It is an important literary and artistic manifestation of Hassaniya language, the Hassaniya language and was, in 2011, added to the UNESCO's Intangible Cultural Heritage List. Origins The ''T’heydinn'' dates back to the 17th century and contains dozens of poems that praise the exploits of Moorish emirs and sultans and narrates events and traditions that trace the social, cultural and historical evolution of the Moors. The ''T'heydinn'' talk of the intermingling of the two main elements of Moorish society today, the Beni Ḥassān, Beni Hassan, the descendants of the Beni Hilal who migrated from the Arabian peninsula, and the Sanhaja, the ancient Berber people, Berber inhabitants of the Maghreb. It is performed by griots (or ''iggawen'' in Hassaniya) who are singers who have acquired their art by directly imitating the musical talents of their ancestors. ...
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Al-Sirah Al-Hilaliyyah
Al-Sirah al-Hilaliyyah (), also known as the Sirat Bani Hilal (سيرة بني هلال ''Sīra Banī Hilāl'') or the al-Hilali epic, is an Arabic epic oral poem that recounts the tale of the journey of the Bedouin tribe of the Banu Hilal from Najd in Arabia to Tunisia and Algeria via Egypt. It is built around historical events that took place in the 11th century. The Banu Hilal were dominant in central North Africa for over a century before their annihilation by the Almohads. The epic is folkloric and oral, not having been committed to writing until relatively recent times, and doesn't have a well-defined date of creation. Of the dozen odd major oral epic poems that developed within the Arab folk tradition between the Middle Ages and the 19th century, ''Sirat Bani Hilal'' is today the only one that is still performed in its integral musical form. The longest notable version contains 1,000,000 lines, the poet could sing this version about 100 hours. The epic, once widespread ...
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Moorish
The term Moor, derived from the ancient Mauri, is an exonym first used by Christian Europeans to designate the Muslim inhabitants of the Maghreb, the Iberian Peninsula, Sicily and Malta during the Middle Ages. Moors are not a distinct or self-defined people. The 1911 ''Encyclopædia Britannica'' observed that the term had "no real ethnological value." Europeans of the Middle Ages and the early modern period variously applied the name to Arabs and North African Berbers, as well as Muslim Europeans. The term has also been used in Europe in a broader, somewhat derogatory sense to refer to Muslims in general,Menocal, María Rosa (2002). ''Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain''. Little, Brown, & Co. , p. 241 especially those of Arab or Berber descent, whether living in Spain or North Africa. During the colonial era, the Portuguese introduced the names "Ceylon Moors" and "Indian Moors" in South Asia and Sri Lanka ...
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Trarza
Trarza ( ar, ولاية الترارزة) is a region in southwest Mauritania. Its capital is Rosso. Other major cities and towns include Mederdra and Boutilimit. Trarza borders the regions of Inchiri and Adrar to the north, Brakna to the east, and the country of Senegal to the south. Its western coastline on the Atlantic Ocean is interrupted only by the Mauritanian capital Nouakchott, which the region completely surrounds. In 2013, the population of the region was 272,773, compared to 345,076 in 2011. There were 47.79 per cent females and 52.21 per cent males. In 2008, the activity rate was 42.60 and economic dependency ratio was 0.99. The literacy rate for people aged 15 years and over was 79.0 per cent. Demographics In 2013, the population of the region was 272,773, compared to 345,076 in 2011. There were 47.79 per cent females and 52.21 per cent males. In 2008, the Couples with children was 35.10 and Couples without children was 3.70. The proportion with extended family was ...
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Music Of Mauritania
The music of Mauritania comes predominantly from the country's largest ethnic group: the Moors. In Moorish society musicians occupy the lowest caste, iggawin. Musicians from this caste used song to praise successful warriors as well as their patrons. Iggawin also had the traditional role of messengers, spreading news between villages. In modern Mauritania, professional musicians are paid by anybody to perform; affluent patrons sometimes record the entertainment, rather than the musicians themselves, and are then considered to own the recording. Instruments Traditional instruments include an hourglass-shaped four-stringed lute called the tidinit and the woman's kora-like ardin. Percussion instruments include the tbal (a kettle drum) and daghumma (a rattle). Types of Mauritanian music There are three "ways" to play music in the Mauritanian tradition: * Al-bayda - the white way, associated with delicate and refined music, and the Bidan (Moors of North African stock) * A ...
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Arabic Epic Literature
Arabic epic literature encompasses epic poetry and epic fantasy in Arabic literature. Virtually all societies have developed Folklore, folk tales encompassing tales of heroes. Although many of these are legends, many are based on real events and historical figures. Popular epic Taghribat Bani Hilal is an Arabic epic recounting the Banu Hilal's journey from Egypt to Tunisia and conquest of the latter in the 11th century. It was declared one of mankind's Masterpieces of the Oral and Intangible Heritage of Humanity by the UNESCO in 2003. In the 13th century, an Arabic epic poem entitled ''Antar'' was created based on Antarah ibn Shaddad, a pre-Islamic Arabian-Ethiopian Empire, Abyssinian warrior-poet. In 1898 the French painter Étienne Dinet published his translation of ''Antar'', which brought Antar bin Shaddad to European notice.Pouillon, Francois (1997) ''Les deux vies d'Étienne Dinet, peintre en Islam: L'Algerie et l'heritage colonial'' Editions Balland, Paris; It has been f ...
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Ululation
Ululation (), , is a long, wavering, high-pitched vocal sound resembling a howl with a trilling quality. It is produced by emitting a high pitched loud voice accompanied with a rapid back and forth movement of the tongue and the uvula The palatine uvula, usually referred to as simply the uvula, is a conic projection from the back edge of the middle of the soft palate, composed of connective tissue containing a number of racemose glands, and some muscular fibers. It also conta .... Around the world Ululation is practiced either alone or as part of certain styles of singing, on various occasions of communal ritual events (like weddings) used to express strong emotion. Ululation is practised in all parts of Africa; the Middle East; as well and it is practiced as far east as Central and South Asia, including Tamil Nadu, Kerala, Bengal, Odisha, and Assam in India, and Sri Lanka. It is also practiced in a few places in Europe, like Cyprus, and among the diaspora community originat ...
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Kettledrum
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian p ...
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Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ...
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Ardin (harp)
The ardin is a type of harp played in Mauritania. It has a resonating body made of calabash, with 10 to 16 strings, and is played by female griots A griot (; ; Manding: jali or jeli (in N'Ko: , ''djeli'' or ''djéli'' in French spelling); Serer: kevel or kewel / okawul; Wolof: gewel) is a West African historian, storyteller, praise singer, poet, and/or musician. The griot is a repos .... References Harps Mauritanian musical instruments {{Harp-stub ...
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ...
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Adrar Region
Adrar ( ar, ولاية أدرار) is a large administrative region in Mauritania, named for the Adrar Plateau. The capital is Atar. Other major towns include Choum, Chinguetti and Ouadane. The region borders Western Sahara and the Mauritanian region of Tiris Zemmour to the north, Mali and the Mauritanian region of Hodh Ech Chargui to the east, the Mauritanian regions of Trarza and Tagant to the south and the Mauritanian region of Inchiri to the west. As of 2013, the population of the region was 62,658, compared to 77,812 in 2011. There were 49.19 per cent females and 50.81 per cent males. As of 2008, the literacy rate for people aged 15 years and over was 50.30%. The total net enrolment ratio at secondary level was 7.10%. As of 2008, the activity rate was 48.20% and economic dependency ratio was 0.84. Demographics As of 2013, the population of the region was 62,658, compared to 77,812 in 2011. There were 49.19% females and 50.81% males. As of 2008, the activity rate was 48.2 ...
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