Södermanland Runic Inscription 194
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Södermanland Runic Inscription 194
Sö 194 is the Rundata designation for a runic inscription on a memorial runestone located in Brössike, which is about 12 kilometers northeast of Strängnäs, Södermanland County, Sweden, which was in the historic province of Södermanland. There are many such memorial runestones in Scandinavia. While the tradition of carving inscriptions into boulders began in the 4th century and lasted into the 12th century, most runestones date from the late Viking Age. Description Carved into a granite boulder that is 1.4 meters in height, this unsigned inscription has been attributed to the runemaster Balle (runemaster), Balle, who was active during the last half of the eleventh century. The text of the inscription lies within a serpent band, a Motif (visual arts), motif common on many memorial runestones. At the bottom of the inscription, there is a binding around the head and tail of the serpent as if to keep the serpent bound to the surface of the stone. The runestone is classified as bei ...
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Runemaster
A runemaster or runecarver is a specialist in making runestones. Description More than 100 names of runemasters are known from Viking Age Sweden with most of them from 11th-century eastern Svealand.The article ''Runristare'' in ''Nationalencyklopedin'' (1995). Many anonymous runestones have more or less securely been attributed to these runemasters. During the 11th century, when most runestones were raised, there were a few professional runemasters. They and their apprentices were contracted to make runestones and when the work was finished, they sometimes signed the stone with the name of the runemaster. Many of the uncovered runic inscriptions have likely been completed by non-professional runecarvers for the practical purposes of burial rites or record-keeping. Due to the depictions of daily life, many of the nonprofessional runecarvers could have been anything from pirates to soldiers, merchants, or farmers. The layout of Scandinavian towns provided centers where craftspeople ...
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Hymiskviða
''Hymiskviða'' (Old Norse: 'The lay of Hymir'; anglicized as ''Hymiskvitha'', ''Hymiskvidha'' or ''Hymiskvida'') is a poem collected in the ''Poetic Edda''. The poem appears to have been first written down in the late 12th century.''Norse Mythology A-Z'' Summary The Æsir consult their augury twigs and decide, since Ægir owns a lot of kettles for making beer, that he should be their host frequently. Ægir has to reluctantly agree, but as this will be a lot of work, he makes a condition (that he hopes they won't be able to meet) that they bring a kettle large enough for him to make beer for all of them at once. That presents a problem, until Týr remembers a particularly large kettle in the possession of his father Hymir. So the Æsir set off. Eventually they find Hymir's place, where Þórr (Thor) eats so much that Hymir and his guests have no alternative but to go fishing. The poem then tells the story of how Þórr almost caught the Jörmungandr, which is also recounted in the ...
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Poetic Edda
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic medieval manuscript known as the ''Codex Regius'', which contains 31 poems. The ''Codex Regius'' is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the ''Codex Regius'' include Vilhelm Ekelund, August Stri ...
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Rasmus B
Rasmus may refer to: People * Rasmus (given name) * Rasmus (surname) Arts and entertainment * The Rasmus, a Finnish rock band formerly called Rasmus ** ''The Rasmus'' (album), a self-titled studio album by the Finnish band * the title character of ''Rasmus Klump'', a Danish comic strip series * Rasmus, a character in books by Swedish author Astrid Lindgren Places * Rasmus, Michigan, an unincorporated community See also *Rasmussen ("Rasmus' Son"), family name derived from "Rasmus" *Erasmus (other) Erasmus (1466–1536) was a Dutch humanist scholar. Erasmus may also refer to: Arts and entertainment * Erasmus (''Dune''), a fictional robot in the ''Legends of Dune'' series by Kevin J. Anderson and Brian Herbert * Erasmus, a character in the ...
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Prose Edda
The ''Prose Edda'', also known as the ''Younger Edda'', ''Snorri's Edda'' ( is, Snorra Edda) or, historically, simply as ''Edda'', is an Old Norse textbook written in Iceland during the early 13th century. The work is often assumed to have been to some extent written, or at least compiled, by the Icelandic scholar, lawspeaker, and historian Snorri Sturluson 1220. It is considered the fullest and most detailed source for modern knowledge of Norse mythology, the body of myths of the North Germanic peoples, and draws from a wide variety of sources, including versions of poems that survive into today in a collection known as the ''Poetic Edda''. The ''Prose Edda'' consists of four sections: The Prologue, a euhemerized account of the Norse gods; ''Gylfaginning'', which provides a question and answer format that details aspects of Norse mythology (consisting of approximately 20,000 words), ''Skáldskaparmál'', which continues this format before providing lists of kennings and ''heit ...
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Thor
Thor (; from non, Þórr ) is a prominent god in Germanic paganism. In Norse mythology, he is a hammer-wielding æsir, god associated with lightning, thunder, storms, sacred trees and groves in Germanic paganism and mythology, sacred groves and trees, Physical strength, strength, the protection of humankind, hallowing, and fertility. Besides Old Norse , the deity occurs in Old English as , in Old Frisian as ', in Old Saxon as ', and in Old High German as , all ultimately stemming from the Proto-Germanic theonym , meaning 'Thunder'. Thor is a prominently mentioned god throughout the recorded history of the Germanic peoples, from the Roman Empire, Roman occupation of regions of , to the Germanic expansions of the Migration Period, to his high popularity during the Viking Age, when, in the face of the process of the Christianization of Scandinavia, emblems of his hammer, , were worn and Norse paganism, Norse pagan personal names containing the name of the god bear witness to his ...
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Þjálfi And Röskva
In Norse mythology, Þjálfi (Old Norse: ) and Röskva (O.N.: ) are two siblings, male and female respectively, who are servants of the god Thor. Þjálfi receives a single mention in the ''Poetic Edda'', compiled in the 13th century from earlier traditional material, while both Þjálfi and Röskva are attested in the ''Prose Edda'', written in the 13th century by Snorri Sturluson and in poetry of skalds. In the ''Poetic Edda'', Thor recounts an incident where Þjálfi is chased away by she-wolves but gives no additional information about him. In the ''Prose Edda'', Þjálfi and Röskva are the children of peasant farmers. Thor and Loki stay a night at their farmstead and there Thor shares with the family the meat of his goats, Tanngrisnir and Tanngnjóstr. Þjálfi sucks the marrow from a leg bone from one of the goats. When Thor resurrects the goats the next morning, he finds that one of the goats is lame in the leg and becomes enraged. As a result, Thor maintains Þjálfi and ...
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Runestone Style
:''The term "runestone style" in the singular may refer to the Urnes style.'' The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. Her systematization is considered to have been a break-through and is today a standard. The styles are RAK, Fp, Pr1, Pr2, Pr3, Pr4 and Pr5, and they cover the period 980-1130, which was the period during which most runestones were made. The styles Pr1 and Pr2 correspond to the Ringerike style, whereas Pr3, Pr4 and Pr5 belong to what is more widely known as the Urnes style.Sawyer 2000:32 Below follows a brief presentation of the various styles by showing sample runestones according to Rundata's annotation. RAK RAK is the oldest style and covers the period 980-1015 AD, but the Ru ...
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Motif (visual Arts)
In art and iconography, a motif () is an element of an image. The term can be used both of figurative and narrative art, and ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and other ancient textiles. Where the main subject of an artistic work such as a painting is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art such as a painting on a vase. Ornamental or decorative art can usually be analysed i ...
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Balle (runemaster)
Balle (Old Norse: ''Balliʀ'') or Red-Balle (Old Norse: ''Rauðballiʀ'') was a runemaster who was active in the areas of western Uppland, Västmanland, and northern Södermanland of Sweden during the second half of the 11th century. Work Most early medieval Scandinavians were probably literate in runes, and most people probably carved messages on pieces of bone and wood.Vilka kunde rista runor?'' on the Swedish National Heritage Board website, retrieved January 13 2007. However, it was difficult to make runestones, and in order to master it one also needed to be a stonemason. During the 11th century, when most runestones were raised, there were a few professional runemasters. Balle was active in the later 11th century and his work is representative of the Urnes runestone style. p. 197. Balle signed about twenty-four surviving runestones in south-western Uppland and northern Södermanland. He often signed his name in the form of Old Norse poetry as exemplified on runestone U 729 i ...
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Viking Age
The Viking Age () was the period during the Middle Ages when Norsemen known as Vikings undertook large-scale raiding, colonizing, conquest, and trading throughout Europe and reached North America. It followed the Migration Period and the Germanic Iron Age. The Viking Age applies not only to their homeland of Scandinavia but also to any place significantly settled by Scandinavians during the period. The Scandinavians of the Viking Age are often referred to as ''Vikings'' as well as ''Norsemen'', although few of them were Vikings in sense of being engaged in piracy. Voyaging by sea from their homelands in Denmark, Norway, and Sweden, the Norse people settled in the British Isles, Ireland, the Faroe Islands, Iceland, Greenland, Normandy, and the Baltic coast and along the Dnieper and Volga trade routes in eastern Europe, where they were also known as Varangians. They also briefly settled in Newfoundland, becoming the first Europeans to reach North America. The Norse-Gaels, ...
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