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Systaime
Systaime (b. 29 January 1973) is a French contemporary visual artist. His given name is Michael Borras. Biography His name of artist Systaime, chosen in the late 1990s when he was a figurative painter, is the contraction of the words "" and "". They symbolize for the artist the love and understanding that is necessary for a data processing or political system in order to circumvent, divert or subvert it. Former art school student,. he is a multidisciplinary French artist and exhibition curator, net.art activist and video jockey. He experimented with painting, GIFs,. remixes, Mash Up, blogs, books, CDs, photos, audio/video performances, music videos, TV reviews. He is more particularly known as multimedia and networks artist. Systaime defines his style as "French Trash Touch", a name of his invention derived from the musical movement French Touch. it distributes its creations since 1999 but hopes to "get out the Web to Web" and is for example that circulate VHS in 2003 to go t ...
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Postinternet
upright=1.3, "Simple Net Art Diagram", a 1997 work by Michael Sarff and Tim Whidden Internet art (also known as net art) is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the physical gallery and museum system. In many cases, the viewer is drawn into some kind of interaction with the work of art. Artists working in this manner are sometimes referred to as net artists. Net artists may use specific social or cultural internet traditions to produce their art outside of the technical structure of the internet. Internet art is often — but not always — interactive, participatory, and multimedia-based. Internet art can be used to spread a message, either political or social, using human interactions. The term ''Internet art'' typically does not refer to art that has been simply digitized and uploaded to be viewable over the Internet, such as in an online gallery. Rather, this genre relies intrinsically on the Interne ...
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VJ (media Personality)
A video jockey (abbreviated VJ or sometimes veejay) is an announcer or host who introduces music videos and live performances on commercial music television channels such as MTV, VH1, MuchMusic and Channel V. Origins The term "video jockey" comes from the term "disc jockey", "DJ" ("deejay") as used in radio. Music Television (MTV) popularized the term in the 1980s (see List of MTV VJs). The MTV founders got their idea for their VJ host personalities from studying Merrill Aldighieri's club. Aldighieri worked in the New York City nightclub Hurrah, which was the first to make a video installation as a prominent featured component of the club's design with multiple monitors hanging over the bar and dance floor. When Hurrah invited Aldighieri to show her experimental film, she asked if she could develop a video to complement the DJ music so that then her film would become part of a club ambiance and not be seen as a break in the evening. The experiment led to a full-time job there. S ...
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GIFs
The Graphics Interchange Format (GIF; or , see pronunciation) is a bitmap image format that was developed by a team at the online services provider CompuServe led by American computer scientist Steve Wilhite and released on 15 June 1987. It is in widespread usage on the World Wide Web due to its wide support and portability between applications and operating systems. The format supports up to 8 bits per pixel for each image, allowing a single image to reference its own palette of up to 256 different colors chosen from the 24-bit RGB color space. It also supports animations and allows a separate palette of up to 256 colors for each frame. These palette limitations make GIF less suitable for reproducing color photographs and other images with color gradients, but well-suited for simpler images such as graphics or logos with solid areas of color. GIF images are compressed using the Lempel–Ziv–Welch (LZW) lossless data compression technique to reduce the file size witho ...
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Mashup (video)
A video mashup (also written as video mash-up) combines multiple pre-existing video sources with no discernible relation with each other into a unified video. These are derivative works as defined by the United States Copyright Act , and as such, may find protection from copycopyright claims under the doctrine of fair use. Examples of mashup videos include movie trailer remixes, Vidding, vids, YouTube Poop, and supercuts. Music videos * The first type is a derivative music video, which is the most common one, by recombining two or more pre–existing materials together into a new one. These materials usually are prevailing music videos, but also includes separate songs, videos, and still images. According to Navas, it can be a regressive type, for its promotional purpose. * The second type is slightly different from the first. It allows the users record their own track – either sung or played on an instrument – and then combine it with other tracks from internet together. T ...
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French Touch
French house, also known as French touch, filter house and tekfunk, is a style of house music originally produced by French musicians in the 1990s. It is a form of Euro disco and a popular strand of the late 1990s and 2000s European dance music scene. The defining characteristics of the sound are reliant on filter and phaser effects both on and alongside samples from late 1970s and early 1980s American or European disco tracks (or original hooks strongly inspired by such samples), causing thicker harmonic foundations than the genre's forerunners. Most tracks in this genre are in time and feature steady four on the floor beats in the tempo range of 110–130 beats per minute. French house is similar to future funk, although there are some key differences. Purveyors of French house include Daft Punk, Stardust, Cassius, The Supermen Lovers, Modjo and Étienne de Crécy. History and influences French house is greatly influenced by the lineage of American dance music fro ...
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Machinima
Machinima, originally machinema () is the use of real-time computer graphics engines to create a cinematic production. Most often, video games are used to generate the computer animation. The word "machinima" is a portmanteau of the words ''machine'' and ''cinema''. Machinima-based artists, sometimes called machinimists or machinimators, are often fan laborers, by virtue of their re-use of copyrighted materials (see below). Machinima offers to provide an archive of gaming performance and access to the look and feel of software and hardware that may already have become obsolete or even unavailable. For game studies, "Machinima's gestures grant access to gaming's historical conditions of possibility and how machinima offers links to a comparative horizon that informs, changes, and fully participates in videogame culture." The practice of using graphics engines from video games arose from the animated software introductions of the 1980s demoscene, Disney Interactive Studios' 199 ...
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Babycastles Gallery
Babycastles is an indie game development collective, arcade, and art space in New York City. Programming The Babycastles arcade was designed to give independent game developers a public place to show their projects, and to establish such games as a social culture for New York City. The arcade was originally co-located with the music venue Silent Barn in Queens. On most nights each week, the Babycastles basement arcade of indie and amateur video games opened during music shows upstairs. The space was open for those who paid for entrance to the upstairs show. The arcade's several games and their curators rotated on a monthly basis and were set in scavenged, do-it-yourself arcade cabinets. ''The New York Times'' likened it to "a 1970s rec room reimagined by hackers". In its current Manhattan space, it remains closer in configuration to a DIY punk space than an art gallery. The venue has hosted a recurring video game tournament called Hot Ronny's Rumble. Other events and exhibit ...
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