Synchro-Ciné
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Synchro-Ciné
The Synchro-Ciné was a device, invented by the French inventor Charles Delacommune in 1921, pioneer in the objective of synchronizing the projection of a film with the corresponding sounds. The sounds to be synchronized could be from the words of a narrator, the reading of a score by an orchestra conductor (or by a musician soloist), or ''shooting up'' devices with noises-effects;. But always by mechanical procedures, and with live sound by interpreters in the room (it was still a decade away for sound cinema). By assimilation, it was also known as Ciné-pupitre, its most popular and well-known device in many countries. But in reality, under the same name are called, over time, three different things: A) Firstly, the original synchronized reading desk, from 1921, the so-called ciné-pupitre, an isolated device for reading texts or music, for a single user (although this may be a soloist or an orchestra conductor who, since reading it, controls the complete template of instrume ...
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Charles Delacommune
Charles Eugène Edouard Delacommune (Paris, 26 February 1895 – Paris, 14 September 1950) was a French inventor and film producer known by his Synchro-Ciné machine of 1921, a pioneer technical dispositive for audiovisual synchronization, by mechanical procedures and still with the performers playing the music in live, in the same room of the cinema . In addition to continuing his inventive work with other devices, he established the film production company Synchro-ciné, producing documentaries using his machinery. Later, this company performed and distributed other kinds of films. Early life Pertaining to a family always related to the techniques and the plumbing to a large scale, dedicated to the supply of the army, Charles Delacommune was raised practically in the workshop of machinery (that was in his own house), and from childhood participated in the tests and trials on technical advances. Was also, among other things, doctor (title), doctor in agronomy at the age of 18 ...
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