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Symphony No. 3 (Saint-Saëns)
The Symphony No. 3 in C minor, Opus number, Op. 78, was completed by Camille Saint-Saëns in 1886 at the peak of his artistic career. It is popularly known as the ''Organ Symphony'', since, unusually for a late-Romantic symphony, two of the four sections use the pipe organ. The composer inscribed it as: ''Symphonie No. 3 "avec orgue"'' (with organ). The symphony was commissioned by the Royal Philharmonic Society (then called simply the Philharmonic Society) in England, and the first performance was given in London on 19 May 1886, at St James's Hall, conducted by the composer. After the death of his friend and mentor Franz Liszt on 31 July 1886, Saint-Saëns dedicated the work to Liszt's memory. The composer seemed to know it would be his last attempt at the symphonic form, and he wrote the work almost as a type of "history" of his own career: virtuoso piano passages, brilliant orchestral writing characteristic of Romantic music, the Romantic period, and the sound of the organ su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony In D Minor (Franck)
The Symphony in D minor is the best-known orchestral work and the only mature symphony written by the 19th-century composer César Franck. It employs a Cyclic form, cyclic form, with important themes recurring in all three movements. After two years of work, Franck completed the symphony on August 22, 1888. It was premiered at the Conservatoire de Paris, Paris Conservatory on 17 February 1889 under the direction of Jules Garcin. Franck dedicated it to his pupil Henri Duparc (composer), Henri Duparc. Despite mixed reviews at the time, it has subsequently entered the international orchestral repertoire. Although today programmed less frequently in concerts than in the first half of the 20th century, it has been recorded numerous times (more than 70 recordings are available). Background Franck, born in 1822 in what is now Belgium, became a naturalised French citizen in 1871.Trevitt, John, and Joël-Marie Fauquet"Franck, César(-Auguste-Jean-Guillaume-Hubert), ''Grove Music Online'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Pasdeloup
Jules Étienne Pasdeloup (15 September 1819 – 13 August 1887) was a French conductor. Life Pasdeloup was born in Paris. His father was an assistant conductor at the Opéra Comique; he was educated in music at the Conservatoire de Paris, leaving with a first prize in piano. He founded in 1851 a ''Société des jeunes artistes du conservatoire'' that gave concerts in the Salle Hertz for a decade, and, as conductor of its concerts, did much to popularize the best new compositions of the time. His popular Concerts Pasdeloup at the ''Cirque d'hiver'', Paris, from 1861 till 1884, had also a great effect in promoting French taste in music, introducing works by Wagner and Schumann, as well as reviving public interest in the symphonies of Mozart, Haydn, and Beethoven. In 1868 he founded the Société des Oratories to present oratorios, and joined the Théâtre Lyrique the same year, though he was disappointed there at his lack of popular success in reviving operas like Gluck's ''Iphigé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Berger
Francesco Berger (10 June 1834 – 26 April 1933) was a pianist and composer. He was a teacher of the piano and a professor at the Royal Academy of Music but is mostly remembered as the honorary secretary of the Philharmonic Society for 27 years. Life and career Berger was born in London on 10 June 1834 of Italian parents but had British nationality as his father was a naturalized Briton. In 1848 travelled to Trieste from where his father had originated. He wrote an opera (''Il lazzarone, ossia La fortuna vien dormendo'') which was performed there when he was seventeen. He received much of his musical education in Germany where he was taught by Moscheles in a strictly classical tradition, a style of play from which Chopin was later to be the first to break free. He returned to England in 1855, and in 1864 he married one of the most renowned contraltos of the day, Annie Lascelles. Berger became a professor of music at the Royal Academy of Music and also taught at the Guildhall S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éditions Durand
Éditions Durand are a music publishing company of French origin, among the most important in the field of classical music, which includes three previously independent publishers: * Éditions Durand — the oldest of the three companies — established in 1869 by Auguste Durand and Louis Schönewerk. * Éditions Salabert established in 1878 by Édouard Salabert * Éditions Eschig established in 1907 by Max Eschig. History The Éditions Durand, a family business from 1869 to 1982, had as successive directors from its foundation on December 30, 1869 to 2000: * Auguste Durand (1830-1909) from 1869 to his death in 1909, with the German Louis Schönewerk (1814-18???) as a partner from 1869 to 1891, during which period the company was called Éditions Durand-Schönewerk & Cie, before changing its corporate name on 19 November 1891 to Éditions A. Durand & Fils, when Auguste's son Jacques, became associated with the company * Jacques Durand (1865-1928) son of the former, from 1909 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Cl̩ment Philibert L̩o Delibes (; 21 February 1836 Р16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Copp̩lia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakm̩'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic op̩rettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Copp̩lia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of m̩lodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony In C (Dukas)
The Symphony in C is a symphony by the French composer Paul Dukas, dedicated to his fellow musician Paul Vidal. The symphony was written between 1894 and 1896 and was performed when the composer was aged 30 in the Concerts de l'Opéra on 3 January 1897, conducted by Vidal.Schwartz, Manuela, and G.W. Hopkins"Dukas, Paul" ''Grove Music Online'', Oxford University Press, 2001. Retrieved 20 June 2021 It is written for a standard orchestra comprising three flutes (the third doubling piccolo), two oboes (the first doubling cor anglais), two clarinets in B-flat and A, two bassoons, four French horns in F (third and fourth also in E), two trumpets in F, piccolo trumpet in D, three trombones, tuba, timpani, and strings. Like César Franck's only symphony, Dukas' is in three movements rather than the conventional four: # Allegro non troppo vivace, ma con fuoco, C major, 6/8 #Andante espressivo e sostenuto, 4/8, E minor, C major, B major, E minor #Finale. Allegro spiritoso, C major, 3/4 = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
