Symphony No. 25 (Mozart)
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Symphony No. 25 (Mozart)
The Symphony No. 25 in G minor, Köchel catalogue, K. 183/173dB, was written by the then 17-year-old Wolfgang Amadeus Mozart in October 1773, shortly after the success of his opera seria ''Lucio Silla''. It was supposedly completed in Salzburg on October 5, a mere two days after the completion of his Symphony No. 24 (Mozart), Symphony No. 24, although this remains unsubstantiated. Its first Movement (music), movement was used as the opening music in Miloš Forman's film biographical ''Amadeus (film), Amadeus''. This is one of two symphonies Mozart composed in G minor, sometimes referred to as the "little G minor symphony". The other is the Symphony No. 40 (Mozart), Symphony No. 40; see also Mozart and G minor. Movements The symphony is laid out in standard classical period (music), classical form: #Tempo#Italian tempo markings, Allegro con brio, in G minor #Tempo#Italian tempo markings, Andante, in E-flat major #Minuet, Menuetto & Trio, Triple metre, in G minor, Trio in G ma ...
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Martin Knoller
Martin Knoller (18 November 1725 – 24 July 1804) was an Austrian-Italian painter active in Italy who is remembered for his fresco work. Biography Born in Steinach am Brenner near the Austrian city of Innsbruck, Knoller studied under Paul Troger and Michelangelo Unterberger in Salzburg and Vienna. Specializing in frescoes and altarpiece paintings, his first fresco, the Glory of St Stephen, was completed in 1754 at the parish church of Anras in East Tyrol. In 1755, he arrived in Rome where he was influenced by Neoclassicism, after studying under Anton Raphael Mengs and Johann Joachim Winckelmann. His works cover both Baroque and Rococo, the latter prevailing in his paintings rather than in his frescoes. His greatest patron was Karl Joseph von Firmian, the Imperial Governor of Lombardy under Maria Theresa who commissioned him to paint the Palazzo Firmian-Vigoni. From 1793, he taught at the Brera Academy of Fine Arts in Milan where he died in 1804.
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Minuet
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form called the minuet and trio, and was much used as a movement in the early classical symphony. Dance The name may refer to the short steps, ''pas menus'', taken in the dance, or else be derived from the ''branle à mener'' or ''amener'', popular group dances in early 17th-century France. The minuet was traditionally said to have descended from the ''bransle de Poitou'', though there is no evidence making a clear connection between these two dances. The earliest treatise to mention the possible connection of the name to the expression ''pas menus'' is Gottfried Taubert's ''Rechtschaffener Tantzmeister'', published in Leipzig in 1717, but this source ...
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New York Philharmonic
The New York Philharmonic, officially the Philharmonic-Symphony Society of New York, Inc., globally known as New York Philharmonic Orchestra (NYPO) or New York Philharmonic-Symphony Orchestra, is a symphony orchestra based in New York City. It is one of the leading American orchestras popularly referred to as the "Big Five (orchestras), Big Five". The Philharmonic's home is David Geffen Hall, located in New York's Lincoln Center for the Performing Arts. Founded in 1842, the orchestra is one of the oldest musical institutions in the United States and the oldest of the "Big Five" orchestras. Its record-setting 14,000th concert was given in December 2004. History Founding and first concert, 1842 The New York Philharmonic was founded in 1842 by the American conductor Ureli Corelli Hill, with the aid of the Irish composer William Vincent Wallace. The orchestra was then called the Philharmonic Society of New York. It was the third Philharmonic on American soil since 1799, and had as it ...
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John Barbirolli
Sir John Barbirolli ( Giovanni Battista Barbirolli; 2 December 189929 July 1970) was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings. Born in London of Italian and French parentage, Barbirolli grew up in a family of professional musicians. After starting out as a cellist, he was given the chance to conduct, from 1926 with the British National Opera Company, and then with Covent Garden's touring company. On ...
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Alfred Wallenstein
Alfred Wallenstein (October 7, 1898 – February 8, 1983) was an American cellist and conductor. A successful solo and orchestral cellist in his early life, Wallenstein took up conducting in the 1930s and served as music director of the Los Angeles Philharmonic from 1943 to 1956. Early life Wallenstein was born on October 7, 1898, in Chicago, Illinois. His family was of Austrian descent, having immigrated to the United States in the 1880s, and was descended from Albrecht von Wallenstein, a noted military commander in the Thirty Years' War. As a boy, Wallenstein took piano lessons, taught by his parents, who were amateur musicians. After his family moved to Los Angeles in 1905, Wallenstein was made to choose between a gift of a bicycle or a cello, opting for the cello. He made rapid progress on the instrument, first gaining notability playing in restaurants. Playing career By his early teenage years, he had found work in Clune's Theater on Broadway, where he caught the atten ...
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Wilhelm Gericke
Wilhelm Gericke (April 18, 1845 – October 27, 1925) was an Austrian-born conductor and composer who worked in Vienna and Boston. He was born in Schwanberg, Austria. Initially he trained in Graz to be a schoolmaster. This didn't work out, though he did get a position playing violin in a theatre orchestra. In 1862 he entered the Vienna Conservatory, where he studied under Dessoff. Leaving the conservatory in 1865, he became kapellmeister of the theatre at Linz, directing opera there and in Vienna. In 1874, he became second kapellmeister and chorus master at the Vienna Court Opera, where his lifelong friend Hans Richter was first kapellmeister. There he gave the Viennese premiere of Richard Wagner's ''Tannhäuser''. He also made a name for himself producing French and Italian operas. On the retirement of Brahms from the conductorship of the Vienna Society (german: Wiener Gesellschaft der Musikfreunde) concerts (german: Gesellschaftskonzerte) in 1880, Gericke succeeded him, a ...
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Boston Symphony Orchestra
The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston, Massachusetts. It is the second-oldest of the five major American symphony orchestras commonly referred to as the " Big Five". Founded by Henry Lee Higginson in 1881, the BSO performs most of its concerts at Boston's Symphony Hall and in the summer performs at Tanglewood. Since its founding, the orchestra has had 17 music directors, including George Henschel, Serge Koussevitzky, Henri Rabaud, Pierre Monteux, Charles Munch, Erich Leinsdorf, William Steinberg and James Levine. Andris Nelsons is the current music director of the BSO. Seiji Ozawa has the title of BSO music director laureate. Bernard Haitink had held the title of principal guest conductor of the BSO from 1995 to 2004, then conductor emeritus until his death in 2021. The orchestra has made gramophone recordings since 1917 and has occasionally played on soundtrack recordings for films, including ''Schindler's List''. History Early year ...
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Sturm Und Drang
''Sturm und Drang'' (, ; usually translated as "storm and stress") was a proto- Romantic movement in German literature and music that occurred between the late 1760s and early 1780s. Within the movement, individual subjectivity and, in particular, extremes of emotion were given free expression in reaction to the perceived constraints of rationalism imposed by the Enlightenment and associated aesthetic movements. The period is named after Friedrich Maximilian Klinger's play of the same name, which was first performed by Abel Seyler's famed theatrical company in 1777. The philosopher Johann Georg Hamann is considered to be the ideologue of ''Sturm und Drang''; other significant figures were Johann Anton Leisewitz, Jakob Michael Reinhold Lenz, H. L. Wagner, and Friedrich Maximilian Klinger. Johann Wolfgang von Goethe and Friedrich Schiller were notable proponents of the movement early in their lives, although they ended their period of association with it by initiating what wou ...
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Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ...
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Horn (instrument)
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts. Types Variations include: *Lur (prehistoric) *Shofar *Roman horns: ** Cornu **Buccina * Dung chen *Dord * Sringa * Nyele *Wazza *Alphorn *Cornett *Serpent * Ophicleide *Natural horn **Bugle **Post horn *French horn *Vienna horn *Wagner tuba *Saxhorns, including: **Alto horn (UK: tenor horn), pitched in E ** Baritone horn, pitched in B * Valved bugles, including ** c ...
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Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ...
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