Symphony No. 14 (Shostakovich)
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Symphony No. 14 (Shostakovich)
The Symphony No. 14 in G minor, Opus number, Op. 135, by Dmitri Shostakovich was completed in the spring of 1969, and was premiered later that year. It is a work for soprano, Bass (voice type), bass and a small string orchestra with percussion, consisting of eleven linked settings of poems by four authors. Most of the poems deal with the theme of death, particularly that of unjust or early death. They were set in Russian language, Russian, although two other versions of the work exist with the texts all back translation, back-translated from Russian either into their original languages or into German language, German. The symphony is dedicated to Benjamin Britten (who gave the UK premiere the following year at Aldeburgh). Instrumentation Besides the soloists, the symphony is scored for a chamber orchestra consisting only of string instrument, strings and Percussion instrument, percussion. The strings consist of ten violins, four violas, three cellos, and two double basses, and th ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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Triangle (musical Instrument)
The triangle is a musical instrument in the percussion family, and is classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is formed into a triangle shape by bending or casting methods. The instrument is usually held by a loop of some form of thread or wire at the top curve. The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being "allied" with the sistrum throughout history, but not a direct descendant. It is thought that if ...
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Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ...
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Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ...
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ...
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Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or sect ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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Tubular Bells
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble.James Blades and James Holland. "Tubular bells". Grove Music Online. Oxford Music Online. Oxford University Press, accessed August 18, 2015Oxfordmusiconline.com/ref> Each bell is a metal tube, in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells. Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing ...
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Xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use. The term ''xylophone'' may be used generally, to include all such instruments such as the marimba, balafon and even the semantron. However, in the orchestra, the term ''xylophone'' refers specifically to a chromatic instrument of somewhat higher pitch range and drier timbre than the marimba, and these two instruments should not be confused. A person who plays the xylophone is known as a ''xylophonist'' or simply a ''xylophone player''. The term is also popularly used to refer to ...
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Tom-tom Drum
A tom drum is a cylindrical drum with no snares, named from the Anglo-Indian and Sinhala language. It was added to the drum kit in the early part of the 20th century. Most toms range in size between in diameter, though floor toms can go as large as . It is not to be confused with a tam-tam, a gong. Design history The drum called "Thammattama", played by the Sinhala people of Sri Lanka, is used in a number of Buddhist rituals in that country. It is commonly heard in Buddhist temples paired along with the reed instrument called horanava. This may be etymologically derived from the Tamil term "Thappattam" or "Thappu", a frame drum associated with South Indian Tamil culture. However, the tom-tom drums on the Western drum set clearly resemble the Sri Lankan version more than the frame drum. The British colonists complained loudly about the noise generated by the "tom-toms" of the natives throughout South Asia. It is likely that the term tom-toms thus comes from their experiences ...
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