Symphony No. 13 (Myaskovsky)
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Symphony No. 13 (Myaskovsky)
The Symphony No. 13 in B-flat minor, Op. 36 by Nikolai Myaskovsky was composed in 1933. It is in one movement in three sections: #Andante moderato #Agitato molto e tenebroso #Andante nostalgico Its premiere was conducted by Leo Ginzburg. It received possibly its first performance in recent times on November 9, 1994 in a BBC Radio 3 broadcast from the BBC National Orchestra of Wales conducted by Tadaaki Otaka. Its central section contains a fugato in B minor, and "peters out" with quiet B minor dissonant chords. It is among Myaskovsky's more dissonant compositions. The symphony lasts about 20 minutes in performance. It was apparently not published until 1945. Recordings *Evgeny Svetlanov Yevgeny Fyodorovich Svetlanov (russian: Евгéний Фёдорович Светлáнов; 6 September 1928 – 3 May 2002) was a Russian conductor, composer and a pianist. Life and work Svetlanov was born in Moscow and studied conducting wi ..., Russian Academic Federation Symphony ...
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B-flat Minor
B-flat minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has five flats. Its relative major is D-flat major and its parallel major is B-flat major. Its enharmonic equivalent, A-sharp minor, which would contain seven sharps, is not normally used. The B-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic minor and melodic minor scales are: : : Characteristics B-flat minor is traditionally a 'dark' key. The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer's Concertino in D major, Op. 80. Notable classical compositions * Charles-Valentin Alkan ** '' Prelude Op. 31'', No. 12 (Le temps qui n'est plus) ** Symphony for Solo Piano, 3rd movement: Menuet *Samuel Barber **''Ada ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Nikolai Myaskovsky
Nikolai Yakovlevich Myaskovsky or Miaskovsky or Miaskowsky (russian: Никола́й Я́ковлевич Мяско́вский; pl, Mikołaj Miąskowski, syn Jakóbowy; 20 April 18818 August 1950), was a Russian and Soviet composer. He is sometimes referred to as the "Father of the Soviet Symphony". Myaskovsky was awarded the Stalin Prize five times. Early years Myaskovsky was born in Nowogieorgiewsk, near Warsaw, Congress Poland, Russian Empire, the son of an engineer officer in the Russian army. After the death of his mother the family was brought up by his father's sister, Yelikonida Konstantinovna Myaskovskaya, who had been a singer at the Saint Petersburg Opera. The family moved to Saint Petersburg in his teens. Though he learned piano and violin, he was discouraged from pursuing a musical career, and entered the military. However, a performance of Tchaikovsky's ''Pathétique'' Symphony conducted by Arthur Nikisch in 1896 inspired him to become a composer. In 1902 he c ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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Glossary Of Musical Terminology
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe org ...
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Leo Ginzburg
Leo Moritsevich Ginzburg (Лео Морицевич Гинзбург) (Warsaw, Vistula Land, Russian Empire April 12, 1901 – Moscow, Soviet Union November 1, 1979) was a Soviet conductor and pianist of Polish Jewish origin. He conducted the Moscow State Symphony Orchestra (МГАСО) after Lev Steinberg and Nikolai Anosov. МГАСО His students at the Moscow Conservatory included among others Michail Jurowski, Nikolai Korndorf, Fuat Mansurov, Alexander Anisimov, Leonid Grin, Vladimir Fedoseyev Vladimir Ivanovich Fedoseyev ( rus, Владимир Иванович Федосе́ев, p=, links=no; born 5 August 1932, in Leningrad, Soviet Union) is a Soviet and Russian conductor, accordionist, teacher. People's Artist of the USSR (1980). ..., and the Chinese conductor Cao Peng. He conducted, on occasion, the USSR State Radio Symphony Orchestra, and was noted for recordings of Tchaikovsky. Recordings * Tchaikovsky: Symphony in E flat; * Tchaikovsky: Symphony no.7 * Alexand ...
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BBC Radio 3
BBC Radio 3 is a British national radio station owned and operated by the BBC. It replaced the BBC Third Programme in 1967 and broadcasts classical music and opera, with jazz, world music, Radio drama, drama, High culture, culture and the arts also featuring. The station describes itself as "the world's most significant commissioner of new music", and through its BBC Radio 3 New Generation Artists scheme, New Generation Artists scheme promotes young musicians of all nationalities. The station broadcasts the The Proms, BBC Proms concerts, live and in full, each summer in addition to performances by the BBC Orchestras and Singers. There are regular productions of both classic plays and newly commissioned drama. Radio 3 won the Sony Radio Academy UK Station of the Year Gold Award for 2009 and was nominated again in 2011. According to RAJAR, the station broadcasts to a weekly audience of 1.7 million with a listening share of 1.3% as of September 2022. History Radio 3 is the ...
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BBC National Orchestra Of Wales
The BBC National Orchestra of Wales (BBC NOW) ( cy, Cerddorfa Genedlaethol Gymreig y BBC) is a Welsh symphony orchestra and one of the BBC's five professional radio orchestras. The BBC NOW is the only professional symphony orchestra organisation in Wales, occupying a dual role as both a broadcasting orchestra and national orchestra. The BBC NOW has its administrative base in Cardiff, at the BBC Hoddinott Hall on the site of the Wales Millennium Centre, since January 2009. The BBC NOW is the orchestra-in-residence at St David's Hall, Cardiff, and also performs regularly throughout Wales and beyond, including international tours and annual appearances at the Royal Albert Hall in London at the BBC Proms. Broadcasting work includes studio sessions for BBC Radio and television, although the orchestra's concerts form the bulk of its broadcasts, transmitted primarily on BBC Radio 3 but also on BBC Radio Wales, BBC Radio Cymru and BBC television. The orchestra records many soundtracks ...
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Tadaaki Otaka
is a Japanese conductor. Biography Otaka studied composition, theory, and French horn, at the Toho Gakuen School of Music. He was subsequently a conducting student of Hideo Saito. Otaka has served as conductor of the Tokyo Philharmonic Orchestra and became conductor laureate since 1991. From 1981 to 1986, he was chief conductor of the Sapporo Symphony Orchestra, and since May 1998 held the titles of music adviser and principal conductor. From 1992 to 1998, he was principal conductor of the Yomiuri Nippon Symphony Orchestra. He founded the Kioi Sinfonietta Tokyo in 1995, and has served as its music adviser, principal conductor, and honorary conductor laureate. In the UK, Otaka was principal conductor of the BBC National Orchestra of Wales (BBC NOW) from 1987 to 1995. Otaka now has the title of conductor laureate with the BBC NOW. From 1998 to 2001, he directed the Britten-Pears Orchestra. In 2012, Otaka was named international president of the Welsh Sinfonia. In Septem ...
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Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ...
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B Minor
B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: : : Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his ''St John Passion''. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". Notable compositions in B minor * Johann Sebastian Ba ...
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Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance' ...
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