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Symphony No. 10 (Villa-Lobos)
Symphony No. 10, ''Sumé pater patrium: Sinfonia ameríndia com coros'' ( Oratorio) is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1952–53. The broadcast performance of the world-premiere performance under the composer's direction lasts just over 67 minutes. History Villa-Lobos composed his Tenth Symphony for the 400th anniversary of the founding of the city of São Paulo. He began work in Rio de Janeiro in 1952, completing the score on 15 February 1953 in New York. It was first performed at the Théâtre des Champs-Élysées in Paris on 4 April 1957. The soloists were Jean Giraudeau (tenor), Camille Maurane (baritone), and Jacques Chalude (bass). The Orchestre National et Choeur de la Radiodiffusion Française was conducted by the composer. The score is dedicated to Mindinha (Arminda Neves d'Almeida), the composer's companion for the last 23 years of his life. Instrumentation The symphony/oratorio is scored for tenor, baritone, and bass soloists, mix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1952 Oratorios
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 ''Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonies By Heitor Villa-Lobos
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaac Karabtchevsky
Isaac Karabtchevsky (born December 27, 1934 in São Paulo) is a Brazilian conductor of Russian-Jewish ancestry. He studied music and conducting in Germany, where his teachers included Wolfgang Fortner, Pierre Boulez and Carl Ueter. Karabtchevsky conducted the ''Brazilian Symphony Orchestra'', (Rio de Janeiro) from 1969 to 1996. From 1988 to 1994, he was principal conductor of the ''Tonkünstler Orchestra'', (Vienna). From 1995 to 2001, he was music director of the ''Teatro La Fenice'' (Venice). Since 2003, Karabtchevsky has been the artistic director of the '' Porto Alegre Symphony Orchestra'' (Porto Alegre). He was music director of the '' Orchestre National des Pays de la Loire'' ( Nantes et Angers Angers (, , ) is a city in western France, about southwest of Paris. It is the prefecture of the Maine-et-Loire department and was the capital of the province of Anjou until the French Revolution. The inhabitants of both the city and the pr ...) from 2004 to 2009. Today, K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naomi Munakata
was a Japanese-born Brazilian choral conductor and academic teacher based in the city of São Paulo. She was conductor of OSESP, the choir of the Orquestra Sinfônica do Estado de São Paulo, from 1995 to 2013, and then principal conductor of Coral Paulistano Mário de Andrade at the Municipal Theatre. She was among the choral conductors in South America who "have contributed to the strengthening and stimulation of choral music", according to ''The Cambridge Companion to Choral Music''. Life Munakata was born in Hiroshima, and the family moved to São Paulo, Brazil, when she was age two. She received piano lessons from age four and began singing in a choir that her father conducted at age seven. She also learned to play violin and harp. She studied at the Instituto Musical de São Paulo, graduating in composition and conducting in 1978. She studied conducting, musical analysis and counterpoint with Hans-Joachim Koellreutter. She also studied with Eleazar de Carvalho, Hugh Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institut National De L'audiovisuel
The (abbrev. INA), () is a repository of all French radio and television audiovisual archives. Additionally it provides free access to archives of countries such as Afghanistan and Cambodia. It has its headquarters in Bry-sur-Marne. Since 2006, it has allowed free online consultation on a website called ina.fr with a search tool indexing 100,000 archives of historical programs, for a total of 20,000 hours. Recordings In the 1980s, it issued a large number of recordings on the label France's Concert Records. In the 1990s it launched its own label INA mémoire as the historical recording label of the Institut national de l'audiovisuel, and of the archives of Radio France.''Fanfare'' vol. 18 No.5 1995 "Renaud Machart.. and the director of the label "" produced by the (distributed in the US by Qualiton.) It was in this last capacity that he was now talking to me. "The decision to launch Memoire Vive." History The was founded in 1975 by a law of 1974 with the purpose of cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros No
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle Gaveau (Paris)
The Salle Gaveau, named after the French piano maker Gaveau, is a classical concert hall in Paris, located at 45-47 rue La Boétie, in the 8th arrondissement of Paris. It is particularly intended for chamber music. Construction The plans for the hall were drawn up by Jacques Hermant in 1905, the year the land was acquired. The construction of the Gaveau building took place from 1906 to 1907. The vocation of this hall was chamber music from the beginning, and its seating capacity was a thousand, just as it is today. The hall was home to a large organ built in 1900 by the Cavaillé-Coll, Mutin-Cavaillé-Coll firm. This instrument with 39 stops (8 on the positive, 12 on the recitative, 12 on the grand organ and 7 on the pedal) was subsequently installed in 1957 in the commune of Saint-Saëns in Normandy. The hall is a concert venue renowned for its exceptional acoustics. Beginnings The hall opened its doors on 3 October 1907 for the concert of the Lehrergesangverein (Teachers' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Development (music)
In music, development is a process by which a musical idea is communicated in the course of a composition. It refers to the transformation and restatement of initial material. Development is often contrasted with musical variation, which is a slightly different means to the same end. ''Development'' is carried out upon portions of material treated in many ''different'' presentations and combinations at a time, while ''variation'' depends upon ''one'' type of presentation at a time. In this process, certain central ideas are repeated in different contexts or in altered form so that the mind of the listener consciously or unconsciously compares the various incarnations of these ideas. Listeners may apprehend a "tension between expected and real results" (see irony), which is one "element of surprise" in music. This practice has its roots in counterpoint, where a theme or subject might create an impression of a pleasing or affective sort, but delight the mind further as its contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polychord
In music and music theory, a polychord consists of two or more chords, one on top of the other. In shorthand they are written with the top chord above a line and the bottom chord below,Policastro, Michael A. (1999). ''Understanding How to Build Guitar Chords and Arpeggios'', p. 168. . for example F upon C: . The use of polychords may suggest bitonality or polytonality. Harmonic parallelism may suggest bichords. Examples may be found in Igor Stravinsky's ''Petrushka'', p. 15, and '' Rite of Spring'', "Dance of the Adolescents" (1921) (see Petrushka chord). In the polychords in the image above, the first might suggest a thirteenth chord, the second may suggest a D minor ninth chord with upper extensions, but the octave separation of the 3rd makes the suggestion of two independent triads a minor ninth apart even more likely, and the fourth is a split-third chord. Extended chords contain more than one triad, and so can be regarded as a type of polychord: For example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
