Symphony No. 10 (Myaskovsky)
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Symphony No. 10 (Myaskovsky)
The Symphony No. 10 in F minor, Op. 30 by Nikolai Myaskovsky is among the more remarkable of the Russian composer's large output of 27 symphonies. Composed in Moscow in 1926–27, it was inspired by Alexander Pushkin's 1833 poem ''The Bronze Horseman'', which tells of a young man whose fiancée is drowned by the disastrous flooding of Saint Petersburg by the River Neva in 1824 and who curses the prominent equestrian statue of Peter the Great, only to be pursued through the city by the statue until he too is drowned. The basic events of the poem may be discerned in Myaskovsky’s music, notably the flood in the opening passage (marked ''Tumultuoso''), plus themes for the principal characters (the sole lyrical element, played ''Patetico'' on solo woodwind or violin, symbolizes the drowned fiancée) and the pursuit by the statue, a ''Presto Tempestoso'' fugue on a subject using ten of the twelve pitches of the chromatic scale. In fact Myaskovsky was not so much inspired by the poe ...
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Nikolai Myaskovsky
Nikolai Yakovlevich Myaskovsky or Miaskovsky or Miaskowsky (russian: Никола́й Я́ковлевич Мяско́вский; pl, Mikołaj Miąskowski, syn Jakóbowy; 20 April 18818 August 1950), was a Russian and Soviet composer. He is sometimes referred to as the "Father of the Soviet Symphony". Myaskovsky was awarded the Stalin Prize five times. Early years Myaskovsky was born in Nowogieorgiewsk, near Warsaw, Congress Poland, Russian Empire, the son of an engineer officer in the Russian army. After the death of his mother the family was brought up by his father's sister, Yelikonida Konstantinovna Myaskovskaya, who had been a singer at the Saint Petersburg Opera. The family moved to Saint Petersburg in his teens. Though he learned piano and violin, he was discouraged from pursuing a musical career, and entered the military. However, a performance of Tchaikovsky's ''Pathétique'' Symphony conducted by Arthur Nikisch in 1896 inspired him to become a composer. In 1902 he c ...
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Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ...
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Adaptations Of Works By Alexander Pushkin
In biology, adaptation has three related meanings. Firstly, it is the dynamic evolutionary process of natural selection that fits organisms to their environment, enhancing their Fitness (biology), evolutionary fitness. Secondly, it is a state reached by the population during that process. Thirdly, it is a phenotypic trait or adaptive trait, with a functional role in each individual organism, that is maintained and has evolution, evolved through natural selection. Historically, adaptation has been described from the time of the ancient Greek philosophers such as Empedocles and Aristotle. In 18th and 19th century natural theology, adaptation was taken as evidence for the existence of a deity. Charles Darwin proposed instead that it was explained by natural selection. Adaptation is related to biological fitness, which governs the rate of evolution as measured by change in allele frequencies. Often, two or more species co-adapt and co-evolve as they develop adaptations that int ...
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Symphonies By Nikolai Myaskovsky
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Philadelphia
Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and one of world's largest metropolitan regions, with 6.245 million residents . The city's population at the 2020 census was 1,603,797, and over 56 million people live within of Philadelphia. Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's inde ...
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Leopold Stokowski
Leopold Anthony Stokowski (18 April 1882 – 13 September 1977) was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appearance in the Disney film ''Fantasia'' with that orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed. Stokowski was music director of the Cincinnati Symphony Orchestra, the Philadelphia Orchestra, the NBC Symphony Orchestra, New York Philharmonic Symphony Orchestra, the Houston Symphony Orchestra, the Symphony of the Air and many others. He was also the founder of the All-American Youth Orchestra, the New York City Symphony, the Hollywood Bowl Symphony Orchestra and the American Symphony Orchestra. Stokowski conducted the music for and appeared in several Hollywood films, most notably Disney's ''Fant ...
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Persimfans
Persimfans was a conductorless orchestra in Moscow in the Soviet Union that was founded by Lev Tseitlin and existed between 1922 and 1932 Events January * January 4 – The British authorities in India arrest and intern Mahatma Gandhi and Vallabhbhai Patel. * January 9 – Sakuradamon Incident: Korean nationalist Lee Bong-chang fails in his effort to assassinate Emperor Hir .... Its name is an abbreviation for ''Pervïy Simfonicheskiy Ansambl' bez Dirizhyora'' (First Conductorless Symphony Ensemble). Philosophy and Music Persimfans was formed during the early years of the Soviet Union. Because there was no conductor, major decisions were undertaken by committees and all members of the orchestra had to be familiar with the entire score. The quality of playing amazed many contemporaries who believed there must be a conductor hidden away behind the stage. Persimfans also inspired the formation of other conductorless orchestras throughout the Soviet Union and the West in ...
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Conductorless Orchestra
The conductorless orchestra, sometimes referred to as a self-conducted orchestra or unconducted orchestra, is an instrumental ensemble that functions as an orchestra but is not led or directed by a conductor. Most conductorless orchestras are smaller in size, and generally perform chamber orchestra repertoire. Several conductorless orchestras are made up of only strings and focus primarily on string orchestra repertoire. Conductorless orchestras generally come from the classical music tradition and perform standard repertoire, but many conductorless orchestras promote or specialise in contemporary classical music repertoire. Many contemporary classical music ensembles also regularly perform without a conductor. History Early orchestras did not utilize a conductor, but instead the concertmaster or the continuo player, generally the harpsichordist, led the orchestra. As the orchestra grew in size throughout the latter half of the 18th century, composers generally conducted the ...
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Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from ''The Love for Three Oranges,'' the suite ''Lieutenant Kijé'', the ballet ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and ''Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of the ...
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Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while some ...
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Alexander Benois
Alexandre Nikolayevich Benois (russian: Алекса́ндр Никола́евич Бенуа́, also spelled Alexander Benois; ,Salmina-Haskell, Larissa. ''Russian Paintings and Drawings in the Ashmolean Museum''. pp. 15, 23-24. Published by Ashmolean Museum, 1989 Saint Petersburg9 February 1960, Paris) was a Russian artist, art critic, historian, preservationist and founding member of ''Mir iskusstva'' (World of Art), an art movement and magazine.Owen, Bobbi. ''Costume Design on Broadway: Designers and Their Credits, 1915-1985''. p. 19 Greenwood Press: New York, 1987 As a designer for the Ballets Russes under Sergei Diaghilev, Benois exerted what is considered a seminal influence on the modern ballet and stage design. Early life and education Alexandre was born into the artistic and intellectual Benois family, prominent members of the 19th- and early 20th-century Russian intelligentsia. His mother Camilla (Russian: Камилла Альбертовна Кавос, and th ...
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Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ...
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