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Symphony, K. 81 (Mozart)
The Symphony in D major "No. 44", K. 81/73l, may have been written by Wolfgang Amadeus Mozart in 1770 in Rome, although it has sometimes also been attributed to his father Leopold Mozart. It is now also catalogued as Eisen D 14 (LMV VII:D14) in Cliff Eisen's catalogue of Leopold Mozart's symphonies. The symphony is scored for two oboes, two horns and strings. In contemporary orchestras, it was also usual to include bassoons and harpsichord if they were available in the orchestra to reinforce the bass line and act as the continuo. The horns are silent for the second movement. The duration is approximately 10 minutes. : \relative c' The symphony consists of the following movements: #Allegro, #Andante, # Allegro molto, The form of the symphony is that of an Italian overture. No autographs exist for Mozart's four D major symphonies written during his first trip to Italy (K. 81, K. 84, K. 95 and K. 97), and as such their authenticity is doubtful. A copy of K. 81, dated 25 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Ancient Music
The Academy of Ancient Music (AAM) is a British period-instrument orchestra based in Cambridge, England. Founded by harpsichordist Christopher Hogwood in 1973, it was named after an 18th-century organisation of the same name (originally the Academy of Vocal Music). The musicians play on either original instruments from the period when the music was composed or modern copies of such instruments. They generally play Baroque and Classical music, though they have also played some new compositions for baroque orchestra in recent years. The AAM's current Music Director is Laurence Cummings, who took over the post from Richard Egarr at the beginning of the 2021-2022 season. Original organisation The original Academy of Vocal Music was founded in London, England in 1725/26 (the Gregorian date of the inaugural meeting was 1 February 1726). Records of the purpose of the academy no longer exist, but according to John Hawkins in 1770, it was intended to "promote the study and practi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions In D Major
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonies By Wolfgang Amadeus Mozart
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alte Mozart-Ausgabe
The ''Alte Mozart-Ausgabe'' is the name by which the first complete edition of the music of Wolfgang Amadeus Mozart, is known nowadays, published by Breitkopf & Härtel from January 1877 to December 1883, with supplements published until 1910. The name ''Alte Mozart-Ausgabe'' (abbreviated "AMA") is actually a modern invention to distinguish the edition from the second Mozart complete works edition, the ''Neue Mozart-Ausgabe''; the publication title of Breitkopf & Härtel's edition was ''Wolfgang Amadeus Mozarts Werke. Kritisch durchgesehene Gesammtausgabe.'' (It is therefore sometimes referred to as the "''Mozart Gesammtausgabe''".) One of the guiding lights of the AMA was Ludwig Ritter von Köchel, compiler of the still-standard Köchel-Verzeichnis (thematic catalog) of Mozart's works. From behind the scenes, Köchel worked to have the edition completed, lending valuable scores to the publisher and editors for their work. Among those involved in the actual editing were Johannes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Brügge
Joachim Brügge (born in 1958) is a German musicologist and composer. Life Brügge was born in Kiel. After his studies of music theory at the Musikhochschule Lübeck (Diploma 1985), he studied Historical and Systematic Musicology/Music Ethnology and Ethnology at the Georg-August-Universität Göttingen and completed his studies in 1993 with a thesis under Martin Staehelin "''On the Personal Style of Wolfgang Amadeus Mozart''". In 2002 he habilitated at the University Mozarteum Salzburg on the subject of historical musicology with the thesis ''Wolfgang Rihm's string quartets. Aspects of analysis, aesthetics and genre theory of the modern string quartet''. Since 1994 he has been working at the Universität Mozarteum Salzburg, first at the Department 1 for musical composition/ conducting and music theory and, after his habilitation, at the Department 9, musicology. Since 2003 he has been working together with Peter Kuon and Sabine Coelsch-Foisner on the development of the fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Gersthofer
Wolfgang is a German male given name traditionally popular in Germany, Austria and Switzerland. The name is a combination of the Old High German words ''wolf'', meaning "wolf", and '' gang'', meaning "path", "journey", "travel". Besides the regular "wolf", the first element also occurs in Old High German as the combining form "-olf". The earliest reference of the name being used was in the 8th century. The name was also attested as "Vulfgang" in the Reichenauer Verbrüderungsbuch in the 9th century. The earliest recorded famous bearer of the name was a tenth-century Saint Wolfgang of Regensburg. Due to the lack of conflict with the pagan reference in the name with Catholicism, it is likely a much more ancient name whose meaning had already been lost by the tenth century. Grimm ('' Teutonic Mythology'' p. 1093) interpreted the name as that of a hero in front of whom walks the "wolf of victory". A Latin gloss by Arnold of St Emmeram interprets the name as ''Lupambulus''.E. Fö ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard Paumgartner
Bernhard Paumgartner (born 14 November 1887 in Vienna; died 27 July 1971 in Salzburg) was an Austrian conductor, composer and musicologist. He is most famous for being Herbert von Karajan's composition teacher at the Mozarteum in Salzburg, where he recognized his pupil's potential gifts for conducting. Karajan would become a notable conductor. He also taught Vittorio Negri. Works *''Das Taghorn - Works of minnesingers'' (1922) *''Mozart - Biography'' (1927) *''Franz Schubert. Eine Biographie - Biography'' (1943). Published in Spain by Alianza Editorial, SA, in 1992, under the title Franz Schubert. *''Bach - Biography'' (1950) *''Mozart - Biography'' (1957). Published in Spain by Alianza Editorial, SA, in 1991. *''Das von der Antike Instrumentelle Ensemble bis zur Gegenwart'' (1966) Decorations and awards * Honorary title of privy councillor * Honorary doctorate from the Faculty of Philosophy, University of Salzburg (14 November 1967) * Austrian Decoration for Science and Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neal Zaslaw
Neal Zaslaw (born June 28, 1939) is an American musicologist. Life and career Born in New York, Zaslaw graduated from Harvard in 1961 with a BA and obtained his master's from Juilliard in 1963. He played flute in the American Symphony Orchestra under Leopold Stokowski from 1962 to 1965. In 1970 he received his Ph.D from Columbia University; he also taught at CUNY, 1968-70. Since 1970 he has taught at Cornell University. Zaslaw's early work dealt with performance practice, especially tempo and ornamentation with respect to French and Italian styles. Zaslaw has done extended work on the works of Wolfgang Amadeus Mozart, including a landmark 1989 work on his symphonies. In 1993, he was named the principal editor of the revised Köchel catalogue. Works *Zaslaw, Neal (1994) "Mozart as a working stiff," in James M. Morris, ed., ''On Mozart'', Cambridge University Press. An influential assertion of the practicality of Mozart's motivations in composition, attacking older conceptions a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Einstein
Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich and fled Nazi Germany after Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for being the editor of the first major revision of the Köchel catalogue, which was published in the year 1936. The Köchel catalogue is the extensive catalogue of the works of Wolfgang Amadeus Mozart. Biography Einstein was born in Munich. Though he originally studied law, he quickly realized his principal love was music, and he acquired a doctorate at Munich University, focusing on instrumental music of the late Renaissance and early Baroque eras, in particular music for the viola da gamba. In 1918 he became the first editor of the ''Zeitschrift für Musikwissenschaft''; slightly later he became music critic for the ''Münchner Post''; and in 1927 became music critic for the ''Berliner Tageblatt''. In this period he was also a friend of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1927_©_Georg_Fayer_(1892–1950)_OeNB_10454070.jpg "Click for more on -> Bernhard Paumgartner")
