|
Sygyt
Tuvan throat singing, the main technique of which is known as ''khoomei'' ( tyv, хөөмей, xöömej, mn, хөөмий; ᠬᠦᠭᠡᠮᠡᠢ, khöömii, russian: хоомей, Chinese: 呼麦, pinyin: ''hūmài''), includes a type of overtone singing practiced by people in Tuva, Mongolia, and Siberia. In 2009, it was included in the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO. The term ''hömey'' / ''kömey'' means ''throat'' and ''larynx'' in different Turkic languages. That could be borrowed from Mongolian language, Mongolian ''khooloi'', which means throat as well, driven from Proto-Mongolic language, Proto-Mongolian word ''*koɣul-aj''. Overview In Tuvan throat singing, the performer produces a fundamental pitch and—simultaneously—one or more pitches over that. The history of Tuvan throat singing reaches far back. Many male herders can throat sing, but women have begun to practice the technique as well. The popularity of throat singi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overtone Singing
Overtone singing – also known as overtone chanting, harmonic singing, polyphonic overtone singing, and diphonic singing – is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract, in order to arouse the perception of additional, separate notes beyond the fundamental frequency being produced. From a fundamental pitch, made by the human voice, the belonging harmonic overtones can be selectively amplified by changing the vocal tract, i.e. the dimensions and shape of the resonant cavities of the mouth and human pharynx, the pharynx. This resonant tuning allows singers to create more than one pitch at the same time (the fundamental and one or more selected overtones), while usually generating a single fundamental frequency with their vocal folds. Overtone singing should not be confused with throat singing, in spite of the fact that many throat singing techniques comprise overtone singing. As mentioned, overtone singing involves the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Throat Singing
Throat singing refers to several vocal practices found in different cultures around the world. The most distinctive feature of such vocal practices is to be associated to some type of guttural voice, that contrasts with the most common types of voices employed in singing, which are usually represented by chest ( modal) and head (light, or falsetto) registers. Also, throat singing is often described as producing the sensation of more than one pitch at a time, i.e., the listener perceives two or more distinct musical notes, while the singer is producing a single vocalization. Throat singing, therefore, consists of a wide range of singing techniques that originally belong to particular cultures and seem to share some sounding characteristics that make them especially noticeable by other cultures and users of mainstream singing styles. The term originates from the translation of the Tuvan/Mongolian word Xhöömei/Xhöömi, that literally means throat, guttural. Ethnic groups from Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Kuvezin
Albert Budachievich Kuvezin (Russian: ''Альберт Будачиевич Кувезин'' / Tuvan: ''Күвезин Альберт Будачи оглу'', Küvezin Albert Budachi oglu, , alternatively spelled ''Kögeezin'' (Көгээзин, ), born 27 November 1965 in Kyzyl) is a Tuvan guitarist and throat singer. Kuvezin was one of the founding members of the Tuvan folk ensemble Huun-Huur-Tu,Nidel, Richard, ''World music: the basics'', (Routledge, 2005), 243. and is the leader of the Tuvan folk/rock/electro/post punk band Yat-Kha. He is known for his unique, contra-bass style of Tuvan kargyraa Tuvan throat singing, the main technique of which is known as ''khoomei'' ( tyv, хөөмей, xöömej, mn, хөөмий; ᠬᠦᠭᠡᠮᠡᠢ, khöömii, russian: хоомей, Chinese: 呼麦, pinyin: ''hūmài''), includes a type of overto ... throat singing, which he calls " kanzat kargyraa." In addition to his work with Yat-Kha, Kuvezin has contributed to albums by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Oidupaa
Vladimir Oiunovich Oidupaa (russian: Владимир Ойунович Ойдупаа, tyv, Ойдупаа Владимир Ойун оглу, translit=Oidupaa Vladimir Oiun oglu , 6 September 1949 – 25 September 2013) was a Tuvan musician, who performed Kargyraa and played bayan. He is considered one of the leading figures in the contemporary Tuvan music. Oidupaa created his own style of kargyraa performance (high-tone kargyraa accompanied by the bayan), known as ''Oidupaa style'' and developed further by notable Tuvan performers including Chirgilchin. The Oidupaa style has been compared to Blues. He spent 33 years in work camps for 3 counts of murder and corruption of a minor, however this remains a heavily debated topic as he maintained his innocence all throughout his life. During his time in the camps he learned to play the accordion, specifically the prison version with only buttons, and developed his unique style of Kargyraa. Also while in the camps, he converted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Undertone Series
In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series. While overtones naturally occur with the physical production of music on instruments, undertones must be produced in unusual ways. While the overtone series is based upon arithmetic multiplication of frequencies, resulting in a harmonic series, the undertone series is based on arithmetic division. Nattiez shows the undertone series on E, as Riemann (''Handbuch der Harmonielehre'', 10th ed., 1929, p. 4) and D'Indy (''Cours de composition musicale'', vol. I, 1912, p. 100) had done. Terminology The hybrid term ''subharmonic'' is used in music in a few different ways. In its pure sense, the term ''subharmonic'' refers strictly to any member of the subharmonic series (, , , , etc.). When the subharmonic series is used to refer to frequency relationships, it is written with f representing some highest known reference frequency (, , , , etc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestibular Fold
The vestibular fold (ventricular fold, superior or false vocal cord) is one of two thick folds of mucous membrane, each enclosing a narrow band of fibrous tissue, the vestibular ligament, which is attached in front to the angle of the thyroid cartilage immediately below the attachment of the epiglottis, and behind to the antero-lateral surface of the arytenoid cartilage, a short distance above the vocal process. The lower border of this ligament, enclosed in mucous membrane, forms a free crescentic margin, which constitutes the upper boundary of the ventricle of the larynx. They are lined with respiratory epithelium, while true vocal cords have stratified squamous epithelium. Function The vestibular folds of the larynx play a significant role in the maintenance of the laryngeal functions of breathing and preventing food and drink from entering the airway during swallowing. They aid phonation (speech) by suppressing dysphonia. In some ethnic singing and chanting styles, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Chant
A Buddhist chant is a form of musical verse or incantation, in some ways analogous to religious recitations of other faiths. Traditional chanting In Buddhism, chanting is the traditional means of preparing the mind for meditation, especially as part of formal practice (in either a lay or monastic context). Some forms of Buddhism also use chanting for ritualistic purposes. While the basis for most Theravada chants is the Pali Canon, Mahayana and Vajrayana chants draw from a wider range of sources. Theravada chants In the Theravada tradition, chanting is usually done in Pali, sometimes with vernacular translations interspersed.Khantipalo (1982, 1995). Among the most popular Theravada chants are: :*Buddhabhivadana (Preliminary Reverence for the Buddha) :*Tisarana (The Three Refuges). Audio file at http://www.buddhanet.net/filelib/mp3/03-chant-03.mp3 :* Pancasila (The Five Precepts) :*Buddha Vandana (Salutation to the Buddha) :*Dhamma Vandana (Salutation to his Teaching) :*Sangha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tibetan People
The Tibetan people (; ) are an East Asian ethnic group native to Tibet. Their current population is estimated to be around 6.7 million. In addition to the majority living in Tibet Autonomous Region of China, significant numbers of Tibetans live in the Chinese provinces of Gansu, Qinghai, Sichuan, and Yunnan, as well as in India, Nepal, and Bhutan. Tibetan languages belong to the Tibeto-Burman language group. The traditional or mythological explanation of the Tibetan people's origin is that they are the descendants of the human Pha Trelgen Changchup Sempa and rock ogress Ma Drag Sinmo. It is thought that most of the Tibeto-Burman speakers in Southwest China, including Tibetans, are direct descendants from the ancient Qiang people. Most Tibetans practice Tibetan Buddhism, although some observe the indigenous Bon religion and there is a small Muslim minority. Tibetan Buddhism influences Tibetan art, drama and architecture, while the harsh geography of Tibet has produced an adap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrillic
, bg, кирилица , mk, кирилица , russian: кириллица , sr, ћирилица, uk, кирилиця , fam1 = Egyptian hieroglyphs , fam2 = Proto-Sinaitic , fam3 = Phoenician , fam4 = Greek script augmented by Glagolitic , sisters = , children = Old Permic script , unicode = , iso15924 = Cyrl , iso15924 note = Cyrs (Old Church Slavonic variant) , sample = Romanian Traditional Cyrillic - Lord's Prayer text.png , caption = 1780s Romanian text (Lord's Prayer), written with the Cyrillic script The Cyrillic script ( ), Slavonic script or the Slavic script, is a writing system used for various languages across Eurasia. It is the designated national script in various Slavic, Turkic, Mongolic, Uralic, Caucasian and Iranic-speaking countries in Southeastern Europe, Eastern Europe, the Caucasus, Central Asia, North Asia, and East Asia. , around 250 million people in Eurasia use Cyrillic a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuvan Language
Tuvan or Tyvan (Tuvan: , ''tyva dyl'', ) is a Turkic language spoken in the Republic of Tuva in South-Central Siberia in Russia. The language has borrowed a great number of roots from the Mongolian language, Tibetan and the Russian language. There are small diaspora groups of Tuvan people that speak distinct dialects of Tuvan in the People's Republic of China and in Mongolia. History While this history focuses on mostly the people of Tuva, many linguists argue that language is inevitably intertwined with the socio-historical situation of a language itself. The earliest record of Tuvan is from the early 19th century by ''Wūlǐyǎsūtái zhìlüè'' (), Julius Klaproth 1823, Matthias Castrén 1857, Katanov and Vasily Radlov, etc. The name Tuva goes back as early as the publication of ''The Secret History of the Mongols''. The Tuva (as they refer to themselves) have historically been referred to as Soyons, Soyots or Uriankhais. The Tuvan people have been ruled by China, Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
