Sybille Schmitz
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Sybille Schmitz
Sybille Maria Christina Schmitz (2 December 1909 – 13 April 1955) was a German actress. Biography Schmitz attended an acting school in Cologne and got her first engagement at Max Reinhardt's Deutsches Theater in Berlin in 1927. Only one year later, she made her film debut with ''Freie Fahrt'' (1928), which attracted her first attention from the critics. Her other early movies include Pabst's ''Diary of a Lost Girl'' (1929), Dreyer's ''Vampyr'' (1932), and eventually ''F.P.1'' (1932), where she played her first leading role. Schmitz established herself as a prominent actress in the German cinema with the films which followed including '' Der Herr der Welt'' (1934), ''Abschiedswalzer'' (1934), '' Ein idealer Gatte'' (1935), and '' Fährmann Maria'' (1936). She also had roles in ''Die Umwege des schönen Karl'' (1937), ' (1938), ''Die Frau ohne Vergangenheit'' (1939), ''Trenck, der Pandur'' (1940) and ''Titanic'' (1943). Schmitz's career remained strong even though she was never ...
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Düren
Düren (; ripuarian: Düre) is a town in North Rhine-Westphalia, Germany, between Aachen and Cologne on the river Rur. History Roman era The area of Düren was part of Gallia Belgica, more specifically the territory of the Eburones, a people who were described as both Belgae and Germani. It was conquered by the Roman Republic under Julius Caesar and became part of Germania inferior. Durum became a supply area for the rapidly growing Roman city of Cologne (Roman name Colonia Claudia Ara Agrippinensium). Furthermore, a few important Roman roads skirt Durum (including the road from Cologne to Jülich and Tongeren and the road from Cologne to Zülpich and Trier). By the 4th century, the area was settled by the Ripuarian Franks. The name ''villa duria'' occurred the first time in the Frankish Annals in the year 747. Frankish king Pippin the Short often visited Düren in the 8th century and held a few important conventions there. The Franks made of Durum a royal palace, from wh ...
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Fährmann Maria
''Fährmann Maria'' ( ''Ferryman Maria'') is a 1936 German horror film directed by Frank Wisbar and starring Sybille Schmitz. Plot An elderly man operates a ferry in a small village. One evening, he weakens and dies while ferrying a silent stranger dressed in black. Some time later, a homeless woman arrives in the village seeking employment, and takes over the ferrying duties. The next evening, a wounded man boards her ferry. She hides him from pursuers and nurses him back to health in her hut. Gradually, she falls in love. Soon the silent stranger in black appears on the far shore, awaiting the ferry. As Maria conducts him across, he eventually breaks his silence to inquire about the wounded man. Maria realizes that the stranger is Death itself, and she seeks to outwit him by directing him away from her hut and into the village where a festival is in progress. The villagers at the festival recoil from the stranger, who dances with Maria until she escapes from him and runs to a ...
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Frank Wisbar
Frank Wisbar (born Franz Wysbar 9 December 1899 – 17 March 1967) was a German film director and screenwriter. Born in Lithuania, Wisbar directed more than 20 films between 1932 and 1967 in Germany and the United States, as well as amassing many television credits. He created TV's ''Fireside Theatre'' and was the show's producer in addition to frequently directing and writing episodes. He was also a member of the jury at the 10th Berlin International Film Festival. Selected filmography * ''Spell of the Looking Glass'' (1932) * ''Anna and Elizabeth'' (1933) * '' Rivalen der Luft'' (1934) * ''Hermine and the Seven Upright Men'' (1935) (awarded in the Third Reich, cf. Nazism and cinema) *'' The Unknown'' (1936) * '' Fährmann Maria'' (1936) * ''Secrets of a Sorority Girl'' (1945) * ''Strangler of the Swamp'' (1946) * ''Devil Bat's Daughter'' (1946) * ''Lighthouse'' (1947) * ' (1957) * ''Nasser Asphalt'' (1958) * '' Stalingrad: Dogs, Do You Want to Live Forever?'' (1959) * ' ...
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Lost Film
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 1 ...
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The House On The Coast
''The House on the Coast'' (German: '' Das Haus an der Küste'', Serbian: ''Kuca na obali'') is a 1954 drama film directed by Boško Kosanović and starring René Deltgen, Bert Sotlar, Nadja Regin and Sybille Schmitz.Beyer p.176 It was made as a co-production between Austria, West Germany and Yugoslavia. The film was distributed by the German branch of the Rank Organisation. It was Schmitz's final film before her suicide the following year. Cast * René Deltgen as Beppo * Bert Sotlar as Dr. Branko Illic * Nadja Regin Nadežda "Nađa" Poderegin (2 December 1931 – 6 April 2019), commonly known by her stage name Nadja Regin ( sr-Cyr, Нађа Регин, ), was a Serbian actress. Performing in Yugoslav films from 1949, she developed an international career i ... as Marina * Sybille Schmitz as Anna * Manfred Inger as Vjeko * Eva Palmer as Davorka * Milan Skrbinsek as Kaaapitän * Josip Zappalorto as Ante * Bozidar Drnic as Staatsanwalt * Bogdan Bogdanovic as Bezirkshau ...
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Illusion In A Minor Key
''Illusion in a Minor Key'' (german: Illusion in Moll) is a 1952 West German drama film directed by Rudolf Jugert and starring Hildegard Knef, Sybille Schmitz and Hardy Krüger. It was made at the Bavaria Studios in Munich. It was one of the last films produced by the veteran Erich Pommer who had returned to Germany from exile after the Second World War. The film's sets were designed by Ludwig Reiber. It is sometimes included on lists of film noirs.Spicer p.110 Synopsis The recently widowed owner of a hotel A hotel is an establishment that provides paid lodging on a short-term basis. Facilities provided inside a hotel room may range from a modest-quality mattress in a small room to large suites with bigger, higher-quality beds, a dresser, a re ... falls in love with the wayward bandleader who performs at the establishment. Her plans to marry him upset her children who believe he is simply after her money. Cast References Bibliography * Hans-Michael Bock and ...
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Sensation In Savoy
''Sensation in Savoy'' (german: Sensation im Savoy) is a 1950 West German comedy crime film directed by Eduard von Borsody and starring Sybille Schmitz, Paul Klinger, and Karl Schönböck. It was made by Bavaria Film at their Bavaria Studios in Munich. The film's sets were designed by the art director Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and ... Ernst H. Albrecht. Cast References Bibliography * External links * 1950 films West German films 1950s crime comedy films 1950s German-language films Films directed by Eduard von Borsody German crime comedy films Bavaria Film films Films with screenplays by Karl Georg Külb 1950 comedy films German black-and-white films Films shot at Bavaria Studios 1950s German films {{1950s-Germany-film-stub ...
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Between Yesterday And Tomorrow (film)
''Between Yesterday and Tomorrow'' (german: Zwischen gestern und morgen) is a 1947 German drama film directed by Harald Braun and starring Hildegard Knef, Winnie Markus and Sybille Schmitz.Bock & Bergfelder p. 60 Plot In post-war Germany a group of former guests return to a luxurious Munich hotel where they are haunted by memories of their past interaction with Nelly Dreifuss, a Jewish woman who had died during the Nazi era. It was part of both the cycle of rubble films and subgenre of hotel films. As with many other German rubble films, it examines issues of collective guilt and future rebuilding. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art director Robert Herlth Robert Herlth (2 May 1893 – 6 January 1962) was a German art director. He was one of the leading designers of German film sets during the 1920s and 1930s.Reimer & Reimer p.146 Filmography * ''Masks'' (1920) * '' Island of the Dead'' (1921) * ' .... Cast References ...
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Third Reich
Nazi Germany (lit. "National Socialist State"), ' (lit. "Nazi State") for short; also ' (lit. "National Socialist Germany") (officially known as the German Reich from 1933 until 1943, and the Greater German Reich from 1943 to 1945) was the German state between 1933 and 1945, when Adolf Hitler and the Nazi Party controlled the country, transforming it into a dictatorship. Under Hitler's rule, Germany quickly became a totalitarian state where nearly all aspects of life were controlled by the government. The Third Reich, meaning "Third Realm" or "Third Empire", alluded to the Nazi claim that Nazi Germany was the successor to the earlier Holy Roman Empire (800–1806) and German Empire (1871–1918). The Third Reich, which Hitler and the Nazis referred to as the Thousand-Year Reich, ended in May 1945 after just 12 years when the Allies defeated Germany, ending World War II in Europe. On 30 January 1933, Hitler was appointed chancellor of Germany, the head of government, ...
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World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality is ...
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Aryan Race
The Aryan race is an obsolete historical race concept that emerged in the late-19th century to describe people of Proto-Indo-European heritage as a racial grouping. The terminology derives from the historical usage of Aryan, used by modern Indo-Iranians as an epithet of "noble". Anthropological, historical, and archaeological evidence does not support the validity of this concept.Arvidsson 2006:298 Arvidsson, Stefan (2006), Aryan Idols: Indo-European Mythology as Ideology and Science, translated by Sonia Wichmann, Chicago and London: The University of Chicago Press. The concept derives from the notion that the original speakers of the Proto-Indo-European language were distinct progenitors of a superior specimen of humankind, and that their descendants up to the present day constitute either a distinctive race or a sub-race of the Caucasian race, alongside the Semitic race and the Hamitic race. This taxonomic approach to categorizing human population groups is now conside ...
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