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Sweets For My Sweet
"Sweets for My Sweet" is a song written by the songwriting team of Doc Pomus and Mort Shuman, originally recorded by American doo-wop and R&B/soul vocal group the Drifters. The Drifters version The group's first single featuring Charlie Thomas on lead vocal, "Sweets for My Sweet" reached 16 on the ''Billboard'' Hot 100 and No. 10 on the R&B chart, in October 1961. This was one of the few post-1958 Drifters singles that did not feature a string section. The song has a strong piano and bongo-led Cuban-style cha-cha rhythm. It also featured Jimmy Radcliffe and four female backup vocalists, all of whom would later have hit records: Cissy Houston, Doris Troy, Dionne Warwick, and Dee Dee Warwick. The recording also features an up-in-front piano provided by co-writer Mort Shuman. Other musicians on the recording included George Barnes and Allan Hanlon on guitar, Abie Baker on bass, Ed Shaughnessy and Gary Chester on drums and Bobby Rosengarden and Ray Kessler on percussion. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Drifters
The Drifters are several American doo-wop and R&B/Soul music, soul vocal groups. They were originally formed as a backing group for Clyde McPhatter, formerly the lead tenor of Billy Ward and his Dominoes in 1953. The second group of Drifters, formed in 1959 and led by Ben E. King, were originally an up-and-coming group named The Five Crowns. After 1965 members drifted in and out of both groups and many of these formed other groups of Drifters as well. Several groups of Drifters can trace roots back to these original groups, but contain few if any original members. According to ''Rolling Stone'', the Drifters were the least stable of the great vocal groups, as they were low-paid musicians hired by George Treadwell, who owned the Drifters' name from 1955, after McPhatter left. The Treadwell Drifters line has had 60 musicians, including several splinter groups by former Drifters members (not under Treadwell's management). These groups are usually identified with a possessive credit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dee Dee Warwick
Delia Juanita Warrick (September 25, 1942 – October 18, 2008), known professionally as Dee Dee Warwick, was an American soul singer. Born in Newark, New Jersey, she was the sister of singer Dionne Warwick, the niece of Cissy Houston, and a first cousin of singers Whitney Houston and Leontyne Price. Early life Warwick was born in East Orange, New Jersey, to Mancel Warrick (1911–1977), who began his career as a Pullman porter and subsequently became a chef, a gospel record promoter for Chess Records and later a Certified Public Accountant; and Lee Drinkard-Warrick (1920–2005), manager of The Drinkard Singers. Warwick had one sister, Dionne Warwick, and a brother, Mancel Jr, who was killed in an accident in 1968 at the age of 21.. She was of African-American, Native American, Brazilian and Dutch descent. Warwick graduated from East Orange High School in 1960. Early career Dee Dee Warwick sang with her sister Dionne Warwick and their aunt Cissy Houston in the New Hope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Hit Singles & Albums
''British Hit Singles & Albums'' (originally known as ''The Guinness Book of British Hit Singles'' and ''The Guinness Book of British Hit Albums'') was a music reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HiT Entertainment (who had bought the Guinness World Records brand). It listed all the singles and albums featured in the Top 75 pop charts in the UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as ''British Hit Singles'' and ''British Hit Albums''. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to The Jim Pattison Group, owner of ''Ripley's Believe It or Not!''. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books brand. Entitled ''The Virgin Book of British Hit Singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Single Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling singles in the United Kingdom, based upon physical sales, paid-for downloads and streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio track not longer than 15 minutes with a minimum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sugar And Spice (The Searchers Song)
"Sugar and Spice" is a 1963 song by Merseybeat band The Searchers written by Tony Hatch under the pseudonym Fred Nightingale. It made #2 on the UK charts (on Pye), #44 in the USA charts, and #11 in the Canadian CHUM Charts. The Searchers recorded a German interpretation of the song entitled ''Süß ist sie' and also the French rendering ''C'est De Notre Age'' released in both countries by French Record Label, Disques Vogue. Background The composer and producer of "Sugar and Spice", Tony Hatch, had produced the precedent Searchers' single: a cover of the Drifters' "Sweets for My Sweet", which had afforded the Searchers a #1 UK hit. Hatch, having written "Sugar and Spice" on the template of "Sweets for My Sweet", pitched his original song to the Searchers as the work of an as-yet unknown songwriter named Fred Nightingale, as Hatch felt the group might be dismissive of the song if they knew it to be their producer's work. The first line of the chorus,"Sugar and spice and all things ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Hatch
Anthony Peter Hatch (born 30 June 1939) is an English composer for musical theatre and television. He is also a songwriter, pianist, arranger and producer. Early life and early career Hatch was born in Pinner, Middlesex. Encouraged by his musical abilities, his mother – also a pianist – enrolled him in the London Choir School in Wansunt Road, Bexley, Kent when he was 10. Instead of continuing at the Royal Academy of Music, he left school in 1955 and found a job with Robert Mellin Music in London's Tin Pan Alley. Not long after working as a tea boy, he was writing songs (under the name Mark Anthony) and entered the recording industry when he joined The Rank Organisation's new subsidiary Top Rank Records; there he worked for future Decca Records A&R man Dick Rowe. While he served his National Service, he became involved with the Band of the Coldstream Guards. On his return in 1959, Hatch began producing Top Rank artists such as Bert Weedon, the then unknown Ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pye Records
Pye Records was a British record label. Its best known artists were Lonnie Donegan (1956–1969), Petula Clark (1957–1971), the Searchers (1963–1967), the Kinks (1964–1971), Sandie Shaw (1964–1971), Status Quo (1968–1971) and Brotherhood of Man (1975–1979). The label changed its name to PRT Records (distributing as Precision Records & Tapes) in 1980, before being briefly reactivated as Pye Records in 2006. History The Pye Company originally manufactured televisions and radios. Its main plant was situated off what used to be Haig Road, in Cambridge, and it entered the record business when it bought Nixa Records in 1953. In 1955, the company acquired Polygon Records, a label that had been established by Leslie Clark and Alan A. Freeman to control distribution of the recordings of the former's daughter, Petula Clark. Pye merged it with Nixa Records to form Pye Nixa Records. Pye International In 1958, Pye International Records was established. The company licensed record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meet The Searchers
''Meet The Searchers'' is the 1963 debut and most successful album by British rock band The Searchers. The album featured their first single released in June 1963, a version of the Drifters' "Sweets for My Sweet", which was a UK No.1 for the band, as well as their version of the Clovers " Love Potion No.9", which was released as a single in the U.S. (but not in the UK) the following year. "Love Potion No.9" peaked on the US charts at No. 3 on 19 December 1964. The album was also released in Canada, Germany and South Africa, often with track listing changes. Overview Nationwide interest in the Searchers had been piqued with the success of their UK No. 1 single, and Pye Records, hoping to take advantage of this, promptly decided to follow it up with an album. It was a straightforward performance of their stage repertoire, so they covered a lot of songs by American artists like Ben E. King ( "Stand By Me"), Barrett Strong (Money (That's What I Want)), The Crystals ("Da Doo Ron Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Searchers (band)
The Searchers were an English Merseybeat group who emerged during the British Invasion of the 1960s. The band's hits include a remake of the Drifters' 1961 hit, "Sweets for My Sweet"; " Sugar and Spice" (written by their producer Tony Hatch); remakes of Jackie DeShannon's " Needles and Pins" and "When You Walk in the Room"; a cover of the Orlons' "Don't Throw Your Love Away"; and a cover of the Clovers' " Love Potion No. 9". With the Swinging Blue Jeans, the Searchers tied for being the second group from Liverpool, after the Beatles, to have a hit in the US when their "Needles and Pins" and the Swinging Blue Jeans' "Hippy Hippy Shake" both reached the Hot 100 on 7 March 1964. Band history Origins Founded as a skiffle group in Liverpool in 1959 by John McNally and Mike Pender, the band took their name from the 1956 John Ford western film ''The Searchers''. The band grew out of an earlier skiffle group formed by McNally in 1957, with his friends Brian Dolan (guitar) and Tony Wes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Rosengarden
Robert Marshall Rosengarden (April 23, 1924 – February 27, 2007) was an American jazz drummer and bandleader. A native of Elgin, Illinois, United States, he played on many recordings and in television orchestras and talk show bands. Rosengarden began playing drums when he was 12, and later studied at the University of Michigan. After playing drums in Army bands in World War II, he moved to New York City, working in several groups between 1945 and 1948, before becoming a busy studio musician. He played at NBC-TV (1949–1968) and ABC (1969–1974) on ''The Steve Allen Show'', ''The Ernie Kovacs Show'', ''Sing Along With Mitch'', Johnny Carson's The Tonight Show Band, and led the band for ''The Dick Cavett Show''. Through the years, Rosengarden was an active studio musician, recording with Duke Ellington, Billie Holiday, Skitch Henderson, Quincy Jones, Peter Nero, Gil Evans, Miles Davis, Gerry Mulligan, Benny Goodman, Moondog, Dick Hyman, Arlo Guthrie, Carmen McRae, Ben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Chester
Gary Chester (born Cesario Gurciullo; October 27, 1924 – August 17, 1987) was an American studio drummer, author, and teacher. Beginning in the 1960s, he played on hundreds of records for bands such as The Coasters, The Monkees, and The Lovin' Spoonful. Biography Born in the Bronx to parents who emigrated from Syracuse, Sicily, Chester's first successful recording session was when he replaced a studio drummer. As his reputation grew, Chester became a respected teacher, with drummers searching out his expertise and demanding techniques. His drumming systems have been used and endorsed by drummers such as Kenny Aronoff, Gary Gibbons, Douglas Oscard, Danny Gottlieb, Max Weinberg, Chris Adams, Tico Torres, Lindy Morrison, and Dave Weckl, each having studied under Chester. Instruction technique Ostinato Chester devised a system involving internalized patterns employing a drum 'melody' in an attempt to expand drummers' coordination and groove ability. His use of the ostinato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
