Sweetheart (Rainy Davis Song)
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Sweetheart (Rainy Davis Song)
"Sweetheart" is a song originally recorded by American singer Rainy Davis. It was written by Davis and Pete Warner, and they produced it with Dorothy Kessler. The track was released in 1986 by independent record label SuperTronics as a single from Davis's 1987 studio album ''Sweetheart''. A freestyle, hip hop pop, and synth-funk song, "Sweetheart" appeared on R&B and dance music-based record charts in the United States. American singer Mariah Carey recorded a cover version with American rapper Jermaine Dupri (credited as JD) for his debut album, ''Life in 1472'' (1998), and her first greatest hits album, '' #1's'' (1998). So So Def and Columbia Records released it as the third single from the former album on September 7, 1998. Carey was inspired to create a remake of "Sweetheart" as she liked listening to the song as a teenage girl. Critics categorized the cover as a dance, hip-hop, and R&B song, and its instrumental features synths and bass runs. The lyrics describe a woman' ...
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Rainy Davis
Denise Lorraine Davis, better known by her stage name Rainy Davis, is an American songwriter, singer and record producer. Out of four ''Billboard'' charted singles, Davis is known best for her song " Sweetheart". The single was originally released on the New York-based independent label called Supertronics Records. However, after the song became a hit in the clubs, then on urban radio and eventually crossing over to pop radio, Columbia Records A&R Exec Joe McEwen offered Rainy Davis a production-artist deal for worldwide physical distribution, which included buying Davis's previous contract from Supertronics. Rainy Davis went on to record two albums for Columbia and received numerous awards for her contributions to hit songs over the years. In 2005, when digital music distribution was new to the majority of independent artists and label professionals, Davis, founder and president of Rainysongs, set up her online entertainment company with worldwide digital distribution. This was ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ...
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Cash Box
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ...
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Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of Sound recording and reproduction, recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of music download, downloads, and the amount of streaming media, streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programmes is to run down a music chart. Chart hit A ''chart hit'' is a recording, identified by its inclu ...
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12-inch Vinyl Single
The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl ( polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either or 45 . The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time. Technical features Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the gr ...
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Radio Edit
In music, a radio edit or radio mix is a modification, typically truncated or censored, intended to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the ''7" version'', as opposed to the '' 12" version'' which are extended versions of a song. Not all "radio edit" tracks are played on radio. Editing for time Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is between 3 and 5 minutes. The amount of cut content differs however, ranging from a few seconds to effectively half of a song being cut. It is common for radio edits to have shortened intros and/or outros. In the intro, any kind of musical buildup is removed, or, if there is no such build-up, an extensive intro is often halved. In the outro, occasionally, the song wil ...
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Radio Airplay
Airplay is how frequently a song is being played through broadcasting on radio stations. A song which is being played several times every day (spins) would have a significant amount of airplay. Music which became very popular on jukeboxes, in nightclubs and at discotheques between the 1940s and 1960s would also have airplay. Background For commercial broadcasting, airplay is usually the result of being placed into rotation, also called adding it to the station's playlist by the music director, possibly as the result of a Pay for Play sponsored by the record label. For student radio and other community radio or indie radio stations, it is often the selection by each disc jockey, usually at the suggestion of a music director. Geography Most countries have at least one radio airplay chart in existence, although larger countries such as Canada, the United States, the United Kingdom, Germany, Australia, Japan, and Brazil have several, to cover different genres and areas of the cou ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Tony Humphries (musician)
Tony Humphries is an American electronic musician and Disc jockey, DJ. He was one of the earliest proponents of house music and has been instrumental in spreading the genre on both sides of the Atlantic. Humphries' work encompasses studio production and remixes, radio slots on WEPN-FM#As WRKS (1981-2012), WRKS 98.7 Kiss FM and Hot 97, and DJ residencies at clubs including Club Zanzibar (Newark, New Jersey) and Ministry of Sound in London, UK. Early life Born in Brooklyn in 1957, Tony Humphries began collecting records at age ten. Humphries' passion for music was encouraged from a very early age. His father, Rene, had emigrated from Colombia some years earlier, before going on to lead the New York Combo. Rene "El Grande Combo" Humphries, as he was known, performed alongside salsa performers including Tito Puente. The Club Zanzibar, Zanzibar years Humphries began DJing at college and got his first professional gig in 1981 at the then-new New York station KISS-FM following a chance ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Bubbling Under Hot 100
Bubbling Under Hot 100 Singles (also known as Bubbling Under the Hot 100) is a chart published weekly by ''Billboard'' magazine in the United States. The chart lists the top songs that have not yet charted on the main ''Billboard'' Hot 100. Chart rankings are based on radio airplay, sales, and streams. In its initial years, the chart listed 15 positions, but expanded to as many as 36 during the 1960s, particularly during years when over 700 singles made the ''Billboard'' Hot 100 chart. From 1974 to 1985, the chart consisted of 10 positions; since 1992, the Bubbling Under Hot 100 Singles chart has listed 25 positions. Chart history The Bubbling Under Hot 100 Singles chart was first introduced in the June 1, 1959 issue of ''Billboard'', under the name "Bubbling Under the Hot 100". Containing a listing of 15 singles, the chart was described as "the new listing that predicts which new records will become chart climbers." Its first number-one single was "A Prayer and a Juke Box" by Litt ...
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