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Sweet Soul Music (Tracy Nelson Album)
"Sweet Soul Music" is a soul song first released by the American singer Arthur Conley in March 1967. Written by Conley and Otis Redding, it is based on the Sam Cooke song "Yeah Man" from his posthumous album '' Shake''; the opening riff is a quote from Elmer Bernstein's score for the 1960 movie '' The Magnificent Seven''. In the US, "Sweet Soul Music" reached the No. 2 spot on the ''Billboard'' Hot 100 (behind " The Happening" by The Supremes), and No. 2 on the ''Billboard'' R&B chart. Overseas, it peaked at No. 7 on the UK Singles Chart. "Sweet Soul Music" sold over one million copies, and was awarded a gold disc. J.W. Alexander, Cooke's business partner, sued both Redding and Conley for appropriating the melody. A settlement was reached in which Cooke's name was added to the writer credits, and Redding agreed to record some songs in the future from Kags Music, a Cooke–Alexander enterprise. Lyrics The song is an homage to soul music. The following songs are mentio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Conley
Arthur Lee Conley (January 4, 1946 – November 17, 2003), also known in later years as Lee Roberts, was an American soul singer, best known for the 1967 hit " Sweet Soul Music". Early life Conley was born in McIntosh County, Georgia, U.S., and grew up in Atlanta. He first recorded in 1959 as the lead singer of Arthur & the Corvets. With this group, he released three singles in 1963 and 1964—"Poor Girl", "I Believe", and "Flossie Mae"—on the Atlanta-based record label, NRC Records. Biography and career In 1964, he moved to a new label (Baltimore's Ru-Jac Records) and released "I'm a Lonely Stranger". When Otis Redding heard this, he asked Conley to record a new version, which was released on Redding's own fledgling label Jotis Records, as only its second release. Conley met Redding in 1967. Together they rewrote the Sam Cooke song "Yeah Man" into " Sweet Soul Music", which, at Redding's insistence, was released on the Atco-distributed label Fame Records, and was recorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard R&B Chart
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolidated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Written By Otis Redding
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs About Soul
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Brown
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, dancer, musician, record producer and bandleader. The central progenitor of funk music and a major figure of 20th century music, he is often referred to by the honorific nicknames "the Hardest Working Man in Show Business", "Godfather of Soul", "Mr. Dynamite", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first 10 inductees into the Rock and Roll Hall of Fame at its inaugural induction in New York on January 23, 1986. Brown began his career as a gospel singer in Toccoa, Georgia. He first came to national public attention in the mid-1950s as the lead singer of the Famous Flames, a rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads "Please, Please, Please" and " Try Me", Brown built a reputation as a dynamic live performer with the Famous Flames and his backing band, sometimes know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilson Pickett
Wilson Pickett (March 18, 1941 – January 19, 2006) was an American singer and songwriter. A major figure in the development of soul music, Pickett recorded over 50 songs which made the US R&B charts, many of which crossed over to the ''Billboard'' Hot 100. Among his best-known hits are "In the Midnight Hour" (which he co-wrote), " Land of 1,000 Dances", "634-5789 (Soulsville, U.S.A.)", " Mustang Sally", "Funky Broadway", "Engine No. 9", and "Don't Knock My Love". Pickett was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his impact on songwriting and recording. Biography Early life and family Pickett was born March 18, 1941 in Prattville, Alabama, and sang in Baptist church choirs. He was the fourth of 11 children and called his mother "the baddest woman in my book," telling historian Gerri Hirshey: "I get scared of her now. She used to hit me with anything, skillets, stove wood ... ne time I ran away andcried for a week. Stayed in the wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mustang Sally (song)
"Mustang Sally" is a rhythm and blues (R&B) song written and first recorded by Mack Rice in 1965. It was released on the Blue Rock label (4014) in May 1965 with "Sir Mack Rice" as the artist. The song uses an AAB layout with a 24-bar structure. It gained greater popularity when Wilson Pickett covered it the following year on a single, a version that was also released on the 1966 album '' The Wicked Pickett''. Also in 1966, John Lee Hooker recorded an entirely different song with a similar title — "Mustang Sally & GTO." Personnel Credits are adapted from the liner notes of ''The Muscle Shoals Sound: 3614 Jackson Highway''. *Gilbert Caples – tenor saxophone * Charlie Chalmers – tenor saxophone *Tommy Cogbill – bass guitar * Roger Hawkins – drums * Jimmy Johnson – rhythm guitar *Ed Logan – tenor saxophone *Gene "Bowlegs" Miller – trumpet *Chips Moman – lead guitar *Floyd Newman – baritone saxophone *Spooner Oldham – organ *Wilson Pickett – lead vocals *Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam & Dave
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (born 1935) and the baritone/tenor (lower) voice was Dave Prater (1937–1988). Nicknamed "Double Dynamite", "The Sultans of Sweat", and "The Dynamic Duo" for their gritty, gospel-infused performances, Sam & Dave are considered one of the greatest live acts of the 1960s. Many subsequent musicians have named them as an influence, including Bruce Springsteen, Al Green, Tom Petty, Phil Collins, Michael Jackson, Steve Van Zandt, Elvis Costello, The Jam, Teddy Pendergrass, Billy Joel, and Steve Winwood. The Blues Brothers, who helped create a resurgence of popularity for soul, R&B, and blues in the 1980s, were influenced by Sam & Dave – their biggest hit was a cover of " Soul Man", and their act and stage show contained many homages to the duo. According to the Rock & Roll Hall of Fame, Sam & Dave were the most successful soul duo and brought the sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hold On, I'm Comin' (song)
"Hold On, I'm Comin" (officially registered as "Hold On, I'm Coming", and shown on the original single release as "Hold On! I'm Comin and "Hold On! I'm a Comin) is a 1966 single recorded by soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966. The song was written by the songwriting team of Isaac Hayes and David Porter, who came up with the title of the song spontaneously when Hayes was trying to get Porter to hurry out of the Stax Studios restroom and get back to songwriting. The original title was "Hold On, I'm Comin, but some radio stations objected to its "suggestive nature", and labels on most copies of the single gave the title as "Hold On! I'm A Comin. Released as Stax 189 in the spring of 1966, the single peaked at number one on the ''Billboard'' Hot R&B singles chart and at number 21 on the ''Billboard'' Hot 100 in the United States.Hogan, Ed (2006). " Review of "Hold On! I'm Comin'" ''Allmusic''. Retrieved 2008-3-30 Following the instrumental int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Rawls
Louis Allen Rawls (December 1, 1933 – January 6, 2006) was an American record producer, singer, composer and actor. Rawls released more than 60 albums, sold more than 40 million records, and had numerous charting singles, most notably his song "You'll Never Find Another Love like Mine". He worked as a film, television, and voice actor. He was also a three-time Grammy-winner, all for Best Male R&B Vocal Performance. Early life Rawls was born in Chicago on December 1, 1933, and raised by his grandmother in the Ida B. Wells projects on the city's South Side. He began singing in the Greater Mount Olive Baptist Church choir at the age of seven and later sang with local groups through which he met Sam Cooke, who was nearly three years older, and Curtis Mayfield. Career After graduating from Dunbar Vocational High School, he sang briefly with Cooke in the Teenage Kings of Harmony, a gospel group, and then with the Holy Wonders. In 1951, he replaced Cooke in the Highway QC's aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Miracles
The Miracles (also known as Smokey Robinson and the Miracles from 1965 to 1972) were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in pop, rock and roll, soul and R&B music history. Referred to as Motown's "soul supergroup", the Miracles recorded 26 Top 40 Pop hits, sixteen of which reached the ''Billboard'' Top 20, seven top 10 singles, and a number one single ("The Tears of a Clown") while the Robinsons and Tarplin were members. Following the departure of Tarplin and the Robinsons, the rest of the group continued with singer Billy Griffin and managed by Martin Pichinson who helped rebuild the Miracles, they scored two final top 20 singles, "Do It Baby" and " Love Machine", a second No. 1 hit, which topped the charts before the group departed for Columbia Records in 1977, recording as a quintet with Billy's brother Donald Griffin replacing Marv Tarplin, where afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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