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Sweet Passion
''Sweet Passion'' is the twenty-third studio album by American singer Aretha Franklin. It was released on May 19, 1977, by Atlantic Records. Following Franklin's Gold-certified 1976 soundtrack album, ''Sparkle'', she paired up with Motown producer Lamont Dozier to produce ''Sweet Passion''. It was, however, a commercial and critical failure. The album's lead single, "Break It To Me Gently", topped the ''Billboard'' R&B chart but peaked at No. 85 on the Hot 100 and dropped off the chart after two weeks. Track listing Side one #"Break It To Me Gently" ( Marvin Hamlisch, Carole Bayer Sager) - 3:21 #"When I Think About You" (Aretha Franklin) - 4:46 #" What I Did for Love" (Marvin Hamlisch, Edward Kleban) - 5:17 #"No One Could Ever Love You More" (Lamont Dozier) - 3:36 #"A Tender Touch" (Aretha Franklin) - 3:58 Side two #"Touch Me Up" (Lamont Dozier)- 4:38 #"Sunshine Will Never Be The Same" (Lamont Dozier) - 3:36 #"Meadows of Springtime" (Aretha Franklin) - 5:26 #"Mumble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown
Motown Records is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on June 7, 1958, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played an important role in the racial integration of popular music as an African American-owned label that achieved crossover success. In the 1960s, Motown and its subsidiary labels (including Tamla Motown, the brand used outside the US) were the most of the Motown sound, a style of soul music with a mainstream pop appeal. Motown was the most successful soul music label, with a net worth of $61 million. During the 1960s, Motown achieved 79 records in the top-ten of the ''Billboard'' Hot 100 between 1960 and 1969. Following the events of the Detroit Riots of 1967, and the loss of key songwriting/production team Holland–Dozier– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Gadson
James Gadson ( James Edward Gadson; born June 17, 1939) is an American drummer and session musician. Beginning his career in the late 1960s, Gadson has since become one of the most-recorded drummers in the history of R&B. He is also a singer and songwriter. Career Born in Kansas City, Missouri, Gadson played with the first line-up of Charles Wright's Watts 103rd Street Rhythm Band, and recorded three albums with them between 1968 and 1970. Along with other members of Wright's band, he went on to appear on many hit records, including with Dyke & the Blazers. Gadson started to become well known as a drummer following the release of the album ''Still Bill'' by Bill Withers, released by Sussex Records in 1972. He played on The Temptations album ''1990'', released on the Motown label in 1973. In 1975, he played with Freddie King on ''Larger Than Life'' and went on to record with Martha Reeves, Randy Crawford, Quincy Jones, Herbie Hancock, B.B. King, Albert King, Rose Royce, Elkie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rahn Coleman
Ronald Edward "Rahn" Coleman (born April 5, 1949) is an American record producer, musical director, arranger, orchestrator, composer, vocal coach, and pianist. Coleman was born in San Francisco, California, and grew up in nearby Oakland, where he attended public school and began studying piano at age 4. He has also played oboe, clarinet, violin, English horn and pipe organ. Coleman continued his musical training at Fisk University in Nashville, Tennessee and sang in the Fisk Jubilee Singers under director Matthew Kennedy. In 1969 he studied harmony and music theory with Nadia Boulanger at The American Conservatory in Fontainebleau, France. Career Coleman has served as musical director, arranger, vocal coach and pianist for many notable singers, including: Aretha Franklin, Freda Payne, Nichelle Nichols, Michael Feinstein, Gladys Knight, Barry White, The Ojays, The Temptations, Tina Turner, Ray Charles, Ben Vereen, Marilyn McCoo, Billy Davis Jr., and Sarah Vaughan. He condu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Burke
Joseph Francis "Sonny" Burke (March 22, 1914 – May 31, 1980) was an American musical arranger, composer, Big Band leader and producer. In 1937, he graduated from Duke University, where he had formed and led the jazz big band known as the Duke Ambassadors. Background During the 1930s and 1940s, Burke was a big band arranger in New York City, worked with Sam Donahue's band, and during the 1940s and 1950s worked as an arranger for the Charlie Spivak and Jimmy Dorsey bands, among others. In 1955, he wrote, along with Peggy Lee, the songs to Disney's ''Lady and the Tramp''. He also wrote songs with John Elliot for Disney's ''Toot, Whistle, Plunk and Boom'', which won the 1953 Oscar for Best Short Subject (Cartoons).Cotter, Bill, ''The Wonderful World of Disney Television: A Complete History'', p. 549, Hyperion, 1997. He wrote the music for number of popular songs, including " Black Coffee" and "Midnight Sun", co-written with jazz vibraphonist Lionel Hampton. The song's lyrics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bias Boshell
Tobias Boshell (born 20 July 1950) is an English songwriter and musician, best known as the founder of the folk rock band Trees. He was born in Wye, Kent, was educated at Bedales and the Royal College of Music. Boshell formed Trees in 1969 with Celia Humphris on vocals, Barry Clarke on lead guitar, Unwin Brown on drums/vocals, and David Costa on acoustic guitar & dulcimer. Bias sang and played bass, guitar and piano on their two CBS albums, ''The Garden of Jane Delawney'' (1970) and '' On the Shore'' (1971), and wrote much of their material. ''On the Shore'' was remastered in January 2007 and re released on CD. After the original group broke up in the early 1970s, Boshell worked with Kiki Dee, writing her hit songs "I've Got the Music in Me" and "First Thing in the Morning," among others. In the 1980s, Boshell became a guest musician for Barclay James Harvest, touring and recording with them. In 1987 he moved on to The Moody Blues, becoming their lead keyboard player after the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I've Got The Music In Me
"I've Got the Music in Me" is a pop song by The Kiki Dee Band, released in 1974. It was written in 1973 by Bias Boshell, Kiki Dee Band's keyboardist. It is also the title of a Kiki Dee Band album released in 1974 and re-mastered and re-issued with bonus tracks in 2008. Background The song is upbeat, describing in various ways how the singer will not be deterred or impeded in their goals, because they possess the quality of 'having the music' in them. This song is noted for its false ending, making the listeners think that the song is over, before the repeated refrains of the song's title bring the song to a fade-out. Chart performance The song entered the UK Singles Chart on 7 September 1974, reached number 19 and stayed in the chart for eight weeks. On the ''Billboard'' pop chart in the United States, "I've Got the Music in Me" peaked at number 12 on November 30, 1974. Chart history Weekly charts Year-end charts Personnel * Kiki Dee – Vocals *Joshie Armstead, Cissy Housto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Kleban
Edward "Ed" Kleban (April 30, 1939 – December 28, 1987) was an American musical theatre composer and lyricist. Kleban was born in the Bronx, New York City, in 1939 and graduated from New York's High School of Music & Art and Columbia University, where he attended with future playwright Terrence McNally. Kleban is best known as lyricist of the Broadway hit ''A Chorus Line''. He and composer Marvin Hamlisch won the 1976 Tony Award for Best Original Score, and he shared the Pulitzer Prize for Drama in 1976 with Hamlisch and three other contributors to the musical. The one-woman Phyllis Newman show, ''The Madwoman of Central Park West'' (1979), featured a few tunes with his lyrics. For several years he worked at Columbia Records, where he produced albums by performers as diverse as Igor Stravinsky and Percy Faith, and the albums for the Off-Broadway musicals '' Now Is The Time For All Good Men'' and ''Jacques Brel is Alive and Well and Living in Paris''. He was a teacher for m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What I Did For Love (A Chorus Line)
"What I Did for Love" is a song from the musical ''A Chorus Line'' (music by Marvin Hamlisch, lyrics by Edward Kleban). It was quickly recognized for its show-business potential outside Broadway and was picked up by popular singers to include in their performances in their club and television appearances. Both female and male singers have made it an inclusion in their recorded albums to great effect. ''The Daily Telegraph'' described it as a "big anthem". Synopsis within ''A Chorus Line'' In the penultimate scene of the production, one of the dancers, Paul San Marco, has suffered a career-ending injury. The remaining dancers, gathered together onstage, are asked what they would do if they were told they could no longer dance. Diana, in reply, sings this anthem, which considers loss philosophically, with an undefeated optimism; all the other dancers concur. Whatever happens, they will be free of regret. What they did in their careers, they did for love, and their talent, no matter h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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