Sweet Inspiration (The Inspirational Choir Album)
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Sweet Inspiration (The Inspirational Choir Album)
''Sweet Inspiration'' is the first of two studio albums by the London gospel choir, The Inspirational Choir. It was released in 1985 and reached number 59 on the UK Album Chart and spent four weeks in the charts. Two singles were released from the album, "Abide with Me", which reached number 36 on the UK Singles Chart, and "I've Got a Feeling". Track listing Personnel * The Inspirational Choir – choir * Royal Choral Society – additional choir on "Abide with Me" * Ricky Simpson – bass guitar * Luke Tunney, Martin Dobson, Pete Thoms, Steve Gregory – brass section * Soloman Read – drums * John Francis – keyboards * Bob Carter, Phil Sawyer, Richard Gillinson, Trevor Bastow – synthesizer * Mitch Dalton, Ronnie Simpson – guitars * Don Reedman, Jeff Jarratt – record producer * John Kurlander, John Timperley, Mark Chamberlain, Mark Maguire, Mike Jarratt, Mike Ross, Peter Mew – engineers * Rosław Szaybo Rosław Szaybo (13 August 1933, Poznań – 21 May 20 ...
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The Inspirational Choir Of The Pentecostal First Born Church Of The Living God
The Inspirational Choir of the Pentecostal First Born Church of the Living God, later the name was shortened to The Inspirational Choir, were a gospel choir based in London, England. The choir was founded by John Francis, who also co-founded the London Community Gospel Choir. Their recording career began as backing vocalists for Madness on their single " Wings Of A Dove", which reached No. 2 in the UK Singles Chart. They later produced their own single, which reached No. 36 in the UK Singles Chart and a studio album, which reached No. 59 in the UK Album Chart. History The choir was founded in the early 1980s by John Francis, who also the co-founded of the London Community Gospel Choir. Francis was brought up in the church and his father was the pastor of a church in Islington, London. The Inspirational Choir of the Pentecostal First Born Church of the Living God first appeared on a Channel 4 television gospel talent show called ''Black On Black''. They came second but that led ...
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You Light Up My Life (song)
"You Light Up My Life" is a ballad written by Joseph Brooks, and originally recorded by Kasey Cisyk for the soundtrack album to the 1977 film of the same title. The song was lip synced in the film by its lead actress, Didi Conn. The best-known cover version of the song is a cover by Debby Boone, the daughter of singer Pat Boone. It held the No. 1 position on the ''Billboard'' Hot 100 chart for ten consecutive weeks in 1977 and topped ''Record World'' magazine's Top 100 Singles Chart for a record 13 weeks. Original film version Cisyk's original soundtrack recording was included in the film's soundtrack album. Then later it was released as a single to bolster sales of the soundtrack album after Debby Boone included her version on her first solo album (also titled '' You Light Up My Life''). Although the soundtrack album was certified Gold, peaking at No. 17 on the ''Billboard'' 200 albums chart, it never included Boone's hit single version of the song. Cisyk's single was cred ...
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Peter Mew
Peter Mew is a retired British music audio engineer. He worked at Abbey Road Studios, where he was the senior mastering engineer. He came to Abbey Road in 1965 as a tape operator and has since worked with many artists at the studio. Kevin Ayers of Soft Machine has called Mew "the best engineer I've ever worked with". Biography Mew has had a prolific career at the Abbey Road Studios, home base of groups like The Beatles, Pink Floyd, and recording engineers such as Alan Parsons. He was involved on the historic Syd Barrett solo recordings, and remastered his compilation albums. He started his career at Abbey Road as a tea boy, then tape-op, and finally as a recording engineer, on Pretty Things' ''S.F. Sorrow'', in 1967. He was responsible for not deadening the studio, keeping its multidimensional sound, thereby allowing the installations to be used for orchestral sessions, and giving the studio its trademark sound. During the early 1980s he pioneered the CD preparation installa ...
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John Timperley (sound Engineer)
John Timperley (11 January 1940 – 20 September 2006), was a British audio engineer, who worked on recordings of a number of important musicians and groups from the 1960s to the 1990s. Timperley was influential in the music recording industry in the United Kingdom and other countries. He gained his training at the IBC studies in London in the late 1950s, working with his long time friend, Keith Grant, primarily on classical recordings and the early pop music. He then worked at Ryemuse Studios (later known as Mayfair Studios) where he recorded Cream's first LP and numerous hits in the 1960s. He then briefly worked at Olympic Studios, before being asked to set up the new Chappell recording studios at Bond Street where he subsequently became manager and chief engineer. At this time Bing Crosby, Tony Bennett, Shirley Bassey Thelonious Monk, Count Bassie and Stephane Grappelli all recorded at Chappell under Timperly's control. During this time he was involved in the recordings ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Guitars
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ...
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ...
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Brass Section
The brass section of the orchestra, concert band, and jazz ensemble consist of brass instruments, and is one of the main sections in all three ensembles. The British-style brass band contains only brass and percussion instruments. They contain instruments given Hornbostel-Sachs classification 423 ( brass instruments). Orchestra The typical brass section of a modern orchestra is as follows: *4 French horns *2–3 Trumpets *2 Tenor trombones *1 Bass trombone *1 Tuba Concert band The brass section of the concert band is generally larger and more diverse than the brass section of the orchestra. The typical brass section of a concert band is as follows: *4–6 Trumpets and/or cornets *4 French horns *2–3 Tenor trombones *1 Bass trombone *2 Euphoniums and/or baritone horns *2 Tubas The brass instruments that are sometimes, but very rarely, used in the concert band: * Flugelhorn * Tenor (alto) Horn * Piccolo trumpet * Bass trumpet * Wagner tuba * Alto trombone * Contr ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Royal Choral Society
The Royal Choral Society (RCS) is an amateur choir, based in London. History Formed soon after the opening of the Royal Albert Hall in 1871, the choir gave its first performance as the Royal Albert Hall Choral Society on 8 May 1872 – the choir's first conductor Charles Gounod included the ''Hallelujah Chorus'' from ''Messiah'' in the inaugural concert. On 9 July 1891, the Royal Choral Society performed in a 'Grand Concert for the Visit of Their Imperial Majesties, The German Emperor and Empress', also attended by the Prince of Wales and the Duke and Duchess of Edinburgh. From the beginning, performing premieres of new choral works has been a feature of the choir's repertoire. Both Giuseppe Verdi and Antonín Dvořák conducted the choir in premières of their own works, as have Edward Roxborough, Ariel Ramírez, Raymond Premru and Geoffrey Burgon in more recent years. The choir continued to be conducted by the most eminent musicians of the day, most notably Sir Malcolm Sargen ...
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