|
Swedish Art
Swedish art refers to the visual arts produced in Sweden or by Swedish artists. Sweden has existed as a country for over 1,000 years, and for times before this, as well as many subsequent periods, Swedish art is usually considered as part of the wider Nordic art of Scandinavia. It has, especially since about 1100, been strongly influenced by wider trends in European art. After World War II, the influence of the United States strengthened substantially. Due to generous art subsidies, contemporary Swedish art has a big production per capita. Though usually not especially a major centre for art production or exporter of art, Sweden has been relatively successful in keeping its art; in particular, the relatively mild nature of the Swedish Reformation, and the lack of subsequent extensive rebuilding and redecoration of churches, has meant that with other Scandinavian countries, Sweden has had an unusually rich survival of medieval church paintings and fittings. One period when Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanum Municipality
Tanum Municipality (; ''Tanums kommun'') is a municipality in Västra Götaland County in southwestern Sweden. Its seat is the town of Tanumshede, with 1,600 inhabitants. The present municipality was formed in 1971 through the amalgamation of three former units. Before the subdivision reform of 1952, there were seven entities in the area. Etymology The parish is named after the old farm Tanum ( Norse ''Túnheimr''), since the first church was built there. The first element is ''tún'' 'country courtyard', the last element is heimr 'homestead, farm'. Towns * Grebbestad * Fjällbacka * Hamburgsund * Kämpersvik * Rabbalshede * Tanumshede Sights The rock carvings at Tanum have been declared a UNESCO World Heritage Site. The heritage area is located around the seat of Tanumshede, covering an area of 18 km2. Most carvings show men and ships. Several show animals such as oxen and horses. Tanum Municipality has made its rock carving the subject of its coat of arms. The G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notname
In art history, a ''Notname'' (, "necessity-name" or "contingency-name") is an invented name given to an artist whose identity has been lost. The practice arose from the need to give such artists and their typically untitled, or generically titled works, an acceptable if unsatisfactory grouping, avoiding confusion when cataloging. The phrases provisional name, name of convenience and emergency names are sometimes used to describe anonymous masters; nonce name was at one time used. The practice of using generic names for unidentified artists is most common in the study of art of the antiquity, especially of the Roman era or with artists of the Northern Renaissance until about 1430. Typically a pseudonym is applied after commonality is established for a grouping of works, of which a similarity of theme, style, iconography, biblical source or physical location can probably be attributed to one individual or workshop, but because of lack of surviving documentary record, the name of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantios
Byzantios is the notname of a Romanesque stone sculptor or workshop, working on Gotland in present-day Sweden during the last quarter of the 12th century. Byzantios was the first of a series of Romanesque stone sculpture workshops active on Gotland. Around a dozen decorated baptismal fonts from this time are so similar in style and execution that art historians have assumed they have the same origin. The artist has thus been labelled Byzantios. However, they may also have been made by a workshop and not by a single individual. Likewise, the origins and precise artistic roots of Byzantios are not known, but there is a general agreement on that the art of Byzantios show influences from Byzantine art of the period; hence the notname. Identity Byzantios is a notname that in strict terms refers to a group of stone sculptures from the late 12th century. Whether these were produced by a single sculptor, a workshop, or a workshop with an artistic leader has been a matter of debate since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majestatis
Majestatis ( la, Magister Majestatis Domini, ''The Master of Christ in Majesty'', usually shortened to Majestatis and sometimes referred to as the Tryde Master, fl. second half of the 12th century) was a Romanesque stone sculptor and the creator of several richly decorated baptismal fonts mainly in Scania and on Gotland (present-day Sweden). Life and works The name ''Majestatis'' is a notname assigned to the artist or workshop; it is possible that an atelier rather than a single artist was responsible for the works attributed to Majestatis. Art historian Johnny Roosval coined the name in the 20th century. It derives from a subject often used by the artist, Christ in Majesty sitting on a rainbow and surrounded by a mandorla and angels. No written sources exist about the life or background of the artist, but it has been speculated that Majestatis was trained in Burgundy or Alsace or may have come from there. Majestatis initially seems to have worked in Scania, probably for the lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Art
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic Art, Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architecture, Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and Acanthus (ornament), acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swedish History Museum
The Swedish History Museum ( sv, Historiska museet or Statens historiska museum) is a museum located in Stockholm, Sweden, that covers Swedish archaeology and cultural history from the Mesolithic period to present day. Founded in 1866, it operates as a government agency and is tasked with preserving Swedish historical items as well as making knowledge about history available to the public. The origin of the museum is the collections of art and historical objects gathered by Swedish monarchs since the 16th century. It has a number of permanent exhibitions and annually hosts special exhibitions tied to current events. Function The History Museum is part of a central museum agency called the ''Statens historiska museer'' (SHM) ("National Historical Museums"). Other museums under the aegis of this agency are The Royal Armouries, The Economy Museum, Skokloster Castle, The Hallwyl Museum the Tumba Papermill Museum. History The foundation for what was to become the Swedish His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rood
A rood or rood cross, sometimes known as a triumphal cross, is a cross or crucifix, especially the large crucifix set above the entrance to the chancel of a medieval church. Alternatively, it is a large sculpture or painting of the crucifixion of Jesus. Derivation ''Rood'' is an archaic word for ''pole'', from Old English 'pole', specifically 'cross', from , cognate to Old Saxon , Old High German 'rod'. ''Rood'' was originally the only Old English word for the instrument of Jesus Christ's death. The words and in the North (from either Old Irish or Old Norse) appeared by late Old English; ''crucifix'' is first recorded in English in the Ancrene Wisse of about 1225. More precisely, the Rood or Holyrood was the True Cross, the specific wooden cross used in Christ's crucifixion. The word remains in use in some names, such as Holyrood Palace and the Old English poem ''The Dream of the Rood''. The phrase "by the rood" was used in swearing, e.g. "No, by the rood, not so" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viking Age Art
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runestone
A runestone is typically a raised stone with a runic inscription, but the term can also be applied to inscriptions on boulders and on bedrock. The tradition began in the 4th century and lasted into the 12th century, but most of the runestones date from the late Viking Age. Most runestones are located in Scandinavia, but there are also scattered runestones in locations that were visited by Norsemen during the Viking Age. Runestones are often memorials to dead men. Runestones were usually brightly coloured when erected, though this is no longer evident as the colour has worn off. The vast majority of runestones are found in Sweden. History The tradition of raising stones that had runic inscriptions first appeared in the 4th and 5th century, in Norway and Sweden, and these early runestones were usually placed next to graves. The earliest Danish runestones appeared in the 8th and 9th centuries, and there are about 50 runestones from the Migration Period in Scandinavia. Most rune ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Romanesque Art")
