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Swedish Rhapsody No. 1
Swedish Rhapsody No. 1 ( sv, Svensk rapsodi) is the subtitle of ' ('),Full score. Wilhelm Hansen. ca.1906. a symphonic rhapsody by the Swedish composer Hugo Alfvén (1872–1960). Although it is only the first of three similarly named works, it is often simply called "the Swedish Rhapsody". The Rhapsody was written in 1903. It is the best-known piece by Alfvén, and also one of the best-known pieces of music in Sweden. The score, published around 1906, describes it as: It is scored for an orchestra consisting of 3 flutes (3rd doubling on piccolo), 3 oboes (3rd doubling on cor anglais), 2 clarinets in A (2nd doubling on E-flat clarinet), bass clarinet in A, 3 bassoons, 4 horns in F, 2 trumpets in D, 3 trombones (2 tenor, 1 bass), 1 tuba, timpani, cymbals, triangle, harpsichord, 2 harps, and strings. The Rhapsody was adapted as a ballet, ''La Nuit de St Jean'', choreographed by Jean Börlin. It was first performed by Ballets Suedois in Paris in October 1920. In popular culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhapsody (music)
A rhapsody in music is a one- movement work that is episodic yet integrated, free-flowing in structure, featuring a range of highly contrasted moods, colour, and tonality. An air of spontaneous inspiration and a sense of improvisation make it freer in form than a set of variations. The word ''rhapsody'' is derived from the gr, ῥαψῳδός, ''rhapsōidos'', a reciter of epic poetry (a rhapsodist), and came to be used in Europe by the 16th century as a designation for literary forms, not only epic poems, but also for collections of miscellaneous writings and, later, any extravagant expression of sentiment or feeling. In the 18th century, literary rhapsodies first became linked with music, as in Christian Friedrich Daniel Schubart's ''Musicalische Rhapsodien'' (1786), a collection of songs with keyboard accompaniment, together with a few solo keyboard pieces. The first solo piano compositions with the title, however, were Václav Jan Tomášek’s fifteen Rhapsodies, the firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triangle (musical Instrument)
The triangle is a musical instrument in the percussion family, and is classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is formed into a triangle shape by bending or casting methods. The instrument is usually held by a loop of some form of thread or wire at the top curve. The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being "allied" with the sistrum throughout history, but not a direct descendant. It is thought that if ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fingerstyle Guitar
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" also applied to similar string instruments such as the banjo. Music arranged for fingerstyle playing can include chords, arpeggios (the notes of a chord played one after the other, as opposed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Hit Singles & Albums
''British Hit Singles & Albums'' (originally known as ''The Guinness Book of British Hit Singles'' and ''The Guinness Book of British Hit Albums'') was a music reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HiT Entertainment (who had bought the Guinness World Records brand). It listed all the singles and albums featured in the Top 75 pop charts in the UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as ''British Hit Singles'' and ''British Hit Albums''. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to The Jim Pattison Group, owner of ''Ripley's Believe It or Not!''. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books brand. Entitled ''The Virgin Book of British Hit Singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Martin (orchestra Leader)
Ray Martin (Raymond Stuart Martin; born Kurt Kohn and later anglicised his name) (11 October 1918 – 7 February 1988) was an Austrian-British orchestra leader. He was noted for his light music compositions. Allmusic journalist Bradley Torreano stated, "Ray Martin created a legacy for himself in British popular music through his work with his orchestra during the 1950s. His regular appearances on radio and television kept him in the public spotlight, while his position at EMI Records made him an influential producer at the label. His use of pseudonyms has blurred the path of his career through the years, making his many contributions even harder to keep track of. But his original compositions are what really made him popular; tracks like "Marching Strings" have become stables 'sic''of many public and city bands and orchestras since their release". Career Raymond Stuart Martin was born as Kurt Kohn into a liberal Jewish family in Vienna, Austria. His first steps into music came ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantovani
Annunzio Paolo Mantovani (; 15 November 1905 – 29 March 1980) was an Anglo-Italian conductor, composer and light orchestra-styled entertainer with a cascading strings musical signature. The book ''British Hit Singles & Albums'' stated that he was "Britain's most successful album act before the Beatles ... the first act to sell over one million stereo albums and avesix albums simultaneously in the US Top 30 in 1959". Biography Mantovani was born in Venice, Italy, into a musical family. His father, Benedetto Paolo "Bismarck" Mantovani, was a violinist and served as the concertmaster of La Scala opera house's orchestra in Milan, under the baton of Arturo Toscanini. The family moved to England in 1912, where young Annunzio studied at Trinity College of Music in London. After graduation, he formed his own orchestra, which played in and around Birmingham. He married Winifred Moss in 1934, having two children: Kenneth (born 12 July 1935) and Paula Irene (born 11 April 1939) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Faith
Percy Faith (April 7, 1908 – February 9, 1976) was a Canadian-American bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards. He is often credited with popularizing the "easy listening" or "mood music" format. He became a staple of American popular music in the 1950s and continued well into the 1960s. Though his professional orchestra-leading career began at the height of the Swing Era, he refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s. Biography Faith was born and raised in Toronto, Ontario, Canada. He was the oldest of eight children. His parents, Abraham Faith and Minnie, née Rottenberg, were Jewish. He played violin and piano as a child, and played in theatres and at Massey Hall. After his hands were badly burned in a fire, he turned to conducting, and his live orchestras used the new medium of radio broa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stranger Left No Card
''The Stranger Left No Card'' is a 1952 British short film directed by Wendy Toye. The film won the Best Fiction award at the 1953 Cannes Film Festival, where it was described as "a masterpiece" by Jean Cocteau. It marked the film debut of actor Alan Badel. Plot Alan Badel plays the stranger, who arrives in a small town, costumed as a flamboyant itinerant magician with a folding bag of tricks. After a week in town, where the outrageous behaviour of 'Napoleon' soon gives him a reputation for harmless, flamboyant buffoonery, he visits a businessman. The businessman is known to keep regular hours and the stranger bedevils him with irritating magic tricks. The last of these tricks leaves the man handcuffed in his office. Slowly, speaking all the while, Napoleon's monologue grows slower and sadder. It turns out he's been in costume for a week to confuse witnesses: he removes the lifts from his shoes, to reveal his actual short height, false beard, eyebrows and wig, to show his face. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Culture
Popular culture (also called mass culture or pop culture) is generally recognized by members of a society as a set of practices, beliefs, artistic output (also known as, popular art or mass art) and objects that are dominant or prevalent in a society at a given point in time. Popular culture also encompasses the activities and feelings produced as a result of interaction with these dominant objects. The primary driving force behind popular culture is the mass appeal, and it is produced by what cultural analyst Theodor Adorno refers to as the "culture industry". Heavily influenced in modern times by mass media, this collection of ideas permeates the everyday lives of people in a given society. Therefore, popular culture has a way of influencing an individual's attitudes towards certain topics. However, there are various ways to define pop culture. Because of this, popular culture is something that can be defined in a variety of conflicting ways by different people across diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Börlin
Jean Börlin was a Swedish dancer and choreographer, who was born in Härnösand on March 13, 1893 and who died in New York on December 6, 1930. He worked with Michel Fokine, who was his teacher in Stockholm. Biography Jean Börlin was held in high esteem by Michel Fokine, who will later say of the Swedish dancer, "He is the one who looks the most like me! A natural! An ecstasy! The fanatic sacrifice of a bruised body to give the maximum of choreographic expression". Trained at the Royal Swedish Ballet, he joined the troupe in 1905 and was named first dancer by Fokine in 1913. He joined his master in Copenhagen in 1918, then traveled to Europe and discovered modern dance. Recommended by Fokine, he was recruited for the newly formed Ballets suédois by Rolf de Maré. This marked his first steps as a choreographer; the vast majority of Ballets suédois choreographies bear his name. He danced for the company at a time when it was in constant competition with Sergei Diaghilev's Ballets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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