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Svipul
In Norse mythology, Svipul (Old Norse "changeable"Simek (2007:308).) is a valkyrie. Svipul is attested among valkyrie list in the poem ''Darraðarljóð'' and the longer of the two '' Nafnaþulur'' valkyrie lists in the ''Poetic Edda'' book ''Skáldskaparmál''. In addition, the name Svipul appears as a synonym for "battle" in ''Skáldskaparmál''. Rudolf Simek theorizes that the name ''Svipul'' presumably refers to the changeable nature of fate Destiny, sometimes referred to as fate (from Latin ''fatum'' "decree, prediction, destiny, fate"), is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual. Fate Although often ..., whose directors the valkyries are represented as being, especially in ''Darraðarljóð''. Notes References * Simek, Rudolf (2007) translated by Angela Hall. ''Dictionary of Northern Mythology''. D.S. Brewer {{Valkyries Valkyries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valkyrie
In Norse mythology, a valkyrie ("chooser of the slain") is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become (Old Norse "single (or once) fighters"Orchard (1997:36) and Lindow (2001:104).). When the are not preparing for the events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses. Valkyries are attested in the ''Poetic Edda'' (a book of poems compiled in the 13th century from earlier traditional sources), the ''Prose Edda'', the (both by Snorri Sturluson) and the (one of the Sagas of Icelanders), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds, in a 14th-century charm, and in various runic inscriptions. The Old English cognate term appears in several Old E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darraðarljóð
''Darraðarljóð'' is a skaldic poem in Old Norse found in chapter 157 of ''Njáls saga''. The song, which is seen in a vision by a man named Dorrud, the song consists of 11 stanzas, and within it twelve :valkyries weave and choose who is to be slain at the Battle of Clontarf (fought outside Dublin in 1014). Their loom uses human entrails as warp and woof, swords as treadles, an arrow as the batten and men's heads as weights. Of the twelve valkyries weaving, six of their names are given: Hildr, Hjörþrimul, Sanngriðr, Svipul, Guðr, and Göndul. Stanza 9 of the song reads: :Now awful it is to be without, :as blood-red rack races overhead; :is the welkin gory with warriors' blood :as we valkyries war-songs chanted.Hollander (1980:68). At the end of the poem, the valkyries sing "start we swiftly with steeds unsaddled—hence to battle with brandished swords!" The poem may have influenced the concept of the Three Witches in Shakespeare's ''Macbeth''.Simek (2007:57). Darrað or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norse Mythology
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse, ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), Old East Norse, ''Old East Norse'' or ''Old East Nordic'', and ''Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nafnaþulur
''Nafnaþulur'' (Old Norse: ) is a subsection of the ''Prose Edda'', the last part of the ''Skáldskaparmál ''Skáldskaparmál'' (Old Norse: 'The Language of Poetry'; c. 50,000 words; ; ) is the second part of the ''Prose Edda''. The section consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in ...''. It is a listing in verse of names that may be used in poetry for various items, such as gods, giants, people, animals, and weapons. The verses are not in all manuscripts of the ''Edda'' and appear independently, and are probably a later addition to Snorri's original composition; they may have been one of its sources. Jan de Vries, ''Altnordische Literaturgeschichte'' volume 2, Berlin: de Gruyter, 1967pp. 225-26 They are often omitted from editions and translations of the ''Edda''. References External links (verses 1-20; continues Skaldic poetry Sources of Norse mythology {{norse-myth-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Edda
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic medieval manuscript known as the ''Codex Regius'', which contains 31 poems. The ''Codex Regius'' is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the ''Codex Regius'' include Vilhelm Ekelund, August Stri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skáldskaparmál
''Skáldskaparmál'' (Old Norse: 'The Language of Poetry'; c. 50,000 words; ; ) is the second part of the ''Prose Edda''. The section consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in which both Norse mythology and discourse on the nature of poetry are intertwined. The origin of a number of ''kennings'' is given; then Bragi delivers a systematic list of ''kennings'' for various people, places and things. He then goes on to discuss poetic language in some detail, in particular ''heiti'', the concept of poetical words which are non-periphrastic (like ''steed'' for ''horse''), and again systematises these. This in a way forms an early form of poetic thesaurus. References Bibliography * Further reading * Anthony Faulkes"The sources of ''Skáldskaparmál'': Snorri’s intellectual background" in: Alois Wolf (ed.), ''Snorri Sturluson'', Volume 51 of ScriptOralia, Gunter Narr Verlag (1993), 59–76. External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Simek
Rudolf Simek (born 21 February 1954) is an Austrian philologist and religious studies scholar who is Professor and Chair of Ancient German studies, German and Scandinavian studies, Nordic Studies at the University of Bonn. Simek specializes in Germanic studies, and is the author of several notable works on Germanic paganism, Germanic religion and Germanic mythology, mythology (including Old Norse religion and Norse mythology, mythology), Germanic peoples, Vikings, Old Norse literature, and the culture of Medieval Europe. Biography Since 1995, Simek has been Professor and Chair of Ancient German and Nordic Studies at the University of Bonn. Simek was appointed Professor of Comparative Religion at the University of Tromsø in 1999, and Professor of Old Nordic Studies at the University of Sydney in 2000. Simek has held a number of visiting professorships, having had long research stays at the universities of Reykjavík University, Reykjavik, University of Copenhagen, Copenhagen, Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyrd
Wyrd is a concept in Anglo-Saxon culture roughly corresponding to fate or personal destiny. The word is ancestral to Modern English ''weird'', whose meaning has drifted towards an adjectival use with a more general sense of "supernatural" or "uncanny", or simply "unexpected". The cognate term to ''wyrd'' in Old Norse is , with a similar meaning, but also personified as a deity: Urðr (anglicized as ), one of the Norns in Norse mythology. The word also appears in the name of the well where the Norns meet, Urðarbrunnr. Etymology The Old English term derives from a Proto-Germanic term . ''Wyrd'' has cognates in Old Saxon , Old High German , Old Norse , Dutch (to become), and German . The Proto-Indo-European root is meaning 'to twist', which is related to Latin ''vertere'' 'turning, rotating', and in Proto-Germanic is with a meaning 'to come to pass, to become, to be due'. The same root is also found in , with the notion of 'origin' or ' worth' both in the sense of 'connotati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boydell & Brewer
Boydell & Brewer is an academic press based in Woodbridge, Suffolk, England, that specializes in publishing historical and critical works. In addition to British and general history, the company publishes three series devoted to studies, editions, and translations of material related to the Arthurian legend. There are also series that publish studies in medieval German and French literature, Spanish theatre, early English texts, in other subjects. Depending on the subject, its books are assigned to one of several imprints in Woodbridge, Cambridge (UK), or Rochester, New York, location of its principal North American office. Imprints include Boydell & Brewer, D.S. Brewer, Camden House, the Hispanic series Tamesis Books ("Tamesis" is the Latin version of the River Thames, which flows through London), the University of Rochester Press, James Currey, and York Medieval Press. The company was co-founded by historians Richard Barber and Derek Brewer in 1978, merging the two companies B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
