Suzy Lake
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Suzy Lake
Suzy Lake (born June 24, 1947) is an American-Canadian artist based in Toronto, Canada, who is known for her work as a photographer, performance artist and video producer. Using a range of media, Lake explores topics including identity, beauty, gender and aging. She is regarded as a pioneering feminist artist and a staunch political activist. Life Lake was born June 24, 1947 in Detroit, Michigan."Suzy Lake", in ''Contemporary Canadian Artists'', Gale Canada, 1997, editor Roger Matuz She began her fine art studies at Wayne State University and Western Michigan University in Kalamazoo, Michigan from 1965 to 1968. During this period, she became involved with the anti-war and civil rights movements of the 1960s. She also witnessed the Detroit Race Riots of 1967. Soon after, in 1968 Lake immigrated to Canada with her husband to escape the Vietnam War draft. Settling in Montreal, she found herself amidst social upheaval as a result of the Quiet Revolution. Lake completed a Master of ...
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Conceptual Artist
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual a ...
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Self-portrait
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Roberta Smith
Roberta Smith (born 1948) is co-chief art critic of ''The New York Times'' and a lecturer on contemporary art. She is the first woman to hold that position. Early life Born in 1948 in New York City and raised in Lawrence, Kansas. Smith studied at Grinnell College in Iowa. Her career in the arts started in 1968, while an undergraduate summer intern at the Corcoran Gallery of Art in Washington D.C. Career In 1968-1969 she participated in the Art History/Museum Studies track of the Whitney Independent Study Program (ISP) where she met and developed an affinity for Donald Judd and became interested in minimal art. After graduation, she returned to New York City in 1971 to take a secretarial job at the Museum of Modern Art, followed by part-time assistant jobs to Judd in the early 1970s, and Paula Cooper for the first three years that she had her Paula Cooper Gallery, beginning in 1972. While at the Paula Cooper Gallery Smith wrote exhibition reviews for ''Artforum'', and subsequent ...
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Front De Libération Du Québec
The (FLQ) was a Marxist–Leninist and Quebec separatist guerrilla group. Founded in the early 1960s with the aim of establishing an independent and socialist Quebec through violent means, the FLQ was considered a terrorist group by the Canadian government. It conducted a number of attacks between 1963 and 1970,Reich, Walter. ''Origins of Terrorism''. 1998, page 88 which totaled over 160 violent incidents and killed eight people and injured many more. These attacks culminated with the Montreal Stock Exchange bombing in 1969 and the October Crisis in 1970, the latter beginning with the kidnapping of British Trade Commissioner James Cross. In the subsequent negotiations, Quebec Labour Minister Pierre Laporte was kidnapped and murdered by a cell of the FLQ. Public outcry and a federal crackdown subsequently ended the crisis and resulted in a drastic loss of support for the FLQ, with a small number of FLQ members being granted refuge in Cuba. FLQ members practiced propaganda of th ...
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Les Levine
Les Levine (born 1935) is a naturalized American Irish artist known as a pioneer of video art and as a conceptual artist working with mass communication. In 1967, Levine won first prize for sculpture in the Canadian Sculpture Biennial. Life and work A graduate of the Central School of Art and Design in London, Levine first moved to Canada in 1960. He eventually settled in New York City in 1964 and became a resident artist at the Nova Scotia College of Art and Design in Halifax, Nova Scotia in 1973. Early in his career, Levine introduced the idea of a disposable art and was given the nickname Plastic Man. In 1965, Levine, with Nam June Paik, were among the first artists to buy and use portapaks. Thus he was one of the first artists to try television as a medium for the dissemination of art. He has also used the telephone for this purpose, as well. In 1969 he exhibited ''White Sight'' at the Fischbach Gallery, a work consisting of a room as the inside of a featureless whitecube i ...
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Art Gallery
An art gallery is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The long gallery in Elizabethan and Jacobean houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for religious art as objects of ritual or the depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums. Among the modern reasons art may be displayed are aesthetic enjoyment, education, historic preservation, or for marketing purposes. The term is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that preserve a permanent collection may be called either "gallery of art" or "museum ...
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Conceptualism
In metaphysics, conceptualism is a theory that explains universality of particulars as conceptualized frameworks situated within the thinking mind. Intermediate between nominalism and realism, the conceptualist view approaches the metaphysical concept of universals from a perspective that denies their presence in particulars outside the mind's perception of them. Conceptualism is anti-realist about abstract objects, just like immanent realism is (their difference being that immanent realism accepts there are mind-independent facts about whether universals are instantiated). History Medieval philosophy The evolution of late scholastic terminology has led to the emergence of conceptualism, which stemmed from doctrines that were previously considered to be nominalistic. The terminological distinction was made in order to stress the difference between the claim that universal mental acts correspond with universal intentional objects and the perspective that dismissed the existenc ...
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Guido Molinari
Guido Molinari (October 12, 1933 – February 21, 2004) was a Canadian artist, known internationally for his serial abstract paintings. Biography Molinari was born in Montreal, Quebec to Italian heritage with his parents from Cune (Borgo a Mozzano, Tuscany) and Naples, Campania. He began painting at age 13, and his existentialist approach to art was formed during a bout with tuberculosis at age 16, during which he read Nietzsche, Sartre, Piaget, and Camus. He studied at the École des beaux-arts de Montréal (1948-1950) and the Montreal Museum of Fine Arts (1951), studying with Marian Scott and Gordon Webber. He practiced abstraction in New York, inspired by Barnett Newman, and Jackson Pollock, then returned to Montreal where he founded the Galerie L’Actuelle and helped create the Non-Figurative Artists Association. He married Fernande Saint-Martin in 1958. Throughout the 1960s, Molinari made works consisting of vertical bands of equal width placed on a flat picture p ...
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Minimalist Art
Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices. History Minimalism in visual art, generally referred to as "minimal art", ''literalist art'', and '' ...
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Glass Ceiling
A glass ceiling is a metaphor usually applied to women, used to represent an invisible barrier that prevents a given demographic from rising beyond a certain level in a hierarchy.Federal Glass Ceiling Commission''Solid Investments: Making Full Use of the Nation's Human Capital''. Washington, D.C.: U.S. Department of Labor, November 1995, p. 13-15. No matter how invisible the glass ceiling is expressed, it is actually a difficult obstacle to overcome. The metaphor was first used by feminists in reference to barriers in the careers of high-achieving women.Federal Glass Ceiling Commission''Good for Business: Making Full Use of the Nation's Human Capital.'' Washington, D.C.: U.S. Department of Labor, March 1995. It was coined by Marilyn Loden during a speech in 1978. In the United States, the concept is sometimes extended to refer to racial inequality in the United States. Minority women in white-majority countries often find the most difficulty in "breaking the glass ceiling" beca ...
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Social Norm
Social norms are shared standards of acceptance, acceptable behavior by groups. Social norms can both be informal understandings that govern the behavior of members of a society, as well as be codified into wikt:rule, rules and laws. Social normative influences or social norms, are deemed to be powerful drivers of human behavioural changes and well organized and incorporated by major theories which explain human behaviour. Institutions are composed of multiple norms. Norms are shared social beliefs about behavior; thus, they are distinct from "ideas", "Attitude (psychology), attitudes", and "Value (ethics), values", which can be held privately, and which do not necessarily concern behavior. Norms are contingent on context, social group, and historical circumstances. Scholars distinguish between regulative norms (which constrain behavior), constitutive norms (which shape interests), and prescriptive norms (which prescribe what actors ''ought'' to do). The effects of norms can be det ...
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Cindy Sherman
Cynthia Morris Sherman (born January 19, 1954) is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters. Her breakthrough work is often considered to be the collected '' Untitled Film Stills'', a series of 70 black-and-white photographs of herself evoking typical female roles in performance media (especially arthouse films and popular B-movies). In the 1980s, she used color film and large prints, and focused more on costume, lighting and facial expression. Early life and education Sherman was born on January 19, 1954, in Glen Ridge, New Jersey, the youngest of the five children of Dorothy and Charles Sherman. Shortly after her birth, her family moved to the township of Huntington, Long Island. Her father worked as an engineer for Grumman Aircraft. Her mother taught reading to children with learning difficulties.Simon Hattenstone (January 15, 2011)Sherman: Me, myself and I'' ...
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