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Suréna
''Suréna'' is a tragedy by the French dramatist Pierre Corneille, first performed in 1674. It is the author's last play. The plot is roughly based on the life of the Parthian general Surena or Suren who defeated the Romans at the Battle of Carrhae The Battle of Carrhae () was fought in 53 BC between the Roman Republic and the Parthian Empire near the ancient town of Carrhae (present-day Harran, Turkey). An invading force of seven legions of Roman heavy infantry under Marcus Licinius Cr ... in 53 BC. External links ''Suréna'' in French at Wikisource''Suréna'' and its performances Plays by Pierre Corneille Tragedy plays Plays set in the 1st century BC {{17thC-play-stub ...
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Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, '' Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' ( Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 1 ...
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Surena
Surena or Suren, also known as Rustaham Suren (died 53 BC) was a Parthian '' spahbed'' ("general" or "commander") during the first century BC. He was the leader of the House of Suren and was best known for defeating the Romans in the Battle of Carrhae. Under his command Parthians decisively defeated a numerically superior Roman invasion force under the command of Marcus Licinius Crassus. It is commonly seen as one of the earliest and most important battles between the Roman and Parthian empires and one of the most crushing defeats in Roman history. "Surena" remains popular as a name in Iran and it is sometimes pronounced as “Sorena”. "Surena" is the Greek and Latin form of ''Sûrên''. or ''Sūrēn''.. As "Suren", the name remains common in Armenia.. ''Suren'' means "the heroic one, Avestan ''sūra'' (strong, exalted).". Context In '' Life of Crassus'' 21, written c. 125 years after the commander's time, Plutarch described Surena as "an extremely distinguished man. In we ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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Parthia
Parthia ( peo, 𐎱𐎼𐎰𐎺 ''Parθava''; xpr, 𐭐𐭓𐭕𐭅 ''Parθaw''; pal, 𐭯𐭫𐭮𐭥𐭡𐭥 ''Pahlaw'') is a historical region located in northeastern Greater Iran. It was conquered and subjugated by the empire of the Medes during the 7th century BC, was incorporated into the subsequent Achaemenid Empire under Cyrus the Great in the 6th century BC, and formed part of the Hellenistic Seleucid Empire following the 4th-century-BC conquests of Alexander the Great. The region later served as the political and cultural base of the Eastern Iranian Parni people and Arsacid dynasty, rulers of the Parthian Empire (247 BC – 224 AD). The Sasanian Empire, the last state of pre-Islamic Iran, also held the region and maintained the seven Parthian clans as part of their feudal aristocracy. Name The name "Parthia" is a continuation from Latin ', from Old Persian ', which was the Parthian language self-designator signifying "of the Parthians" who were an Iranian ...
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Roman Empire
The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post- Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterranean Sea in Europe, North Africa, and Western Asia, and was ruled by emperors. From the accession of Caesar Augustus as the first Roman emperor to the military anarchy of the 3rd century, it was a Principate with Italia as the metropole of its provinces and the city of Rome as its sole capital. The Empire was later ruled by multiple emperors who shared control over the Western Roman Empire and the Eastern Roman Empire. The city of Rome remained the nominal capital of both parts until AD 476 when the imperial insignia were sent to Constantinople following the capture of the Western capital of Ravenna by the Germanic barbarians. The adoption of Christianity as the state church of the Roman Empire in AD 380 and the fall of the Western ...
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Battle Of Carrhae
The Battle of Carrhae () was fought in 53 BC between the Roman Republic and the Parthian Empire near the ancient town of Carrhae (present-day Harran, Turkey). An invading force of seven legions of Roman heavy infantry under Marcus Licinius Crassus was lured into the desert and decisively defeated by a mixed cavalry army of heavy cataphracts and light horse archers led by the Parthian general Surena. On such flat terrain, the Legion proved to have no viable tactics against the highly-mobile Parthian horsemen, and the slow and vulnerable Roman formations were surrounded, exhausted by constant attacks, and eventually crushed. Crassus was killed along with the majority of his army. It is commonly seen as one of the earliest and most important battles between the Roman and Parthian Empires and one of the most crushing defeats in Roman history. According to the poet Ovid in Book 6 of his poem ''Fasti'', the battle occurred on the 9th day of June. Crassus, a member of the Firs ...
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Plays By Pierre Corneille
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Ti ...
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Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a frac ...
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