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Suryakantham
Suryakantam or Sooryakantam (pronounced sūryakāntam) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 17th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Chāyāvati in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 5th rāgam in the 3rd ''chakra Agni''. The mnemonic name is ''Agni-Ma''. The mnemonic phrase is ''sa ra gu ma pa dhi nu''. Its ' structure (ascending and descending scale) is as follows (see Swara#Svaras in Carnatic music, ''swaras'' in Carnatic music for details on below notation and terms): *Arohana, : *Avarohana, : This scale uses the ''swaras'', ''shuddha rishabham, antara gandharam, shuddha madhyamam, chathusruthi dhaivatham'' and ''kakali nishadham''. As it is a ''melakarta'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sooryakantam Scale
Suryakantam or Sooryakantam (pronounced sūryakāntam) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 17th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Chāyāvati in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 5th rāgam in the 3rd ''chakra Agni''. The mnemonic name is ''Agni-Ma''. The mnemonic phrase is ''sa ra gu ma pa dhi nu''. Its ' structure (ascending and descending scale) is as follows (see Swara#Svaras in Carnatic music, ''swaras'' in Carnatic music for details on below notation and terms): *Arohana, : *Avarohana, : This scale uses the ''swaras'', ''shuddha rishabham, antara gandharam, shuddha madhyamam, chathusruthi dhaivatham'' and ''kakali nishadham''. As it is a ''melakarta'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhadrachala Ramadasu
Kancharla Gopanna ( te, కంచర్ల గోపన్న) ( – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu ( te, భద్రాచల రామదాసు), was a 17th-century devotee of the Hindu god Rama, a saint-poet and a composer of Carnatic music. He is a famous ''Vaggeyakara'' (classical composer) from the Telugu classical era. He was born in the village of Nelakondapalli in Khammam district, and orphaned as a teenager. He spent his later years in Bhadrachalam and 12 years in solitary confinement at the Golconda prison during the Qutb Shahi-rule. Different mythical stories about his life circulate in the Telugu tradition. He is renowned for constructing the famous Sita Ramachandraswamy Temple and pilgrimage center on the banks of river Godavari at Bhadrachalam. His devotional ''kirtana'' lyrics to Rama illustrate the classical Pallavi, Anupallavi and Caranam genre composed mostly in Telugu, some in Sanskrit and with occasional use of Tamil l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasantha (raga)
Vasantha (pronounced vasantā) is a raga in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' raga of '' Suryakantam'', the 17th '' Melakarta'' raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications According to P, Subba Rao, majority opinion is that the raga is derived from ''Mayamalavagowla'', the 15th ''Melakarta'' raga.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Vasantha'' is suitable to be sung in evening and is considered an auspicious raga. Structure ''Vasantha'' is an asymmetric scale that does not contain ''panchamam''. It is called a ''vakra audava-shadava'' raga, malathiga structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * ārohaṇa : * avarohaṇa : This scale uses the notes shadjam, shuddha rishabham, antara gandharam, shuddha madhyamam, chathusruthi dhaivatham and kakali nishadam. Popular compositions ''Vasant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senavati
Senavati (pronounced sēnāvati) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 7th ''melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Senāgrani in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 1st rāgam in the 2nd ''chakra Netra''. The mnemonic name is ''Netra-Pa''. The mnemonic phrase is ''sa ra gi ma pa dha na''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
