Surreal Film
   HOME
*





Surreal Film
Surrealist cinema is a modernist approach to film theory, film criticism, criticism, and production with origins in Paris in the 1920s. The movement used shocking, irrational, or absurd imagery and Sigmund Freud, Freudian dream symbolism to challenge the traditional function of art to represent reality. Related to Dada cinema, Surrealist cinema is characterized by juxtapositions, the rejection of dramatic psychology, and a frequent use of shocking imagery. Philippe Soupault and André Breton’s 1920 book collaboration ''Les Champs magnétiques'' is often considered to be the first Surrealist work, but it was only once Breton had completed his ''Surrealist Manifesto'' in 1924 that ‘Surrealism drafted itself an official birth certificate.’ Surrealist films of the twenties include René Clair's ''Entr'acte (film), Entr'acte'' (1924), Fernand Léger's ''Ballet Mécanique'' (1924), Jean Renoir's ''The Whirlpool of Fate, La Fille de l'Eau'' (1924), Marcel Duchamp's ''Anemic Cinema'' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Film Theory
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's ''Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE